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Max P

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  1. Thanks
    Max P reacted to Multi4G in Affinity Photo: TOP 6 NEW Functions in 1.7 Update - You need to know this   
    Best NEW Functions in 1.7 Affinity Photo Update. Find out the most useful new features added to the Photo Editing Software from Serif.
    Get the FREE Brushes here:
    https://gumroad.com/l/freebrushesvol1/freebrushes  
    OR Get 17 Brushes for ONLY 5$: https://gum.co/MJZT  
    OR Get 27 Brushes for ONLY 10$: https://gum.co/UTHqY
    Full Live Stream (recording):
    https://www.youtube.com/watch?v=-q6IUn6uVAI
    Brush Functions Explained (without SubBrushes)
    https://www.youtube.com/watch?v=k1z8xGFiSLk

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  2. Like
    Max P reacted to Multi4G in Affinity Photo: Epic Clouds Tutorial - Shape Clouds - Create God Rays   
    Easy guide to create dramatic clouds and god rays from any cloudy sky. I will show you how to use blend ranges, blend modes and masks to make clouds stand out. This beginner tutorial shows you some easy techniques to make a sky look impressive and still keep the natural feel and colors. 

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    Photo used: https://pixabay.com/photos/cloudy-clouds-sky-weather-4164534/
  3. Like
    Max P got a reaction from John Rostron in Subtle Sharpening   
    fine, not agressive,
    tested on pictures with many elements, it allows to bring out certain details, including colorically with subtlety
    Thank
     
  4. Like
    Max P got a reaction from John Rostron in Subtle Sharpening   
    fine, not agressive,
    tested on pictures with many elements, it allows to bring out certain details, including colorically with subtlety
    Thank
     
  5. Like
    Max P reacted to Affinidesigner in Subtle Sharpening   
    Here is a macro for AP Photo that I created for a subtle sharpening that does not cause image to become grainy. Take it, try it, and tell me what you think! NW
    Subtle Sharpening.afmacro
  6. Thanks
    Max P got a reaction from John Rostron in Saturate a photo using subtract mode   
    @ john  sorry , english is not so evident for me. 
    I try the macro with only one  background layer,  I send you the file.  1.7 Version I hope it's good.  Say me if you want a 1.6 version.
    usually modulate  opacity on the color layer or the duplicate is enough.  L layer with curves  for correct the global images or part must be use in some cases.s
     
    @Hanshab,
    it's ok for me and I understand  your comment.
    John.afphoto
  7. Like
    Max P got a reaction from John Rostron in Saturate a photo using subtract mode   
    Hanshab,
    In a precedent  thread  about Saturation  mask  you have propose the Mode L*a*b* for this.
    This message incitate me to explore it, as you said  at this time, it's more easy more logic
      My 1.7  macro lab  Lab .afmacros
    Process use
     
    I tried The image of John
    Click on the macro
    You have Luminance L  and Color  (ab) at this point nothing new compare with background desactivate this last  one
    Duplicate color layer  put in saturation mode and made groupe Multiply mode
    adapt with opacity,  Big effect..
    eventually use Luminance layer curve , here not use perhaps local correction on over lumonosity on white  inflorescence,  here white is not color)
     
    here not use perhaps local correction  for the "over luminosity" on white  inflorescence , here white is not color
     

  8. Like
    Max P got a reaction from DM1 in LAB color Lightness decoupling and use   
    here is my file Lab 2.odt   with the  good link. I see  my pdf have some problem about it...
     
  9. Like
    Max P reacted to voidsea in Please add HSLuv support to color sliders   
    In my projects, I'm largely relying on CIELAB colors.
    But the LAB sliders alone are really hard to scroll along Hue.
    Then I found this variant of LAB: HSLuv. It would greatly save my time dealing with CIELAB colors.
    Details and sample implementations can be found at http://www.hsluv.org/
  10. Like
    Max P got a reaction from dmstraker in Saturation Mask   
    Hi
    A very interesting exchange ...
    'What makes a good photo good?" 
    I am  sensitive to the influence of landscape picture painting and found this interesting link  https://www.davemorrowphotography.com/color-theory-photography 
    Dave, I finally saw no difference with Tony Kuyper's approach explained in his second page about saturation, a regret Photo is not compatible with his  panels
     
     
  11. Like
    Max P got a reaction from unni in Luminosity mask macros - conventional method   
    I also saw these pages, but I had trouble extrapolating with the last page and uses the  blend range  for make it.
    I want to try different methods and have the necessary perspective
    I regret the impossibility of scripts with Affinity Photo, and the opportunity for improvement by third parties. one day perhaps...
    thanks for your explanation and the detail...  I have to use it

     
     
     
     
     
  12. Like
    Max P got a reaction from wigglepixel in Tutorial on Color Models, Color Spaces and Color Profiles (two-part)   
    Very Good Thank
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