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Smee Again

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About Smee Again

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  1. Trying an old masking method along with different blend modes ... made me think of the old "black velvet" paintings from the 1970's.
  2. Smee Again

    Portrait with Frequency Separation

    Well, as mistake prone creatures, we all can improve --- can't get much better than that for a first try though.
  3. Smee Again

    Portrait with Frequency Separation

    Even more impressed. Again, nice work!
  4. Smee Again

    Portrait with Frequency Separation

    Nice work, but I agree with Alfred about it being more interesting if we saw the ---ahem--- "before, after" (a poke at Unmesh Dinda from PixImperfect).
  5. I watch most of the tutorials by Piximperfect on Youtube. He recently referred to a site called PSD Battles (http://www.psdbattles.com) where you can make fun edits to others' images and share them. I hit a funny bone with me when I saw what others were doing, and thought some here might like to have a go at it. It's currently in beta, and I'm not sure how it will eventually work but have a look. Here are a couple of images I submitted: A frozen frog and Squirrel Elton John
  6. Smee Again

    Colorizing Old Photos

    Thank you.
  7. Smee Again

    Colorizing Old Photos

    Still learning by experimenting, but think I'm getting better --- thanks to Ability Photo. I had been using Corel Paint Shop Pro 2018, but it has been cast aside because I can come closer to the results I want. I definitely prefer the workflow with Ability. I found a site where someone saved a bunch of glass negatives from a photography studio that went back as far as the 1890's (possibly earlier). Here is the original image and the incomplete colorized image. I wasn't able to complete it today ... separating the sky and the foliage is going to take some extra time. I liked the result I got with the lace on her left side - both around her neck and especially at the cuff of her left arm. It was surprisingly fast and simple.
  8. Smee Again

    Couple of fun images ...

    Thank you.
  9. Smee Again

    Couple of fun images ...

    Addicted. That's how one of my customers describes my relationship with AP First image multiple textures, blend modes, and a bit of "blend-if". Second image composite using blend-if and masking.
  10. I keep reading that particleshop crashes Affinity Photo. Went to the plugins list, and yes athentech's perfectly clear is listed, but so is particleshop. I'm running a laptop with 4 gigs memory, an AMD A8 processor, and Win 10. It works as well with Affinity as it did with Corel's Paintshop Pro 2018. Bought Affinity after Corel started playing games with their licensing, and was hoping I could keep the plugins that were bundled with versions 6 - 2018. Some work, some don't. I had already used it on my desktop (8 gigs memory, AMD 4 core processor, Win 10) with the same results as above. You may want to recheck particleshop's compatibility with Affinity.
  11. Thanks for the tip ... I seldom "paint" beyond working with masks so I've been using the basic brushes --- solid, 100% opacity, 100% flow (mostly), hardness 80-100% (depending on what I"m working on). I had just converted my daughter from using Serif PhotoPlus X4 to using Corel's Paintshop Pro 2018 before I purchased Affinity. She's been curious about the difference and may have tinkered with it while I was at work. At least I know now what I was seeing and can remedy it if I see it again. Thanks to everyone who helped.
  12. That is how I use the tool ... opacity slider under the color panel 100% ... opacity slider for the brush 100% ... colors either 255,255,255 or 0,0,0 ... wet edges --- don't remember turning that on as I have no idea how to use it or when it would be of use, but it was turned on. Thanks.
  13. Doing some masking for a project, but what I have noticed is that none of the brushes will give me an actual 100% fil when working with a mask. I have to paint the area multiple times even though the opacity is set to 100%, the flow is set to 100% and even the hardness is set to 100% When painting, there is always a halo in areas that I'm trying to mask out or a small bit of transparency to areas I'm trying to show. Have I missed a setting???
  14. It's just me, but I would probably make a duplicate layer of the original image. Then I would sharpen that image using live filters (first "clarity", then "high pass") and fiddle with the adjustments until I got the best results I could. Next step, create a mask for the top layer. Make sure the mask is selected and press <CTRL>+I to invert the mask. This will make the duplicate layer invisible. Then I would grab a soft brush and, painting on the mask with white, I would paint on the faces that I wanted to sharpen. Remember to use a soft brush and reduce the flow to around 30 (or less). Paint only the areas you want to reveal ("White reveals, black conceals"). If you reveal too much, swap over to black and paint on the mask in the areas that you don't want seen.
  15. I'm designing a watermark, and part of the process I used in another program involved creating a white drop shadow on one side of the image and a black drop shadow on the opposite side (usually at 135 degrees for the white and 315 for the black). No problems here creating the black drop shadow, but the white shadow does not work at all.
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