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In my entire country (and we're called first world), a lot of people is on 30/30 MB, "fiber", and some even yet DSL (well, lots of rural areas. Some don't even have any form of inet). Some people are just sharing the phone connection, for remote work! Others are in 100/100Mbits (I am...and even remote desktop tools of every brand to help friends and family is a royal pain with the ping). And certain number on 300/300 or so (with the several crisis, people downgrade their contracts, anyway, or just rely on the phone, to save bucks). But IMO is a minority. And yep, it's using phone cable to reach our homes, in most cases I know (EDIT: nope, it's not. Sorry, got confused for a moment). I'm telling you, this in a first world country.

I keep being unable to see how (even with great ping...it's still traveling from earth to the satellite and back, let alone whatever other issues escaping your control, etc. It seems technology would make local I/O between CPU and RAM faster than that) the computer BUS, the connections between the CPU and RAM, at the current RAM speed (I'm thinking mostly in constant I/O, not in the case of sending a large file once and be done. IE, not like sending a file to render in video editing, or making a 3D render. But for raw editing very heavy files in tools similar to Photoshop or AP) and its connections with the GPU would be slower. How that wouldn't be much faster than, whichever your ping is, in constant I/O operations (I mean, internally in the 2D application, not solely when you save or render a file) that happen while doing anything 2D or 3D?. This is not like in games when most of the communication is small bytes of position or the like, after all, game content is pre-loaded in certain moments (start of a level, etc), and that stuff passed to a local temp file, even with some cloud based ones. When not just very locally installed, somehow. This internal I/O is quite constant in how graphic production apps work internally, or that I'm told. Like with Linux graphic software, I'd like to see it happen, but I'm an eternal pragmatist. 'Could be' is not "already", and by experience, due to the many factors, things change a lot compared to what one expected...  I prefer to  think of and rely on what works now...

Also... not sure I want that to happen. Besides you do loose a lot of control on how that server machine is configured, versus having your hardware locally, I see that, yes, for cross platform usage it is great, but then if no local option is made ever more (or not pushed as much, which is the same than eliminating it given just a little time), we're completely at the companies (mostly the dominant top dogs) disposal to pay whatever the renting and whichever the price (and accept whatever the conditions) increases over time. I'm telling you, if that arrives, I'm ready to go back to my oils and watercolors. Heck yeah...

AD, AP and APub. V1.10.6 and V2.0.3 Windows 10 and Windows 11.  Both are regular Windows,  I'm not in the Windows Insider program.
Ryzen 9 3900X, 32 GB RAM,  RTX 3060 12GB, Wacom Intuos XL, Wacom L. Eizo ColorEdge CS 2420 monitor. Windows 10 Pro.
HP Omen 16-b1010ns 12700H, 32GB DDR5 (corsair), nVidia RTX 3060 6GB + Huion Kamvas 22 drawing screen, Windows 11 Pro.

 

 

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@Snapseed: Excellent photo, I love old photos my friend turns them into artworks. It just shows you the how some of these new alternative photo apps are progressing.

@SrPx: First world, third world there's only one world in my opinion. I'm glad you hate labels as much as me. I totally agree but we all joined this capitalist's conveyor belt at birth and if there is money to be made in a certain direction then that's the path the software companies will take. If it gets to a stage where it's too much I think I would just revert to my old locally installed software which for me at the moment suits my purpose.

Oils and watercolours don't blame you :)

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2 hours ago, Snapseed said:

While it would be really nice to have the very good Serif Affinity range of products (I recommend them to Windows and macOS users) available on the Linux platform, those of use who use Linux only don't actually need them because of the existing range of native Linux and Wine-friendly softwares that are already available to use right now.

Do you know some tool working on Linux that offers a feature close to the Photoshop's boundary warp tool for panoramas? Who knows one?

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On 9/17/2020 at 1:05 AM, SrPx said:

The interface is... THE SMALLEST problem. So I deduce a lot of people have not found the real issues with those apps, actually. They just got bounced back by the UI, it's like the 95% of what I use to hear as a complaint. But besides I firmly believe one must not get defeated by an UI,  it is that I was in dire need

I think that the user interface can make or break a product. If the UI is not user-friendly it can become a significant problem.

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7 hours ago, gnx said:

I think that the user interface can make or break a product. If the UI is not user-friendly it can become a significant problem.

That's the problem with most open source software, which is usually designed by programmers who's primary concern is functionality over all else.

The end result is something like Inkscape, which is arguably at least as capable as Designer for vector work, but its user interface makes for a much less compelling experience.

edit: though with that said, things have been improving tremendously on this front over the last couple of years. Linux in general is CONSIDERABLY nicer to look at, and easier to use than it was even just a couple of years ago.

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2 hours ago, Renzatic said:

That's the problem with most open source software, which is usually designed by programmers who's primary concern is functionality over all else.

The end result is something like Inkscape, which is arguably at least as capable as Designer for vector work, but its user interface makes for a much less compelling experience.

edit: though with that said, things have been improving tremendously on this front over the last couple of years. Linux in general is CONSIDERABLY nicer to look at, and easier to use than it was even just a couple of years ago.

And way more than 20 years ago.

AD, AP and APub. V1.10.6 and V2.0.3 Windows 10 and Windows 11.  Both are regular Windows,  I'm not in the Windows Insider program.
Ryzen 9 3900X, 32 GB RAM,  RTX 3060 12GB, Wacom Intuos XL, Wacom L. Eizo ColorEdge CS 2420 monitor. Windows 10 Pro.
HP Omen 16-b1010ns 12700H, 32GB DDR5 (corsair), nVidia RTX 3060 6GB + Huion Kamvas 22 drawing screen, Windows 11 Pro.

 

 

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On 9/17/2020 at 9:20 PM, msdobrescu said:

Do you know some tool working on Linux that offers a feature close to the Photoshop's boundary warp tool for panoramas? Who knows one?

Since l don't use Photoshop, l am afraid l cannot answer that question. I do know that Microsoft ICE (Windows) and Fotoxx (Linux) are very good at stitching photos together though. 

What l suggest you do is raise that question on a specialist forum such as DPreview where you're more likely to find a relevant answer. 

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19 hours ago, Snapseed said:

I do know that Microsoft ICE (Windows) and Fotoxx (Linux) are very good at stitching photos together though. 

By warping, I refer to this: http://kaiminghe.com/sig13/index.html.

I think MS ICE is able to perform this, but does not run under wine, or I couldn't make it run.

Sorry, I think Fotoxx is ages behind Hugin, which is almost what I need, except for the final touch, which is warping.

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17 hours ago, msdobrescu said:

By warping, I reer to this: http://kaiminghe.com/sig13/index.html.

I think MS ICE is able to perform this, but does not run under wine, or I couldn't make it run.

Sorry, I think Fotoxx is ages behind Hugin, which is almost what I need, except for the final touch, which is warping.

In which case, you appear to need either Adobe Camera Raw 9.4 or later or Adobe Lightroom 6.4 or later. You can download the trial version of full CrossOver and see if those products work under CrossOver. If they do, then the next logical step is to buy the full version of CrossOver.

If that's not possible, then try those products in Windows in a virtual machine environment within Linux (VMware and VirtualBox are free for personal use).

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Seeing as affinity is very happy to hide all of the users clamoring for a linux version in this thread, I've copied my, now locked reply, below. 

If you want a no-nonsense experience, Ubuntu is probably the last distro I would consider. Sure its install base is large, it also comes with a whole bunch of unnecessary stuff, and, while its userbase is large, they're not as savvy, so, more tech support issues from users who just don't know what they're doing in general.


The play is to go with something more vanilla, like debian, or, something with a better userbase, like manjaro. Focusing on a single distro is a good move from a development standpoint, especially if you can open source a good portion of the code and let the community fix stuff when it breaks. Obviously all of the imaging algos would have to remain closed source, but, no reason things like gui/localization can't be supported directly by the community.

When the idea of supporting linux was brought up, it was suggested that it'd be $500k USD to develop. This was years ago, and, that seems like a high estimate either way, but, I do wish they'd consider that there will probably be a point when they can't afford not to develop a linux version. I'd guess that adobe has plans to do so, and many companies are moving away from microsoft, and those that aren't have two hangups, adobe and microsoft office. With office documents being well supported with online services now, and it's only a matter of time before O365 is 100% a web app, the real hangup is adobe products.
Being that adobe is something of a leviathan, they can't pivot like affinity can pivot, so, at the moment, affinity is uniquely poised to get ahead of the curve. If the real cost is $500k USD, that's only 10,000 installs, which given that adobe has ~300 million users onboarded into creative cloud, and with the growth of linux OS's, it really does make sense that they'd pull the trigger on this.

My worry is that they won't port it over to linux, adobe will, and they'll steadily lose market share until they're just another "remember that app, it was cool, back in the day" story. 

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1 hour ago, jtriangle said:

Seeing as affinity is very happy to hide all of the users clamoring for a linux version in this thread, I've copied my, now locked reply, below. 

If you want a no-nonsense experience, Ubuntu is probably the last distro I would consider. Sure its install base is large, it also comes with a whole bunch of unnecessary stuff, and, while its userbase is large, they're not as savvy, so, more tech support issues from users who just don't know what they're doing in general.


The play is to go with something more vanilla, like debian, or, something with a better userbase, like manjaro. Focusing on a single distro is a good move from a development standpoint, especially if you can open source a good portion of the code and let the community fix stuff when it breaks. Obviously all of the imaging algos would have to remain closed source, but, no reason things like gui/localization can't be supported directly by the community.

When the idea of supporting linux was brought up, it was suggested that it'd be $500k USD to develop. This was years ago, and, that seems like a high estimate either way, but, I do wish they'd consider that there will probably be a point when they can't afford not to develop a linux version. I'd guess that adobe has plans to do so, and many companies are moving away from microsoft, and those that aren't have two hangups, adobe and microsoft office. With office documents being well supported with online services now, and it's only a matter of time before O365 is 100% a web app, the real hangup is adobe products.
Being that adobe is something of a leviathan, they can't pivot like affinity can pivot, so, at the moment, affinity is uniquely poised to get ahead of the curve. If the real cost is $500k USD, that's only 10,000 installs, which given that adobe has ~300 million users onboarded into creative cloud, and with the growth of linux OS's, it really does make sense that they'd pull the trigger on this.

My worry is that they won't port it over to linux, adobe will, and they'll steadily lose market share until they're just another "remember that app, it was cool, back in the day" story. 

I am not exactly sure what you're actually trying to get at, to be honest.

I'm a 100% Linux user and yet I do have a lot of sympathy for Serif's current position. In terms of staff (and probably revenue and spending money too) they are 100x smaller then the huge giant that is the Adobe corporation and that significantly limits what they can do.

In order to survive, Serif has to make money and, right now, that means developing their software products for existing known popular operating systems and that means the likes of Windows and macOS. Linux has to get more popular first before Serif will even consider porting over versions of their softwares over to Linux. Indeed, and if I recall correctly, they only ever used to make software for Windows.

In the meantime, if anyone reads this entire discussion from the beginning, they will find plenty of viable alternative options mentioned to the current range of Serif Affinity software products. If anyone still wants to make a difference then don't continue to whine on this forum but make more Linux converts instead to get that market share up.

Finally, if I were in Serif position's right now, I'd make almost exactly the same decisions as they have done although I'd have at least investigated whether it would be possible to see if the software products could work reasonably well with CrossOver/Wine.

 

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On 9/21/2020 at 4:32 PM, jtriangle said:

Seeing as affinity is very happy to hide all of the users clamoring for a linux version in this thread, I've copied my, now locked reply, below. 

If you want a no-nonsense experience, Ubuntu is probably the last distro I would consider. Sure its install base is large, it also comes with a whole bunch of unnecessary stuff, and, while its userbase is large, they're not as savvy, so, more tech support issues from users who just don't know what they're doing in general.


The play is to go with something more vanilla, like debian, or, something with a better userbase, like manjaro. Focusing on a single distro is a good move from a development standpoint, especially if you can open source a good portion of the code and let the community fix stuff when it breaks. Obviously all of the imaging algos would have to remain closed source, but, no reason things like gui/localization can't be supported directly by the community.

When the idea of supporting linux was brought up, it was suggested that it'd be $500k USD to develop. This was years ago, and, that seems like a high estimate either way, but, I do wish they'd consider that there will probably be a point when they can't afford not to develop a linux version. I'd guess that adobe has plans to do so, and many companies are moving away from microsoft, and those that aren't have two hangups, adobe and microsoft office. With office documents being well supported with online services now, and it's only a matter of time before O365 is 100% a web app, the real hangup is adobe products.
Being that adobe is something of a leviathan, they can't pivot like affinity can pivot, so, at the moment, affinity is uniquely poised to get ahead of the curve. If the real cost is $500k USD, that's only 10,000 installs, which given that adobe has ~300 million users onboarded into creative cloud, and with the growth of linux OS's, it really does make sense that they'd pull the trigger on this.

My worry is that they won't port it over to linux, adobe will, and they'll steadily lose market share until they're just another "remember that app, it was cool, back in the day" story. 

Adobe looked into it, I believe it was mentioned in this thread or the other Linux thread. Adobe opted out for the time being with Linux development. I don't know the reason why, but I am sure if they thought there was money to be made they would not have pulled back. This is just my assumption.

Not sure how many companies are looking to move into a new OS, train staff, most of which I would imagine are not text savvy. I know of zero companies that use Linux and I deal with a lot being in print, doing work for all sorts of industries in a high tech town. Linux is small compared to the rest and I think fits a certain niche market at the moment. The various distro's also make it appear more confusing (not sure if it actually is or not but the appearance is there) just as there was confusion when Windows had multiple versions of Windows Vista - Starter, Home Basic, Home Premium, Business, Enterprise, and Ultimate. The vast majority of computer users are not tech minded so the headaches that can go along with bringing in a new OS is most likely not worth it when Windows 10 works pretty well and simple for the most part compared to earlier versions. Adobe has also created a great eco system through their subscription. So if you are using their product, the standard, you have it easy when dealing with other design houses, print shops, etc, as you are all on the same software and even same version. This was never the case before the subscription came. Some places were up to date, others stayed back and only updated every couple of years. It could be a real mess. I don't think there is this gold mine that people seem to think there is with Linux at the moment and I don't think all that many people are willing to give up the good things about Adobe CC that they would notice if they left. 

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  • 2 weeks later...

hello,

All the cinema and TV industry are working on Linux ... all the big companies... I mean  with a lot of artist are on Linux ... nobody will build a huge team of artist managing a network on mac because too expensive or finding an IT crazy enough in broadcast industry to manage 300 computer network on windows ... Linux is really more consistent for those industries ... all that people are searching an alternative to Photoshop on linux ... there is a big gap ...

it is a nightmare for VFX companies to implement Photoshop in their pipeline ... nightmare as well to manage matte painters on other OS ... building 2D environment is fully part of that industry working with maya and nuke ... if you open that door, it will work obviously ...I can't imagine that if you come on Linux all the users won't jump on that ... I'm working in the cinema industry since 20 years  and I know if someone propose a real painting software like affinity on Linux quickly it will become a standard.

that is my feeling  ... after ...

thanks.

C.

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On 10/6/2020 at 5:59 PM, kilab said:

hello,

All the cinema and TV industry are working on Linux ... all the big companies... I mean  with a lot of artist are on Linux ... nobody will build a huge team of artist managing a network on mac because too expensive or finding an IT crazy enough in broadcast industry to manage 300 computer network on windows ... Linux is really more consistent for those industries ... all that people are searching an alternative to Photoshop on linux ... there is a big gap ...

it is a nightmare for VFX companies to implement Photoshop in their pipeline ... nightmare as well to manage matte painters on other OS ... building 2D environment is fully part of that industry working with maya and nuke ... if you open that door, it will work obviously ...I can't imagine that if you come on Linux all the users won't jump on that ... I'm working in the cinema industry since 20 years  and I know if someone propose a real painting software like affinity on Linux quickly it will become a standard.

that is my feeling  ... after ...

thanks.

C.

I would be curious to know the size of market for Photos/Photoshop and Designer/Illustrator is for movie and tv use. I am guessing it is a niche market still which is why Adobe and Serif have not ventured down that road. There is a lot of anecdotal evidence but no real numbers to back it up. Your feeling that something will be a great seller or standard is just that, a feeling. Could it be true? Yes, could it not be true, yes as well. 

If the large production houses for movies and tv are using Linux then I would imagine they have solutions already for their needs. Are you saying the needs are not being met? Or you just want a cheap alternative? And if the needs are being met they are obviously using more than just Linux. 

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The big production houses are all using proprietary software that they've had written for their uses. That, and big production houses are a tiny market because there's not that many of them.
The real money for affinity is in the average joes who have enough of a brain to not want to get tied into the Adobe Serfdom Pay Per Month plan. That's a growing market of tech-savvy people, and tech savvy people tend to at least know about linux, and the ones that have the ability to do so, run it as their main OS.

Aside from that, you have your average corporate market, who shells out big money for adobe products. They're all pining for a viable alternative to the subscription model, but there isn't one at the moment. Many corporate environments are using linux workstations where they can, because the licensing is cheaper and it's overall a better choice for a reliable managed workstation.

The only thing realistically keeping Linux from being the OS of choice in most cases is the lack of microsoft office, and the lack of a viable alternative to Adobe's products. Office alternatives are getting close, and 3rd party PDF management is getting close, but there's nothing even remotely close on the creative side of things. Sooner or later Adobe is going to get on board, and once they do, Affinity is back in the same boat as it is now, where they're competing with a huge, well known company.


If affinity doesn't think it can sell 10,000 licenses to cover the cost of porting to linux, that's their call. It seems fairly nominal to me, but perhaps their install base is much smaller than I'd imagine, or their marketing is much less effective than I'd imagine.

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16 hours ago, msdobrescu said:

@wonderings, you are the Antilinux! HA HA HA!!! Sorry for the bad joke, no hurt intended!

I am not against Linux, I just try to think rationally and realistically. 

 

16 hours ago, jtriangle said:

The big production houses are all using proprietary software that they've had written for their uses. That, and big production houses are a tiny market because there's not that many of them.
The real money for affinity is in the average joes who have enough of a brain to not want to get tied into the Adobe Serfdom Pay Per Month plan. That's a growing market of tech-savvy people, and tech savvy people tend to at least know about linux, and the ones that have the ability to do so, run it as their main OS.

Aside from that, you have your average corporate market, who shells out big money for adobe products. They're all pining for a viable alternative to the subscription model, but there isn't one at the moment. Many corporate environments are using linux workstations where they can, because the licensing is cheaper and it's overall a better choice for a reliable managed workstation.

The only thing realistically keeping Linux from being the OS of choice in most cases is the lack of microsoft office, and the lack of a viable alternative to Adobe's products. Office alternatives are getting close, and 3rd party PDF management is getting close, but there's nothing even remotely close on the creative side of things. Sooner or later Adobe is going to get on board, and once they do, Affinity is back in the same boat as it is now, where they're competing with a huge, well known company.


If affinity doesn't think it can sell 10,000 licenses to cover the cost of porting to linux, that's their call. It seems fairly nominal to me, but perhaps their install base is much smaller than I'd imagine, or their marketing is much less effective than I'd imagine.

If big production houses have their own software why would they want to move to something else? Why would they move to an application that may or may not do what they need when they know they have software that does it for them already?

You are missing some serious pro's to Adobe's subscription plan, and it is one that saves so many headaches. There is no fragmentation anymore, everyone, or virtually everyone is on Adobe CC which means they all are running on the same thing. There headaches this solves are huge and anyone who has been in the business for a while will understand this. Some companies may want to ditch Adobe to save a few dollars every month but if they are working with anyone else and not just their own people they will be opening themselves up to problems and issues that will take time to resolve, and we all know time is money.

Affinity does not have these issues yet because it is in Version 1. After a few versions are released it will be interesting to see how they handle this, if at all. If Affinity were to become a mainstream application they are going to run into this. Not everyone will upgrade, you will need to work with someone else files and they will not open on yours because you are behind. Collaboration will be a nightmare. 

The cost of switching companies over to Linux is high as well, you now have to teach an entire user base how to use a new OS and this will definitely have a strain on IT. Now this may be worth it in the long run when people know how to use the OS and the problems go down. I know that was the case for me when I moved all our computers away from Windows. The headaches it created were instantly gone with a Mac OS environment. Now I did have things to do in getting people used to a new OS, but it was pretty simple. Maybe that would be the case with Linux, I am thinking it would not be though as Mac OS is far more mainstream. 

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On 10/8/2020 at 11:35 AM, wonderings said:

If big production houses have their own software why would they want to move to something else?

Because it is more cost-effective to purchase than to develop.

Several years ago when I asked people who work at animation studios that run Linux what software they used for image editing and digital painting, they said GIMP. When I asked her how they've been managing using GIMP for their texturing work, she said that it gets the job done. I have heard about studios using Photoshop CS5 and WINE when they didn't want to use GIMP. For concept art and texturing, Photoshop hasn't changed much since then.

On 10/8/2020 at 11:35 AM, wonderings said:

There is no fragmentation anymore, everyone, or virtually everyone is on Adobe CC which means they all are running on the same thing. There headaches this solves are huge and anyone who has been in the business for a while will understand this.

There's still fragmentation, even with Creative Cloud. I've had machines that were running older versions of Windows that Adobe products would refuse to install on because they were no longer supported. On MacOS we had to roll back a couple of times on new updates while the Windows machines ran the new versions of the software.

The fragmentation you are describing is making sure everyone is using the most recent version of the software. With the realities of bad software updates aside, Adobe CC forces it by making everyone pay in advance for the upgrade. The Creative Cloud license validation and updater app is a separate technology that any software company can implement. That is not a feature exclusive to subscription software.

Even without such software, a company with an IT department will be running an RMM to remotely patch and update 3rd-party software on employee's computers. So perhaps the best use-case for the CC license validation and updater app is for small businesses that don't use an RMM. But small businesses and freelancers are the best candidates for being okay with not having their software up-to-date all the time.

Graphic design, software development, and education for underestimated creatives. Squirrel Logic

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  • 2 weeks later...
On 9/21/2020 at 7:27 PM, Snapseed said:

In which case, Victor Mhgh is your new friend ==> www(dot)youtube.com/watch?v=YSIDfyxK6Ig&feature=youtu.be

(it does appear that it is indeed possible to use Adobe CC with Linux)

I am not sure, I have analyzed the scripts and I see them downloading stuff from file sharing sources, not from reliable or official ones. I don't trust it!

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On 9/21/2020 at 9:32 PM, jtriangle said:

My worry is that they won't port it over to linux, adobe will, and they'll steadily lose market share until they're just another "remember that app, it was cool, back in the day" story. 

I've used Linux for over 20 years. I can tell you that the Linux so-called community is in general hostile. "They", whoever feels self-appointed enough on the day, will nitpick until the cows come home about how bad and how shoddy and how lacking any product which is brought to Linux. "They" cannot write such software themselves, of course. But they can nitpick. No matter how good such software is, "they" will have a bone to pick. If Affinity does not port any of their products to Linux, they will not "lose market share", they will instead not gain a tiny bit of market share. I have been waiting for over two decades for the "year of the Linux desktop", and it is still not here. 

Why would you recommend the blinkered Debian over the more realistic Ubuntu? I have used both. It's kind of funny for about 4 seconds using Iceweasel instead of Firefox. Hey, let's use all the Firefox code base, but be pedantic enough to strip out trademarks. But when it comes to drivers, let's talk Nvidia. Oooo the Debian people don't like proprietary drivers. So they have a wiki page on how to install the good, working, full-featured binary drivers. But they hold their noses like some latter day Puritans of the thought of making it easy for Debian users. The last distribution of Linux a new user should consider, particularly somebody not acquainted with UNIX, is Debian. Just. Don't. Do. It.

Don't accuse me of not liking or misunderstanding Linux. Quite the opposite it true. I understand it all too well. And that means understanding the what appears to me to be brain dead stupid decisions the "maintainers" sometimes make. I still remember looking aghast at Debian and its Exim configuration file. The whole point of the Exim config file was that it was easy to read in comparison to sendmail.cf. Debian split it up the Exim config file into about 70 files. The people who decided this was "a good thing" don't understand what they are doing.

I would much prefer Affinity work on improving their products on the existing platforms, rather than diverting attention to something which very very few people want. Linux is OK on the server, where you effectively run certain applications. On the desktop it's a niche thing.

 

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1 hour ago, LondonSquirrel said:

I've used Linux for over 20 years. I can tell you that the Linux so-called community is in general hostile. "They", whoever feels self-appointed enough on the day, will nitpick until the cows come home about how bad and how shoddy and how lacking any product which is brought to Linux. "They" cannot write such software themselves, of course. But they can nitpick. No matter how good such software is, "they" will have a bone to pick. If Affinity does not port any of their products to Linux, they will not "lose market share", they will instead not gain a tiny bit of market share. I have been waiting for over two decades for the "year of the Linux desktop", and it is still not here. 

Why would you recommend the blinkered Debian over the more realistic Ubuntu? I have used both. It's kind of funny for about 4 seconds using Iceweasel instead of Firefox. Hey, let's use all the Firefox code base, but be pedantic enough to strip out trademarks. But when it comes to drivers, let's talk Nvidia. Oooo the Debian people don't like proprietary drivers. So they have a wiki page on how to install the good, working, full-featured binary drivers. But they hold their noses like some latter day Puritans of the thought of making it easy for Debian users. The last distribution of Linux a new user should consider, particularly somebody not acquainted with UNIX, is Debian. Just. Don't. Do. It.

Don't accuse me of not liking or misunderstanding Linux. Quite the opposite it true. I understand it all too well. And that means understanding the what appears to me to be brain dead stupid decisions the "maintainers" sometimes make. I still remember looking aghast at Debian and its Exim configuration file. The whole point of the Exim config file was that it was easy to read in comparison to sendmail.cf. Debian split it up the Exim config file into about 70 files. The people who decided this was "a good thing" don't understand what they are doing.

I would much prefer Affinity work on improving their products on the existing platforms, rather than diverting attention to something which very very few people want. Linux is OK on the server, where you effectively run certain applications. On the desktop it's a niche thing.

 

The only member of the Linux community who is being hostile here is..well, you, at the moment. You accuse others of holding their noses like some latter day Puritans yet talk about the 'maintainers' being brain dead.  That is not very nice.  My first Linux distro was Debian, suggested by a site that asked all kinds of questions to match you up to a distro they thought would be great for first timers. I had a great time with Debian, learned a ton about Linux in the process and still prefer Debian based distros overall.  I absolutely hope one of the amazing members of this community who use Linux can figure this out. The only reason I have Windows is because I can't afford a Mac and the support isn't there for Linux yet.  Like everything else about Linux, it's a great learning process and it's important to make sure Serif at least knows of our interest, and there are LOTS of us. It never hurts to keep trying because at some point, they just might do it.  Fingers crossed!  (and someone on here was close to figuring it out, so maybe someone else can finish what they started)

**Create something great today!**

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