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Found 124 results

  1. I keep running into a strange (and annoying) problem when copy/pasting objects from Designer to Glyphs in that some geometry is lost in translation from Designer to Glyphs (see attached image, files.zip also provided). If I export to SVG and then import into Glyphs everything is fine (but this makes the process much more laborious), as is also the case when I convert the origin node to a smooth curve, etc. If I simply leave the origin node as is it appears that the node immediately after the origin node is omitted on copy/paste. I'm not sure if this is a Designer issue or Glyphs issue, but I thought I'd start here as I only have this problem when copy/pasting geometry from Designer. files.zip
  2. First of all thank you for the improvements in windows handling in the latest beta 1.6.3.98 - this is already a good step in the right direction. I'd like to add some further optimisations on the window topic: 1) When you drag & drop a file from the windows explorer please: - open it in an undocked window (elsewise no second drag an drop is possible unless you float the first window)! - if possible in 1:1 Zoom (not enlarged to windows size as in place right now) - and with an adapted windows size to fit the original file 2) When you float a or all windows please make the floating window(s) fit the picture in the current zoom level (optimal windows size) - if it fits in the workspace. 3) If a window is larger than the original document (regardles if docked or floating) please automatically center the document within the new window (and disable the view tool in this window). If you resize a floating window smaller than the document: dock the document at the top left corner. Maybe it makes sense to implement a general setting "Always center documents when smaller than window". If a document is smaller than the window there is no need to be able to move the document within the window. One could avoid accidentally "loosing" the document in "outer space" if it would always be centered in the docked window (if smaller than the window) 5) When you work with docked and floating windows in combination you can't bring the docked window to the front. This is a general problem. It could be solved by only allowing docked or floating windows mode but no mixture. Floating windows can be brought to the front. 6) It would be nice to arrange all floating windows optimized on the workspace (e.g. horizontal, vertical, tiled) with one click (menu command) 7) Also nice to have: additional information of document size (height/width in current units somewhere at the windowsframe of a document) 8) If I undock many documents why do they cascade at the top right(?) corner of my screen? 9) Drag and Drop of layers between documents should be possible These are just some suggestions that come to my mind. Cheers, Timo
  3. I have an Affinity Photo document with many dozens of layers. I frequently need to export one of the layers individually to a PNG (hiding all of the other layers/content in the document). I've found this very difficult to do, as I can't currently find shortcuts to either: a) hide all layers except the selected one or b) directly export a single selected layer Also, I need layer effects of the parent group(s) to still be applied. Which means doing something like copying the layer and then choosing New from Clipboard and then exporting won't work well for my purposes. Perhaps I'm overlooking something obvious? Can anyone offer suggestions on the easiest way to do this?
  4. Hello everyone i'm currently working on making my workflow with affinity products to be as fluid as it can so i won't mind not having other products installed. i know Designer and Photo use the same file format and i've learned about the place tool etc... but here is my need: Case: in Past days, using Adobe Products, i could prepare an A4/A5 Canvas on inDesign the work on my photo with PS then all vectors with Ai and when all is done just place them on my inDesign, adjust and if any change i want to do, i just right click on the stuff (picture or vector) select Open/Modify with, select the right software, do necessary changes there click Save come back to inDesign and see all changes Synched. i've tried to do that with Affinity products but up to now, i can't get the updated file synched after i have made changes and Saved the whole thing; it's just stays as it was the minute i placed it; so; maybe i'm missing something here on how to team them and use as efficient as i would do with Ai+PS+iD. Thank you all for your inputs.
  5. Hello all ! I am Chrisas, a french student in graphic design and programming. I'm a user (BIG FAN) of Serif's softwares since October 2016. It really helped me in several fields such as logo design, illustration, web design, apparel and social media graphics. Since I started working with affinity designer and photo, I bought some specific resources I discovered after several days of research. But There was one problem, there is not a place to buy, sell or present resources for affinity softwares. I mean for illustrator and photoshop you can found thousands of stuff in any sorts related to them. Example : to present my work I sometimes have to open photoshop to use mockups ( i'm a mockup lover) but I always want to speedup my workflow so my idea is to create resources that will be useful for other creatives like me. I built some stuff for myself but I do not know what will be useful for you, what you need, and what you are looking for. For now, my aim is graphics pack about : assets, macros, colors palettes, styles, and mockups, uikits. The purpose is to make the work of creatives easier, faster and funnier. So here is my question , what kind of resources do you need ? I am open to any suggestions, so feel free to comment ! > An Illustration project I'm working on : https://prnt.sc/inpq5g > My dribbble : http://dribbble.com/chrisas > My Portfolio (5 months of work are missing x) ) http://behance.net/chrisas
  6. dave2017

    Workflow

    I sometimes have a group of photos to process. Each one doesn't necessarily take long, but the whole sequence of operations might. I may use other tools as well in the process, and eventually bundle the results off by email to an interested party. As an example, today I was asked to take close up photos of a table top. I took a bunch of photos - then I wanted to upload them all to AP. Then I wanted to select a few, and make some changes, such as blurring out the background, and finally I wanted to save them somewhere unique, and then send them off. I don't know how big a problem this is with other photo editing tools - it may actually not be any easier - but as I have already written, each small step adds up and in the end the process becomes tedious. A more streamlined process would help.
  7. I know that files are interchangable, and can be opened in other app from menu, but sometimes it's overkill IMO. When goal is to make some quick edits in one photo while document contains dozens of them, more convienient way would be just edit this particular image. Something like: select bitmap -> edit in Photo -> do what you want -> save directly back to Designer. Same thing could be useful in reversed situation: select vector object -> edit in Designer -> do what you want -> save directly back to Photo Cheers
  8. I have edited several photos of a photo session. Lets say a have several dozens of images ready to export then as JPEG. In LR, I just select all final images and choose export to create the JPEG of all selected photos. What is the best way to do that in Affinity ? What is the best workflow to deal with editing and saving all selected images of a photo session ? best regards
  9. I love the variables that I can use in the export settings for each slice. However, I miss a variable that holds the name of the document. Whe I export slices of images from multiple documents, this would be very helpful for leter finding the source document when I recognize I a mistake when looking at one of the exported slices.
  10. Perhaps I don't understand what the option "Synchronize tools between documents" does, but I suspect it means that if I change a brush size or in other ways change a tool's settings, then that change will also apply if I go to another open document. If so, it does not seem to work. It does not have any effect. Is this a bug? I'm using version 1.6.7
  11. I'm conscious this has been asked before but there seem to be no recent updates here in the forums. On the iPad, can we please have a meaningful default filename when exporting images? I am using Affinity on an iPad Pro, it is fully up to date. I have tried a number of methods to import my images in the first place, but the one that seems most efficient is via the iPad SD card reader which is reasonably quick (once it has built tons of thumbnails... every time), where the Photos app imports the files. My source images are RAW files, sometimes paired as RAW & JPG (Olympus OMD camera). I have seen on the earlier threads on this subject the comment that "Photos doesn't retain the filename on import." That may once have been true but certainly is not true now and hasn't been since before the last Affinity iOS update. Both FileBrowser and in Lightroom Mobile can see the exact original filenames, same as if I had imported to my laptop. Affinity has been left behind and insists on "Untitled.jpg" as the only default option, so I have to open one of those other apps up to remind myself what the exported jpg filename actually should be (if I want to be able easily to recognise later where the export came from, which I do). Terrible workflow, and gets in the way of processing a batch of photos. An enhancement would be also to add (insert, replace) other standardised filename stubs - personally I like to prefix the capture date, others might like to add an album name when working on a bunch of photos. Any chance of an update?
  12. Hi forum, On both Photo and Designer, I'm often confused by when my vector stroke styles are either inherited from the last object I create or not. I can't work out the rules for how this happens - can anyone advise on how to control this behaviour either way? Similar issues when I just want to draw a new vector with a new fill colour. So I might select the previous vector layer because I want to insert a new object in front of it. This object will always inherit the style of the one I have selected, which is often not what I want, and can make it hard to see the new shape. I have to change the fill and stroke afterward to stand out against the underlying object. I'm sure I'm missing something simple here!!
  13. Hi, Affinity imports EPS, PDF, AI ... They support Pantone and other color books... but what if they do not see the Pantone names in the imported PDF file? If you have a description of colors attached to a document - you substitute, if not - you guess... You can create a palette from a document, but the name of colors is not helpful... Corel, Illustrator can read colors names - Affinity can not (even from the PDF generated by them)? Anyone have some worked Adobe - Affinity workflow?
  14. Hi, in Affinity there are nice tools to stack photos (focus, panorama, ...) :-) It is not possible to sent files from outside the program directly to this tools. But this would be nice, becaus of integration in Lightroolm and similar software. In the moment you can sent more photos to Affinity, but you are not able to use them in the stacking tools. Of cause, a "real" Lightroom integration would be the best for the workflow. For the moment it will help, if there will be a way to send photos to all tools in Affinity (and reimport the result). Regards Stephan
  15. I just wanted to recap the current state of how Affinity Designer is performing in web design workflows. I'm using Affinity Designer since one year for all of my work and I love the application itself. But as of now there is no complete workflow to handout designs made in AD to developers in any way: 1. Neither Zeplin nor Avocode support AD and it doesn't seem that anthying will change here. 2. Affinity Designer supports PSD Export but has two major drawbacks: Border radius properties are not preserved and text layers are completely flattened which make them completely useless. 3. Affinity Designer doesn't support the new open file format of SketchApp to be able to export designs as Sketch files to then inspect them in Zeplin, Avocode, or any other Sketch Viewer. 4. Exporting to SVG or PDF is not an option either because important properties like border radius, line-height and others are missing. 5. Right now it doesn't seem that Affinity is adding an inspect persona or any viewer service or app. So I'd like to ask the Affinity Designer team: What are your goals to improve the workflow for webdesigners and developers? How are you planning to improve this workflow in the future or don't you plan to do anything in this regard? Do you have any suggestion how web designers can work with developers? I've added a poll so that users can vote which suggestion they like the most.
  16. As a capture one user, I am having trouble smoothly integrating AP into my workflow. I can easily export a tiff file and have AP open it for editing. However, when I finish, there does not seem to be a way to safe the file in a manner that C1 recognizes. A "save" write an AP file. "Export" writes a file but C1 doesn't pick up on it. So far I have to export the file as a tiff or jpg, then import it back into C1. This is a real pain since I have to retype the name the folder in C1 to put the edited film into carefully or the image will end up in the wrong place. Any way to make this work smoothly, like I assume it would for LR or Aperture?
  17. Hi everyone. After being part of a conversation with one of the forum members where they expressed a wish to have a start to finish set of tutorials about developing landscapes I thought I'd do something about it. So here it is: https://www.udemy.com/affinity-photo-developing-landscapes/ I've tried to make it different from the other courses I've done. Instead of presenting a range of tools and techniques, I've made the workflow a priority. You get to develop a series of (downloadable) landscape photos and follow a series of steps to get to the finished photo. There are variations with each photo, but the process is similar each time. I've done this for two reasons. The first is that, given this is a workflow based course, it seems only sensible to practice that workflow repeatedly to make sure people get comfortable with it. The other is that I've chosen different kinds of landscape photos to demonstrate the flexibility of the method. I hope it's of some use to you and thanks for your time, Simon
  18. Here's a tiny list of topics within Affinity Photo for Windows I'd like to address as important improvements that need implementation from a professional photographers point of view (Based on version 1.5.1.54 Final). I'm aware that some points have been mentioned by other useres already. It would be great to get some kind of feedback from serif staff with regards to the likelyhood of implementation. I'll try to extend this list when new topics come up. Please do not see most of these points as "nice to have" additions or "customer dreaming", but essential improvements required(!) for any kind of professional workflow. The list does not cover obvious minor or major bugs as they get tracked by serif staff anyhow I suppose. As well I'm aware that some of my suggestions have already internally been rejected and implemented differently as "By Design" - maybe there's a chance to reconsider this decisions. A suggestion could be to start a discussion in the forum with your customers to see what's their preferred way to handle the implementation. Basic workflow/Window handling: - When undocking a document window from the workspace it should automatically adapt document window to document size (or maximum window size with scrollbars if document is larger) - maybe selectable in the preferences - When zooming in or out a document window size should automatically adapt to document size (or maximum window size with scrollbars if document is larger) - maybe as a setting selectable in the preferences - After resizing an undocked window the document shoud automatically be centered within the new window dimensions - One should be able to drag and drop a layer from one document into another document (not just with CTRL+c CTRL+v) - The area where one can grab the frame of a window for resizing shoud be enlarged - Pressing ENTER or ESC should confirm or cancel a dialog - as defined in windows UI standards (e.g. in crop mode none of the keys work) Macros: - (multiple) layer selection should be recordable - colour assignment to objects should be recordable - for macros it would be good if resizing of a document could be based on a maximum side lenght regardles if the document is landscape or portrait - Make conditional decisions available (e.g.: IF (DocHight > DocWidth) THAN ... ELSE ...) Alternatively include some kind of JavaScript language. - Include "Export" functionality with parameters as part of Macro recording - Add customizable keyboard shortcuts to dedicated macros Other: - it would be important to be able to make a selection based on a colour(range) (including tolerance, adding and subtracting from a previously chosen colour range) - not only based on the 3 base colour as currently implemented. - if unproportional cropping is selected it would be good to temporarily switch to "original proportion" cropping or fixing the current proportion by pressing the Alt or Ctrl key - optional parameter adaption for certain filters (e.g. gaussian blur) when resizing a document to fit the new dimensions. Currently unadapted parameters of these filters wreck every document after resizing. - icon size in the layer panel should be definable (similar to PS where 3 sizes are available) - I'd prefere to have one common command (keyboard shortcut) for the brush size and not a seperate one for each tool. - Saving setting and content for parameter fileds and pathes would save much time. Just some exaples: 1) Export preferences (They are continuously back to stupid *.png instead my predefinde personal settings ...) 2) Parameter for live filters (e.g. gaussian blur or unsharp mask) 3) Parameter for fx settings 4) Cropping Mode (setting keeps switching back to useless "unconditioned") 5) Resize method (e.g. bilinear/bicubic) - at least the standard setting should be something usable instead of bilinear! - Assistant settings should be global and part of the preferences (e.g. adding new layers on same levels as selected layer or as a child) - Make all variables available in fields that allow calculations (e.g. transforming) - Make the frequency layer seperation parameters editable like in live filters - Increase maximum size of liquify brush - Increase parameter range of many FX settings - Would like to save a list of export settings (Slices) as one preference in the Export persona - a proper "flatten image" and "flatten group" command would be nice (combining layer in AP is not intuitive and effortless at all! Just take a look how PS does it ...) - auto-adapt parameters of filters when scaling objects (e.g. gaussian blur, fx-settings) - in low resoloution the fx parameters are by far not precise enough (e.g. a picture with 800x600px can't deal wit a shadow in a watermark between 0.1 and 0.0 px-precision) - make live adjustments/filters masks directly visible as an overlay. - When a graphic in the OS (e.g. Windows) is copied via CTRL-C it would be great when clicking on "new document" within AP the dimensions of the clipboard picture would be automatically copied as a preset for this new document - assistant should add new layer even when flood fill tool is used - Numerical scaling through the transformation dialog should optionally allow scling of textsize in related objects as well. - Would be nice to display Colour Mode and bit depth behind the filename in the document window (as PS does it) - Help files often does not open (wrong focus, dialog open that does not recognise help key) - include "AutoClip" option in filters that change document or layer dimensions (e.g. most of the distortion filters) - A new document should automatically have a pixel layer as the background layer (alternatively all tools that require a pixel layer should automatically add this layer - maybe an extension of the assistant) - Metadata Editor (This is a high priority for everyone supplying stock content) - Flood Fill with bitmap pattern - Include a small button next to the fg/bg colour circle to reset it to black/white - Global definition of standard grid setting - Definition of standard output profile from the develop persona - Provide picture thumbnails in Windows File Explorer - Spiral Tool - Improved Transform panel functionality (e.g. radius for circles) Performance: - Serious improvement of InPainting tool performance! - Multiple layer performance Cheers, Timo
  19. I was recently advised to check out affinity. I must admit I didnt check the price or functionality before buying but so far its practically useless for me. I generally import my pics onto my pc or nas using lightroom 5.7. this works well for my pc centric workflow and I am not interested in upgrading lightroom at present. What I want is to auto sync a number of folders to the ipad so I can introduce an ipad work flow. The minimum I want to do is review pics and remove them. Perhaps Ill progress to doing some raw edits prior to syncing back to the pc. I do not at any stage want to use the cloud or import pictures 1 by one. Lots of apple apps can see my nas although I have not found an option to download a whole folder or folders. Ive looked at the import from options and they just seem to be missing an import from nas option. Any thoughts/help greatly appreciated.
  20. I'm aware that the focus of development has not been on essential workflow elements but I seriously beg you to have a look at some of the basic daily work topics for daily work users (it's not features that differentiates AP from PS ... it's workflow!) Taking a closer look at the windows handling: Dragging a window from the docked position to a free floating position leaves the windowns in XXL size instead of adjusting it to the current document size - it's a nightmare! Is there a chance to center the document within an optimised size of the window adapting to the current size of the document (within the current zoom state)? The situation gets even worse since the handles for adjusting the windwsize are active in such a small region that it's extremely hard to resize a window to the desired size. There's probably 2 pixel space that makes the cursor change from horizontal to diagonal and vertical resizing (or simply clicking in an unused space) ... why don't you make handling easier? Why don't you automatically center the document within a given window but leave it to the user to center the document with much effort? I would as well appreciate a button that releases all existing documents from a docked position to a free flaoting position, automatically rezising and cerntering them - what an easy programming task but a big improvement for the users ...if you want to be competitive (you got the features), start with meeting the basic handling requirements! Cheers, Timo
  21. Not directly affinity photo ipad related, but maybe the community can help me out here. I'm a starter in photography, have a serveral hundered raw files to work with and are looking for an ipad pro 12.9 with affinity ipad. (My old macbook is slow and does not last lang on battery anymore, dont want to buy a new one, i already do everything on my normal ipad mini and iphone) So i am looking for a complete mobile workflow, i saw that i can use diffirent cloud spaces so place anough to store the raw files. But who has experience with organizing and add taggs to the edited photo's? which app is the best for this, or any tips and tricks are welcome. Thanks guy's
  22. Being one of those designers who works individually I am really cheesed of (I would like to use a stronger in my comment!) with Adobe pricing policy and therefore looking for alternatives to their products. Looking forward to Affinity Publisher being launched in the future, sounds as though it could tick all the boxes. Will it allow the opening of InDesign files without an additional plugin? Will it recognise Adobe eps files too? Hopefully if it does, then being able to interface with my past work files will be the killer for Adobe bandits.
  23. Hi Affinity team. During the last days I tested the Windows version of Affinity Photo 1.5.1 and checked out those parts most important to me: RAW processing, HDR/Tone mapping and stitching Panoramas. (The video tutorials are great for newbies concerning your software.) I am happy to see all these features under a common hood and working reasonably well (although there are issues like the wrong histogram displayed in Develop persona which will refrain me from using Photo as default RAW software for now.) What I want to achieve: For years now I'm accustomed to create HDR images from a single RAW file instead a series of JPG or RAW files. The benefit is that there are no problems with motion (and thus ghosting) in the image, and no softness as a potential side-effect of the automatic alignment of handheld shots. Today's DSLR cameras create RAW images which can easily compensate 3 EV steps. (Depending on sensor size and ISO, the downside can be higher noise in dark areas, but that's acceptable for me.) My conventional approach is to develop 3-5 differently exposed JPG images (usually with different noise reduction settings) and then creating the HDR from these. This approach is very cumbersome with Affinity Photo, which does not even remember the RAW conversion settings I last used by default. Once a RAW file is developed, the Develop persona is closed and I have to start over for the next exposure. (In contrast to a dedicated raw converter like Canon's DPP or Nikon's NX-D where this is a no-brainer and easily done.) But maybe Affinity has a better approach? What if you could develop the raw file and apply a tone mapping without JPGs inbetween? Lets see, Photo Persona works in 32 bit, and RAW files can be developed to 32 bit HDR. Sounds promising. 1. I import the RAW file, disable applying the tone curve and leave the exposure-related settings untouched. 2. Then I put the developed 32 bit image into the Tone mapping persona -> Voilá, a developed HDR image. And what if I have a panorama of single RAW images which needs HDR processing? 1. You can start a "New batch job", select the RAW files to process and choose EXR as output format. 2. Then you can continue creating the panorama with "New panorama" and select the EXR files as shown in the HDR panorama video tutorial. 3. After the panorama has been stitched, it can be tone mapped in the Tone Mapping persona. Cool - this is a real time saver and more flexible regarding adjustments compared to my previous workflows which would mean first tone mapping every HDR image and then stitching the (hopefully equally exposed) JPGs together. Matthias.
  24. I would like to be able to save an image directly from the develop/RAW persona without having to do a roundtrip through the photo persona. This would be especially great if the edits could be saved non-destructively. Some pictures don't need editing with the photo persona, this would definitely speed up my workflow for certain images.
  25. Apologies if this has been answered somewhere already, but even Google could not find that answer for me, so here goes... I have created a CMYK document "Print (Press ready)". - Can I place RGB images in the document which will automatically be converted to CMYK on export to PDF? (InDesign workflow) - Or do I need to convert images to CMYK before placing them in the document? (XPress workflow) Many thanks!
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