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bpedit

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  • Website URL
    http://bpedit.com

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  • Gender
    Male
  • Location
    Chico, CA
  • Interests
    Fine inlay with CNC, learning enameling with intent of champleve, Guitar (playing and building), 3D Modeling & Animation, Woodworking, Hiking

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  1. Curious whether there's a way to lock an object, such that it doesn't scale for example, but still allow for it to be translated. [One of my Designer uses is for stained glass work. Once I've designed the pieces, all fitting together precisely, I need to move them around individually to fit on stencils or pattern assemblies to print out while maintaining their shapes and sizes. I often see that I've changed the proportions instead of grabbing the object to drag for translation and then have to hope I haven't missed undoing any of these errors.]
  2. How about some spacers to separate items (layers and groups) in the Layers panel. Maybe two choices: 1/2 normal height of an item and 1/4 height. These would be devoid of symbols and text and could be dragged and dropped like other items. I frequently create dummy items to separate clusters of items in the Layers panel allowing for faster parsing. But the dummy items take up a full height and don't parse as quickly as they could due to the identifying icon on the left. (I'm mostly working on an iPad Pro.)
  3. Paul's response reminded me I should have included my device specs, a 3rd gen. 12.9" iPad Pro.
  4. Evidently I'm using 96 dpi, I had to search to find this. I think I set it long ago such that SVG exports were compatible with CNC . I just tried resetting the DPI to 192 (96 x 2) and I get the same idiosyncracy. Edit: Paul's response below reminded me I should have included my device specs, a 3rd gen. 12.9" iPad Pro.
  5. Working in Designer on iPad (in millimeters), I find that the artwork, as measured on the screen with a ruler, is equal to the dimensions as measured by Designer when the Navigator is set to 50% for the scale of the artwork in the display. That is, if I create a square 50.0 mm on a side, it physically measures as such at 50% enlargement. This has been true since version 1. I've looked through the Settings but don't see where I might have enabled this behavior in some way. I'm curious. I can live with this but, not knowing the source, feel like I must constantly check when creating a new file lest it changes somehow.
  6. Oh, oh. The decimal precision display does not apply to the Stroke Width where I need it most! (I have posted this in bugs.)
  7. On iPad the new options for decimal places are not reflected in the Width display of the Stroke panel, nor in the Width adjustment panel (but do appear in the Stroke icon).
  8. Is it possible to delete a post before anyone has responded?
  9. How about letting us double-click on an item in the Adjustment list to directly open the dialog for adjusting? (Versus having to click to open the preset panel, then having to move to and click on the "(default)" button.)
  10. Thanks! The adjustment I use the most, Levels, is Command-L, how simple. I'll look to see if I can shortcut Exposure and Brightness/Contrast as well.
  11. When you select a parameter in the Adjustment panel it doesn't directly open the dialog for adjusting. Instead you're presented with various presets one of which you then have click on to open the dialog. Is there a way to immediately open the dialog without this extra step? (I'm looking at something like 10,000 needless mouse clicks during my slides-to-digital editing!)
  12. This is the first project using a process I'm developing for colored engraving, on a Nomad CNC machine, of faux ivory substrates, for inlay into jewelry boxes. The process needs more improvement but I was happy enough with the results to begin a second piece. It begins with the creation of the artwork in Designer. The actual oval is smaller than show, at least on my screen, about 130 mm wide. The lines to be engraved are 0.15 mm apart. Here is the graphic depiction of the lines to be engraved by the machine. The red color represents one pass out of a total of seven necessary to keep the colors separate. The final product inset into the box. The box itself, a gift to my niece. She wanted a "tree" and "daisies" although I gave her Tidytips instead.
  13. Thanks. I will have to go that route. My initial test with the multi-point lines was positive but I can't repeat it. I'm thinking it has something to do with the frequency of the Mesh nodes compared to the frequency of the line nodes. I need to export to SVG anyway for use in the CNC mill so I'll just leave the Mesh unconverted. The result of this method isn't exact, in my analysis, but likely close enough. Now for some testing on the machine. Thanks again. Edit: The exported SVG of the unconverted Mesh is very close, maybe exact, to the appearance of the Mesh before Converting to Curves. This would seem a good hint as to how to remedy the issue.
  14. Thanks, disappointed to hear. I'm not sure if this file is the exact same as pictured above, I've gone through a few iterations. I tried it on desktop as well, maybe should have posted there. waterTst.afdesign One work around I can think of is to introduce nodes in the lines before applying the Warp. There appears to be no way to do that in AD except point-by-point. Maybe I'll try recreating the grid by duplicating a single line with the multiple points already extant. Edit: When I remade my grid based on a line with multiple midpoints then applied the Mesh I got satisfactory results. Thanks for helping me realize I needed a work-around versus something I was doing wrong.
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