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Boldlinedesign

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About Boldlinedesign

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  1. This is my exact feeling on this right now. I'm more than ready to cast off Adobe (using CS6 so at least I'm not feeding the beast) and make Affinity my full time use trio of apps - I design t-shirt graphics for a living and depend DAILY on the ability to access warp text, offset path, blob tool and erase tool. I've been anxious for Affinity updates and while excited by all the new features coming in to 1.7, I keep hoping against hope for the features I mentioned above... because then I could completely cut the Adobe cord. I've read a number of posts from the past and found a few that were interesting (I'll try to go back and find them again to link here) - one from one of the developers in response to very strongly worded criticism that the features the customers wanted were not added fast enough - and they explained how the process is not as simple as many may think. There are often less-sexy and overlooked building blocks that need to be created, installed, improved upon first before the more noticeable surface level features can be added. Another post written by a user - gave an enlightening history of feature growth in Illustrator - how many who are used to Illustrator were not likely aware of how long the process took to get it to where it is today - and even now, there are features found in Freehand that have not made their way to Illustrator. It's possible I missed it, but I wish Affinity's developers and powers that be would share more of the behind the scenes process instead of leaving us in the dark. The post from one of the developers that enlightened me to the current behind the scenes work was in response to a critical posting. If there was more transparency by Affinity on these things, would that stave off the anxiety and impatience of their customers anxious to make Affinity products their full time apps of choice? I was reading through the product reviews for Designer on the Apple App Store and noticed a trend of people sharing a similar message: Affinity Designer is NOT Illustrator and that's a good thing! Many shared how they thought Designer was much improved over what Illustrator offers, despite not being as full-featured (yet). It made me want to go in to Affinity Designer and Photo with a new thought process - being open to the idea that there is a better way than Adobe, even if it lacks some of the critical features I use daily. I'm going to stop trying to force Affinity Designer to be Illustrator and let it be what the developers intended it to be, and then make Designer what I need it to be. For now I just to need to find as many work-around solutions to what I'm missing. Affinity is like a light in a dark tunnel; giving hope to a realistic alternative to slavery in the Adobe ecosystem. For the first time in years, I'm excited about the possibilities of design software again being effective, powerful and affordable. I'm excited to see a new way of thinking about vector and raster design. The idea that one day soon, I could design a complete shirt graphic on my ipad from anywhere and send it off to a client excites me. I'm holding on to hope that Affinity will hold to their goal of getting the main features (including the ones I wanted) before their 2.0 release and with the rate of updates so far, we're looking at seeing this come to fruition in the next year at most. Until then, I'm clinging to my copy of CS6 to have access to functions I still need.
  2. I've been clamoring for this for over a year now! The more we can have a vector app that can work in an artistic mode and not just technical, the more we can accomplish. I use the blob tool constantly in illustrator... modifying things, closing in gaps, giving designs a human imperfect element at times... etc. I know Affinity has focused on a non-destructive creation process... and adding the eraser/blob shape tool function tools would alter that... but the artists that use Affinity designer also have multiple methods for how they create art... its not all with the pen tool or brush tool
  3. ok glad it was not an issue for you - I'll play around with settings and see if I can figure it out on my end. Thanks for taking the time to check for me
  4. Had issues with some of the brushes from these sets - thanks! AD-Inktober-Brushes.abr AD_Screentones.abr
  5. Does anyone else get these strange bands when they use a brush imported from Photoshop?
  6. Boldlinedesign

    freezing using stabilizer

    This is a frequent problem for me as well. I've restarted the iPad, closed out other apps, restarted affinity designer, it keeps occurring after a few strokes
  7. Boldlinedesign

    Inktober-themed brush set by Kyle T. Webster

    Got it now - thanks!
  8. Boldlinedesign

    Inktober-themed brush set by Kyle T. Webster

    I checked the page - I didnt see any way to download them unless you're a CC subscriber
  9. I was looking to export my design to print each pantone color on individual film sheets through Accurip but the print menu seems to be lacking that feature. I don't see an option to print separations (instead of a composite image). Is there a setting I need to adjust or edit in order to do this?
  10. Boldlinedesign

    Converting to Curves Issue

    thanks for the explanation - that helps me make more sense of it all
  11. I used a number of different style vector brushes when I inked a design in Affinity Designer. When I went to convert the brush strokes to curves, only the solid standard brush strokes were converted and all specialized or non-standard brushes were gone.... I backtracked and selected a single stroke made with a non-standard vector brush and went to convert to curves or expand... and it was grayed out. Is there a way to convert these types of brushes to fills? I need to be able to use my vector line work made in Affinity Designer in other apps as vectors.... Is there a solution to this? Thanks
  12. I'm hoping an eraser tool and blob brush are on the eventual horizon for Affinity Designer both on desktop and Ipad. So much of my designing involves a painterly approach with adding to existing vectors with the blob tool and cutting away parts from them with the eraser.
  13. He might be referring to a tapered end to the brush stroke
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