DavidDoesAffinity Posted May 6, 2022 Posted May 6, 2022 I have tried to find a suitable FFT Denoise tutorial but other than the manual (yes I did RTFM) I cannot get anywhere. I was asked if if I could advise an Estate Agent who was putting together animated stills of a property and it was under attack from Moire patterns. Front aspect of property with tiled roof. It has now turned into a "mission"!!!! I was sent samples and was surprised that they had done nothing wrong. Both video size and data rate were good. The stills were razor sharp so my first port of call was to put the still in my old Photoshop and use the deinterlace filter. It certainly showed the problem whether Upper or Lower field was selected (in PS filter). (I don't think such a filter exists in A Photo). I then turned to tools within my Video editing software to animate and was able and to tame the problem, using a cocktail of two filters. However, as I was now on a "mission" I turned to Affinity to see what I could do with the original pic. The problem is the tiled roof so any filter I needed to "Paint" on the tiles only. At that stage I was out of AP skillset!!!! The Deinterlaced file (PS filter) shows the inherent problem. Thanks for any links, advice etc. As I said I can resolve in my video software but want to explore all other remedies. Quote
joe_l Posted May 6, 2022 Posted May 6, 2022 I am afraid the G'MIC plugin with its moire filter does not produce anything better than your second image. Quote ---------- Windows 10 / 11, Complete Suite Retail and Beta
DavidDoesAffinity Posted May 6, 2022 Author Posted May 6, 2022 31 minutes ago, joe_l said: I am afraid the G'MIC plugin with its moire filter does not produce anything better than your second image. Arghhh! the second image is effectively a crop from the original. Well it was worth a try. Thanks for your advice. Quote
carl123 Posted May 6, 2022 Posted May 6, 2022 Best I could in about 5 minutes, doubt I would want to spend much longer than that unless the Estate Agent was paying you for the work Mainly FFT filter to get rid of the Moire then a couple of touch up layers Quote To save time I am currently using an automated AI to reply to some posts on this forum. If any of "my" posts are wrong or appear to be total b*ll*cks they are the ones generated by the AI. If correct they were probably mine. I apologise for any mistakes made by my AI - I'm sure it will improve with time.
DavidDoesAffinity Posted May 6, 2022 Author Posted May 6, 2022 Thanks Carl When you added the FFT was it constrained just to the roof area (I assume on an adjustment layer) or does it find the bits it will do the biz on...like a particular video filter I sometimes need to use? Quote
Old Bruce Posted May 6, 2022 Posted May 6, 2022 I have had a fair amount of luck with a simple tenth of a pixel Gaussian blur applied to images and having that get rid of most if not all the Moire. Quote Mac Pro (Late 2013) Mac OS 12.7.6 Affinity Designer 2.5.7 | Affinity Photo 2.5.7 | Affinity Publisher 2.5.7 | Beta versions as they appear. I have never mastered color management, period, so I cannot help with that.
smadell Posted May 6, 2022 Posted May 6, 2022 If the roof resists fixing, why not just go around the problem? This took me about 5-8 minutes, using a New Pixel Layer and the Clone brush. With more time, a better result would still be an easy solution. Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023); 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 18
carl123 Posted May 7, 2022 Posted May 7, 2022 3 hours ago, DavidDoesAffinity said: When you added the FFT was it constrained just to the roof area Yes, a quick copy of the roof area to a new layer then FFT on that layer only DavidDoesAffinity 1 Quote To save time I am currently using an automated AI to reply to some posts on this forum. If any of "my" posts are wrong or appear to be total b*ll*cks they are the ones generated by the AI. If correct they were probably mine. I apologise for any mistakes made by my AI - I'm sure it will improve with time.
DavidDoesAffinity Posted May 7, 2022 Author Posted May 7, 2022 4 hours ago, smadell said: If the roof resists fixing, why not just go around the problem? This took me about 5-8 minutes, using a New Pixel Layer and the Clone brush. With more time, a better result would still be an easy solution. Which would be fine except that it is for an Estate Agent and has to be somewhere near not fake. Quote
DavidDoesAffinity Posted May 7, 2022 Author Posted May 7, 2022 6 hours ago, Old Bruce said: I have had a fair amount of luck with a simple tenth of a pixel Gaussian blur applied to images and having that get rid of most if not all the Moire. I will play some more. It is now a learning mission. Quote
Lisbon Posted May 8, 2022 Posted May 8, 2022 Hi @DavidDoesAffinity I cannot guarantee that this will work. I would need a better quality image to be sure. But you can try this. Its a destructive workflow, so start by duplicating the background, name it "Emboss" and change the blending mode to Soft Light. Next go to Filters > Colours > Emboss This filter will shift the edges. After masking you can try to reduce the opacity of the "Emboss" layer to keep the maximum amount of details. Quote
NotMyFault Posted May 8, 2022 Posted May 8, 2022 On 5/6/2022 at 1:05 PM, DavidDoesAffinity said: in my old Photoshop and use the deinterlace filter. It certainly showed the problem whether Upper or Lower field was selected (in PS filter). (I don't think such a filter exists in A Photo). Affinity Photo has a deinterlace filter, with even/odd sub-variants, but only as destructive filter. With help of Procedural texture filter it is possible to achieve the same effect non-destructively (but you require a copy of the layer shifted by 1 px, or add a perspective live filter). Quote Mac mini M1 A2348 | Windows 10 - AMD Ryzen 9 5900x - 32 GB RAM - Nvidia GTX 1080 LG34WK950U-W, calibrated to DCI-P3 with LG Calibration Studio / Spider 5 iPad Air Gen 5 (2022) A2589 Special interest into procedural texture filter, edit alpha channel, RGB/16 and RGB/32 color formats, stacking, finding root causes for misbehaving files, finding creative solutions for unsolvable tasks, finding bugs in Apps. My posts focus on technical aspects and leave out most of social grease like „maybe“, „in my opinion“, „I might be wrong“ etc. just add copy/paste all these softeners from this signature to make reading more comfortable for you. Otherwise I’m a fine person which respects you and everyone and wants to be respected.
DavidDoesAffinity Posted May 8, 2022 Author Posted May 8, 2022 Thank you. I came across it yesterday. The one pixel shift was something I sometimes did in the days of SD. I'm still experimenting and learning. Quote
DavidDoesAffinity Posted May 8, 2022 Author Posted May 8, 2022 4 hours ago, Lisbon said: Hi @DavidDoesAffinity I cannot guarantee that this will work. I would need a better quality image to be sure. But you can try this. Its a destructive workflow, so start by duplicating the background, name it "Emboss" and change the blending mode to Soft Light. Next go to Filters > Colours > Emboss This filter will shift the edges. After masking you can try to reduce the opacity of the "Emboss" layer to keep the maximum amount of details. I fell at the first hurdle as I couldn't figure out how to get the blending mode Soft Light onto the duplicated layer as is. All Quote
Lisbon Posted May 8, 2022 Posted May 8, 2022 1 hour ago, DavidDoesAffinity said: I fell at the first hurdle as I couldn't figure out how to get the blending mode Soft Light onto the duplicated layer as is. All No problem David. You just need to change the box next to opacity from "Normal" to "Soft Light" DavidDoesAffinity 1 Quote
DavidDoesAffinity Posted May 9, 2022 Author Posted May 9, 2022 8 hours ago, Lisbon said: No problem David. You just need to change the box next to opacity from "Normal" to "Soft Light" I feel such an idiot. I have seen that box a 1000 times but only ever used light changes on FX. Thank You. Lisbon 1 Quote
DavidDoesAffinity Posted May 9, 2022 Author Posted May 9, 2022 One of my video colleagues in Aus has been playing and come up with a 90/1 motion blur and I have to say it just works and my mission is over and I can get back to real work. Quote
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