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Posted

I have tried to find a suitable FFT Denoise tutorial but other than the manual (yes I did RTFM) I cannot get anywhere. 

I was asked if if I could advise an Estate Agent who was putting together animated stills of a property and it was under attack from Moire patterns. Front aspect of property with tiled roof.
It has now turned into a "mission"!!!!
I was sent samples and was surprised that they had done nothing wrong. Both video size and data rate were good. The stills were razor sharp so my first port of call was to put the still in my old Photoshop and use the deinterlace filter. It certainly showed the problem whether Upper or Lower field was selected (in PS filter). (I don't think such a filter exists in A Photo).

I then turned to tools within my Video editing software to animate and was able and to tame the problem, using a cocktail of two filters.

However, as I was now on a "mission" I turned to Affinity to see what I could do with the original pic. The problem is the tiled roof so any filter I needed to "Paint" on the tiles only. At that stage I was out of AP skillset!!!!

The Deinterlaced file (PS filter) shows the inherent problem.

Thanks for any links, advice etc. As I said I can resolve in my video software but want to explore all other remedies.

Crop 1 Dint.jpg

Crop 1.jpg

Posted

I am afraid the G'MIC plugin with its moire filter does not produce anything better than your second image. :(

moire.jpg

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Windows 10 / 11, Complete Suite Retail and Beta

Posted
31 minutes ago, joe_l said:

I am afraid the G'MIC plugin with its moire filter does not produce anything better than your second image. :(

moire.jpg

Arghhh! the second image is effectively a crop from the original. Well it was worth a try. 

Thanks for your advice.

Posted

Best I could in about 5 minutes, doubt I would want to spend much longer than that unless the Estate Agent was paying you for the work

Mainly FFT filter to get rid of the Moire then a couple of touch up layers

 

roof2.jpg

To save time I am currently using an automated AI to reply to some posts on this forum. If any of "my" posts are wrong or appear to be total b*ll*cks they are the ones generated by the AI. If correct they were probably mine. I apologise for any mistakes made by my AI - I'm sure it will improve with time.

Posted

Thanks Carl

When you added the FFT was it constrained just to the roof area (I assume on an adjustment layer) or does it find the bits it will do the biz on...like a particular video filter I sometimes need to use?

 

Posted

I have had a fair amount of luck with a simple tenth of a pixel Gaussian blur applied to images and having that get rid of most if not all the Moire.

Mac Pro (Late 2013) Mac OS 12.7.6 
Affinity Designer 2.5.7 | Affinity Photo 2.5.7 | Affinity Publisher 2.5.7 | Beta versions as they appear.

I have never mastered color management, period, so I cannot help with that.

Posted

If the roof resists fixing, why not just go around the problem? This took me about 5-8 minutes, using a New Pixel Layer and the Clone brush. With more time, a better result would still be an easy solution.

556121081_MoireRoof.jpg.04792bee06ac791adc47c75318e3b1ba.jpg

Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad
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Posted
3 hours ago, DavidDoesAffinity said:

When you added the FFT was it constrained just to the roof area

Yes, a quick copy of the roof area to a new layer then FFT on that layer only

To save time I am currently using an automated AI to reply to some posts on this forum. If any of "my" posts are wrong or appear to be total b*ll*cks they are the ones generated by the AI. If correct they were probably mine. I apologise for any mistakes made by my AI - I'm sure it will improve with time.

Posted
4 hours ago, smadell said:

If the roof resists fixing, why not just go around the problem? This took me about 5-8 minutes, using a New Pixel Layer and the Clone brush. With more time, a better result would still be an easy solution.

556121081_MoireRoof.jpg.04792bee06ac791adc47c75318e3b1ba.jpg

Which would be fine except that it is for an Estate Agent and has to be somewhere near not fake.

 

Posted
6 hours ago, Old Bruce said:

I have had a fair amount of luck with a simple tenth of a pixel Gaussian blur applied to images and having that get rid of most if not all the Moire.

I will play some more. It is now a learning mission.

Posted

Hi @DavidDoesAffinity

I cannot guarantee that this will work. I would need a better quality image to be sure.
But you can try this.

Its a destructive workflow, so start by duplicating the background, name it "Emboss" and change the blending mode to Soft Light.
Next go to Filters > Colours > Emboss
This filter will shift the edges.

moireemboss.jpg.c8f3f85963ecaa59ea88328cf7193460.jpg

After masking you can try to reduce the opacity of the "Emboss" layer to keep the maximum amount of details.

Posted
On 5/6/2022 at 1:05 PM, DavidDoesAffinity said:

in my old Photoshop and use the deinterlace filter. It certainly showed the problem whether Upper or Lower field was selected (in PS filter). (I don't think such a filter exists in A Photo).

Affinity Photo has a deinterlace filter, with even/odd sub-variants, but only as destructive filter. With help of Procedural texture filter it is possible to achieve the same effect non-destructively (but you require a copy of the layer shifted by 1 px, or add a perspective live filter).

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Special interest into procedural texture filter, edit alpha channel, RGB/16 and RGB/32 color formats, stacking, finding root causes for misbehaving files, finding creative solutions for unsolvable tasks, finding bugs in Apps.

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Posted
4 hours ago, Lisbon said:

Hi @DavidDoesAffinity

I cannot guarantee that this will work. I would need a better quality image to be sure.
But you can try this.

Its a destructive workflow, so start by duplicating the background, name it "Emboss" and change the blending mode to Soft Light.
Next go to Filters > Colours > Emboss
This filter will shift the edges.

moireemboss.jpg.c8f3f85963ecaa59ea88328cf7193460.jpg

After masking you can try to reduce the opacity of the "Emboss" layer to keep the maximum amount of details.

I fell at the first hurdle as I couldn't figure out how to get the blending mode Soft Light onto the duplicated layer as is. All

Posted
1 hour ago, DavidDoesAffinity said:

I fell at the first hurdle as I couldn't figure out how to get the blending mode Soft Light onto the duplicated layer as is. All

No problem David.

You just need to change the box next to opacity from "Normal" to "Soft Light"

emboss.jpg.9889418d2ee1ef9f6cd916b9bfc1ecae.jpg

Posted
8 hours ago, Lisbon said:

No problem David.

You just need to change the box next to opacity from "Normal" to "Soft Light"

emboss.jpg.9889418d2ee1ef9f6cd916b9bfc1ecae.jpg

I feel such an idiot. I have seen that box a 1000 times but only ever used light changes on FX. Thank You.

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