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  1. Illustrator have this feature when you have two open vectors you can make them one by joining their nodes.
  2. Is there a way to distort vector artwork along a defined shape? Is there a way to simulate tilting it backward into space, skew or warp the artwork?
  3. Vector Assets: Rock Monster Kit Added a little Monster Construction Kit based upon Rock Monster World: There are 2 complete samples contained in the assets from a current total of 12 Asset: Rock Monster Kit ...Subcategories 1. Samples 2. Shapes 3. Textures 01 4. Fractures 5. Features 6. Textures 02 ....samples as below and .zip file for installation: Rock_Monster_Kit.zip
  4. Hai I want to share some of my works. Icon design. Created in affinity designer. another my works : Behance.net/andrigraphic Instagram.com/andrigraphic Youtube Andrigraphic Thank you
  5. Hi, so I have quite a strange issue. I was making a logo for my friends winery. I painted it and then digitalized it so she would get vector to use right. I was just in Designer persona for vectors using brushes from this library. The issue is that when I am in the affinity designer the logo itself looks ready, with transparent background etc. but when I export it to eps, white backgrounds behind the shapes appear. I was doing a little research, ticked all the boxes which was supposed to be ticked nothing helped. Then I tried to put the bad eps file back to Affinity and see what is the problem. What I found out is that some of the curves changed to images. When I tried to delete the "white squares" it will automatically delete part of the logo and it is just such a mess. I was wondering if that is because I though I used vector brushes but it somehow transferred to pixel brushes? The thing is it took me a lots of time to find out how to digitalize the painting itself and it was painted with watercolors which was hard to imitate. I was so happy when I finally found out that I can make it in affinity with the vector brushes but now I cant export it. My friend will use the logo in a big size to be printed on a wood. To understand how it was made maybe it will be clear why this is happening for somebody else. I used curves to make the outlines of all the shapes than filled them with color and then I used a mask layer for the filled ones, where I was using vector brushes to imitate the "texture" so It would not be so flat just with a plain color and look like it was painted. I tried to change the option as well for the eps but it resulted in loosing the strokes sizes. i tried to put it in Illustrator as well but the same thing appearing. If somebody knows what to do with it that would be awesome. UPDATE: I tried to just basic shape and the same mask with brush as I used in the logo and it has the same problem. When I export it and put it back it has the white background and it is rasterized. Second option to export it without rasterizing at all results in that the used watercolor vector brush is just black.. So that means it has problem export the vector brushes like vector and it rasterizes them - which i do not get, when it is a VECTOR brush. Or maybe I am idiot and understand the base of vector brushes badly? Here some pictures so you can see what I meant. This is finished logo for export All the layers are curves in this EPS version put back in Aff - curves became images This is to show you how was it made - basic shape filled with basic color and then mask with just brush stroke to make the texture This is the last option I tried but it resulted in the image below - all the stroke sizes, option, brushes deleted. LOGO.FINAL.BEFORE.EX.afdesign
  6. I am completely new to anything regarding graphic design, so please bear with me. I do understand that vector graphics are scaleable without any loss of quality as they consist of mathematical descriptions of curves and shapes and are not pixel based. So far so good. Now I can apply various operations in AD Designer persona to a vector graphic that - to my understanding - add pixels to a shape or curve and thus make the graphic (or parts of it) lose it’s scaleability but maybe I am completely wrong. My question is: Which of the following would add pixel based non scaleable elements to a vector graphic: [ ] - a gradient fill to a shape or curve. [ ] - blurring a shape or curve. [ ] - any effects layer. Any tips to manage issues around this topic are welcome. Thanks in advance. Rod
  7. Want to use a vector brush? Want to use a specific color with your vector brush? Want to use a specific color that you carefully created and saved to your Swatches library? Too bad! Please add the ability to choose swatches within the color menus of the vector brush and pencil tools. Thanks!
  8. A "Select Same" option (as in Adobe Illustrator) would be incredibly useful in Designer to select objects that share the same appearance. That way a user could select, say, all vector objects that have the same stroke weight, or colour fill, or colour stroke, etc. This would make editing and recolouring complex vector files a lot less taxing and time consuming, and a lot more streamlined.
  9. Hi, Thought it was about time I posted something new..... Been working on the Lightbox Expo Challenge (Environmental Design!) for nearly a month now...for a bit of fun..and to learn something new!. All Vector Construction in Affinity Designer with multiple layer embedded files and manipulation of adjustment layers.....mostly for re-colouring objects Two images created for projects Size had to be scaled to a multiple of 1940px width or height EV01 Original Size is 9600px x 3880 px (had to scale to 1940px) and 300dpi EV02 Original Size is 9600px x 4500 px and 300dpi Extended the height of this one during building as the framework looked squashed forced into the original size!
  10. I made these using black & white photos found on the internet as guides. Although I usually work in Photo, I did a lot of the vector work in Designer, as I find it easier to switch between the Pen and he Node tools; then again, some things are easier or only available in Photo.She wasn't just a comic dancer: she was a decorated war hero of the French resistance, and set up and funded a number of philanthropic projects, as well as championing civil rights back in the US.And she really did have a pet Leopard named Chiquita. This first one was made entirely from vectors with flat fills and no outline (apart from the text, of course). For this one, I got a little more ambitious. It's made with Vector shapes, gradients and brush shading. I had the style of Gaspar Camps in mind, but it's a lot simpler than his work. Still., I'm learning! More ambitious still! Made the same way as the previous pic, but with a lot more brush shading and gradients. Here I was thinking of Alphonse Mucha; see previous comment!I made two image brushes for the leopard's rosettes (spots to you and me). The 'leaves' are supposed to be feathers! I've tried out a couple of alternative colours with HSL adjustments, but I can't make up my mind which I like best..For the shadow, I created a new pixel layer in Photo with 'Merge visible', converted it to black (Levels), stretched it with the Move tool (and a little adjustment to the feet with the Mesh Warp tool). I then applied a gradient and a Box Blur live filter, also with a gradient to make it lighter and more blurred further up the image.
  11. Good day, I’ve just recently purchased Photo largely to use Distress Press by True Grit to rough up some of my images created in Designer. Is there a way I can import what I’ve done in there back into designer as vector files or do I need to use a third party to convert/trace the images as vectors? Thanks.
  12. Thought I would share another Asian based work that I did today. I saw this Korean version of the Bodhidharma somewhere online and I decided to draw it today using Designer in my own style as a fun relaxer from stress. As a note, the stamps in the red boxes are loose approximations of the stamps that were used at the time (1630 or so) but aren't intended to be correct. Thanks for taking the time to view my work and I hope that you enjoy it. Best regards, Hokusai
  13. I recently downloaded the "Fineliner brushes" pack for Affinity photo. When I install the brushes they say "vector brushes installed" How can I access the vector brushes on Affinity photo? I don't see them show up in the brushes panel
  14. I work more heavily with and I am more familiar with Japanese art but I have a soft spot for all Asian art. In the past year or so I've seen so many beautiful Chinese prints and pictures and when I saw this one some months ago, I thought it would be a great one for me to do in my style. I did this one with all vectors in Affinity Designer and I did two versions, one regular and one that shows the wind but something about the wind bothered me but I decided to present it as well even though I feel that it is distracting and not as good as the one without the wind. One thing I'd love to see added to Designer sometime is some vector brushes or different vector strokes with customizable ends so that I could more easily replicate the look of using a fude (Japanese brush or a similar style ink brush normally used to write calligraphy but is great to draw with too) using pure vectors. This picture is my stylized version of Lie Yukkou, a famous Daoist philosopher based on an old picture by a Chinese artist named Zhang Lu. Thanks for taking time to view my work. Best regards, Hokusai
  15. Hey guys! Let me share this guide that I did recently, building this item using Affinity Designer on ipad! also I did a tutorial on my youtube channel showing in real time how to do it... jhonatan's youtube I hope this help you guys! have a great day! Regards Jhon
  16. as stated above, the Vector Brushes very sluggish PC designer latest version. NOT BETA. I have to wait 3 -5 minutes for Designer to stop taking ram. Then the brushes drawing is a bit smoother, but very sluggish. This seems to be getting worse with every release. This is happening with supplied brushes and third party. My machine is fast, Threadripper, 64GB of ram, 2080 Super, 4K. No reason what so ever for this to be lagging. Any suggestions would be appreciated. Also when is GPU acceleration going to happen on the PC? Gary
  17. I'm currently working in Designer to create vector artwork, and a few of the designs are getting a little more complex than I'm usually used to and I'm having trouble trying to fill in shapes - my designs are eventually printed onto posters and clothing. I have a few options when it comes to filling in but feel they are unorthodox or won't give me the desired print quality at 300dpi. 1. At the moment I have been creating the line work from an image, tracing the main outlines of shapes. This has resulted in a lot of open lines. I have then been keeping the lines in a separate layer from the colour layer. This also includes a lot of duplicating shapes, breaking lines and joining them together with others to be able to then fill the shape on the colour layer and turning off the stroke. Overall this method feels very clunky and effects my work flow, it also gets quite confusing, never quite knowing which outline is connected to which colour and any small movement of a shape will ruin the piece. I feel like this whole process could be improved with a 'smart fill bucket tool' similar to what is is AI. IS there a suitable work around for this missing tool, or is the the quickest method? 2. I haven't actually used this method yet, but it is something I have thought about quite recently which i think could improve my workflow in lieu of the magic fill bucket tool - however not sure if this will hamper the quality of my print by leaving Designer to colour in Photo. I have both Designer and Photo. My idea was to use the appropriate print template i have supplied for my garments all at the correct dimensions and at 300DPI to create my line work. I would then open the line work in Photo and use my tablet and pen to paint in the colours between the lines. I feel like this would improve my work flow tenfold, but advice regarding the print quality would be appreciative - or even if this is a poor method. Look at this is would increase the speed of my design work. I think I'm just scared/paranoid to leave Designer and have my Designs raterized as opposed to working with crips, sharp vectors. Its worth noting that at the moment my designs are flat colour designs without gradients/shading at the moment and my designs are exported asP NGs at 300dpi Many thanks in advance! Would also love to hear your own work flows regarding the filling of complex vectors.
  18. I'm trying to re-create the brush I used in Illustrator which was just a simple round brush with a smooth, round end. I have one in Affinity that looks exactly like my Illustrator brush, except that when I draw the end of the line is jagged. I've attached some pictures to explain what I mean. The black line was drawn in Illustrator, the blue in Affinity Designer. What I did to make the blue brush was went into the ink brushes and made a new one and it automatically gave me one with round edges. But when I draw it gives me those uneven edges. I'm assuming it has something to do with the fact that I'm in the ink brush section, but I'm super new to Affinity and not sure how to fix this.
  19. This feature is unparalleled and extremely powerful. redefines vector coloring. Affinity should do everything in its power to support this feature. @TonyB Learn more: https://helpx.adobe.com/illustrator/using/gradients.html#create_apply_freeform_gradient
  20. As the new project for training and as just fun, I plan to recreate in Affinity Designer some objects or characters from cartoons or comic books from my childhood. Nothing specially serious. It doesn't have to be perfect and I also allow myself to do some minor changes in original designs. First project being created after hours of my regular job is coming from Disney's cartoon Tale Spin - it's seaplane "Seaduck" which was used by great pilot Baloo. Project isn't finished yet, but I've decided to share it. I know that shadows, details and some other things could be better, but for now it's just concept of the overall idea, and for sure will be still improved in spare time
  21. Hi everyone! I started drawing on my iPad using the vector brush tool but now would like to convert these back to regular pencil strokes. Is this possible? Back story: I generally draw on my iPad using Affinity Designer and then finish up the artwork on my macbook using AI (sorry if this is sacrilegious!!!). When I draw brush vectors in AD on the iPad and then open the file in AI, instead of editable vector strokes, I get solid images that are masked in vector shapes. I didn't realize this until all of my images were drawn using the brush tool, thus wanting to convert them all quickly back into pencil strokes that I can move around on AI. Any suggestions? Thanks!
  22. Had another go at a vector. It's not finished (bumper needs a bit of work) and as usual probably not graphically correct with lighting shadows etc. I find that stuff hard to do. The only bits that aren't vectors are the 2 windows. I thought it looked better this way looking into the van & seeing the seats & back windows. My first posted work here Yamaha MX Bike
  23. hello, I am a new user in affinity, I made a design to be uploaded to freepik but I have a problem in .eps because the file size does not meet the criteria. is there a way to increase the file size? and what is meant by eps in cc is affinity support that?Thank you for your advance!
  24. Hello community, does someone know how to import .eps file gracefully in affinity designer to edit the vector file??? Thanks
  25. Has anyone used https://www.vecteezy.com/ Photos are great. Have not figured out how to use vectors. terrible resolution in vectors. actually this cannot be the case. i must be doing something wrong. This is what i do: Open the vector file edit to my liking. Something gets messed up. Photos are wonderful resolution. How to really use these vector files??? Thank you community!!!
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