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Hello I would like to propose a feature that would allow the user to switch between the orginal and the current adjustment of raw image in a faster way. I am aware of the syncing feature but there are times when it just takes a lot of steps to just view the orginal especially if you accidentaly synced the wrong adjustment. This new toggle button feature would just allow a quick way to switch from orginal. In a simple way, this is like a toggle button that disables all the effects/adjustments including the overlays.

Having been using Affinity Photo for nearly a year now I wonder why the same complaint is prevalent. There are so many comments of 'AP is great but' the but referring to the fact that RAW development is destructive. At first it didn't bother me but now I find there are more and more times I would like to go back and tweak my initial raw development but I have to return to the RAW file and start from scratch. I used to hate PS's sidecar file but now realise it's benefit. How hard would it be to implement non-destructive RAW adjustment? This would make it easy to copy the RAW adjustments from one edit and paste in to many files speeding up workflow. From comments I have seen there are many people who will not use AP purely because of this 'issue'. I am looking at another program that has a far better 'RAW' development tool but sadly lacks on the photo editing side as, among other things, it does not support layers. IMHO AP comes second to PS but only because RAW development is destructive, fix that and AP would be number 1.

Hi, I'm new to this forum and apps. I'm coming from using Lightroom Classic, and for the last 10 month dive into Darktable and its scene-referred workflow. I didn't consider Affinity Photo as an alternative to my overall workflow, but, well, I changed my mind :) So today, I came across @James Ritson 's article : RAW actually https://affinityspotlight.com/article/raw-actually/ I've several questions, but here are already 2 :) There is a note about 'hightlight recovery'. It seems neither the Develop persona or the Photo persona have this tool. How would you get around it ? At the beginning if the article, there is a list of step being done on the RAW image before being shown n the develop interface. Is that all the steps or may be more ? (and before the Assistant comes in) Demosaicing Hot pixel remapping Lens corrections Translation to a colour space Gamma correction Tone mapping Somehing I realy like in the develop persona is the use of a very large color space that is also linear and unbounded. I wonder if this could be also use in the photo persona. Thank you :)

Here is the supported RAW camera list, as of 1.10.6 retail builds using SerifLabs RAW engine: If you are looking for the list supported by version 2 you will find it posted here Note: This list is for the native SerifLabs RAW engine only (this is the default when you open a raw file). On macOS and iOS there is an additional option to use the built in RAW image processing Apple (core image raw) engine please refer instead to these articles for their list of supported models: on macOS Ventura and iOS 16 on macOS Monterey and iOS 15 on macOS Big Sur and iOS 14 on macOS Catalina and iOS 13 on macOS Mojave and iOS 12 on macOS High Sierra and iOS 11 on macOS Sierra and iOS 10 on OS X El Capitan on OS X Yosemite on OS X Mavericks Serif Labs Supported Cameras (based on libraw snapshot 202110 with additional Canon CR3 code) ASUS: ZenPhone4 ZenPhone6 AVT: F-080C F-145C F-201C F-510C F-810C Adobe: Digital Negative (DNG) AgfaPhoto: DC-833m Alcatel: 5035D Apple: iPad Pro iPhone SE iPhone 6s iPhone 6 plus iPhone 7 iPhone 7 plus iPhone 8 iPhone 8 plus iPhone X iPhone 12 Pro iPhone 12 Pro Max iPhone 13 Pro QuickTake 100 QuickTake 150 QuickTake 200 AutelRobotics: XB015 XT705 (EVO II) BQ: Aquarius U Baumer: TXG14 BlackMagic: Cinema Camera Micro Cinema Camera Pocket Cinema Camera Production Camera 4k URSA URSA Mini 4k URSA Mini 4.6k URSA Mini Pro 4.6k CLAUSS: pix500 Canon: PowerShot 600 PowerShot A5 PowerShot A5 Zoom PowerShot A50 PowerShot A410 PowerShot A460 PowerShot A470 PowerShot A480 PowerShot A530 PowerShot A540 PowerShot A550 PowerShot A560 PowerShot A570 IS PowerShot A590 IS PowerShot A610 PowerShot A620 PowerShot A630 PowerShot A640 PowerShot A650 IS PowerShot A710 IS PowerShot A720 IS PowerShot A3300 IS PowerShot D10 PowerShot ELPH 130 IS / IXUS 140 / IXY 110F PowerShot ELPH 160 IS / IXUS 160 PowerShot Pro70 PowerShot Pro90 IS PowerShot Pro1 PowerShot G1 PowerShot G1 X PowerShot G1 X Mark II PowerShot G1 X Mark III PowerShot G2 PowerShot G3 PowerShot G3 X PowerShot G5 PowerShot G5 X PowerShot G5 X Mark II PowerShot G6 PowerShot G7 PowerShot G7 X PowerShot G7 X Mark II PowerShot G7 X Mark III PowerShot G9 PowerShot G9 X PowerShot G9 X Mark II PowerShot G10 PowerShot G11 PowerShot G12 PowerShot G15 PowerShot G16 PowerShot S2 IS PowerShot S3 IS PowerShot S5 IS PowerShot SD300 / IXUS 40 / IXY Digital 50 PowerShot SD750 / IXUS 75 / IXY Digital 90 PowerShot SD900 / IXUS 900Ti / IXY Digital 1000 PowerShot SD950 / Digital IXUS 960 IS / IXY Digital 2000 PowerShot SD1200 / Digital IXUS 95 IS / IXY Digital 1000 PowerShot S30 PowerShot S40 PowerShot S45 PowerShot S50 PowerShot S60 PowerShot S70 PowerShot S90 PowerShot S95 PowerShot S100 PowerShot S110 PowerShot S120 PowerShot SX1 IS PowerShot SX40 HS PowerShot SX50 HS PowerShot SX60 HS PowerShot SX70 HS PowerShot SX100 IS PowerShot SX110 IS PowerShot SX120 IS PowerShot SX130 IS PowerShot SX160 IS PowerShot SX220 HS PowerShot SX510 HS PowerShot SX710 HS PowerShot SX10 IS PowerShot SX20 IS PowerShot SX30 IS PowerShot IXUS 95 IS PowerShot IXUS 960 IS EOS 5DS EOS 5DS R EOS 5D EOS 5D Mark II EOS 5D Mark III EOS 5D Mark IV EOS 6D EOS 6D Mark II EOS 7D EOS 7D Mark II EOS 10D EOS 20D EOS 20Da EOS 30D EOS 40D EOS 50D EOS 60D EOS 60Da EOS 70D EOS 77D / 9000D EOS 80D EOS 90D EOS 100D / Rebel SL1 / Kiss X7 EOS 200D / Rebel SL2 / Kiss X9 EOS 250D / 200D II / Rebel SL3 / Kiss X10 EOS 300D / Digital Rebel / Kiss Digital EOS 350D / Digital Rebel XT / Kiss Digital N EOS 400D / Digital Rebel XTi / Kiss Digital X EOS 450D / Digital Rebel XSi / Kiss X2 EOS 500D / Rebel T1i / Kiss X3 EOS 550D / Rebel T2i / Kiss X4 EOS 600D / Rebel T3i / Kiss X5 EOS 650D / Rebel T4i / Kiss X6i EOS 700D / Rebel T5i / Kiss X7i EOS 750D / Rebel T6i / Kiss X8i EOS 760D / Rebel T6S / 8000D EOS 800D / Rebel T7i / Kiss X9i EOS 850D / Rebel T8i / Kiss X10i EOS 1000D / Digital Rebel XS / Kiss F EOS 1100D / Rebel T3 / Kiss X50 EOS 1200D / Kiss X70 / REBEL T5 / Hi EOS 1300D / Rebel T6 / Kiss X80 EOS 1500D / 2000D / Rebel T7 / Kiss X90 EOS 3000D / 4000D / Rebel T100 EOS C500 EOS D2000 EOS D30 EOS D60 EOS M EOS M2 EOS M3 EOS M5 EOS M6 EOS M6 Mark II EOS M10 EOS M50 / Kiss M EOS M50 Mark II EOS M100 EOS M200 EOS R EOS R5 EOS R6 EOS RP EOS-1D C EOS-1D X EOS-1D X Mark II EOS-1D X Mark III (lossless compressed only) EOS-1D EOS-1D Mark II EOS-1D Mark II N EOS-1D Mark III EOS-1D Mark IV EOS-1Ds EOS-1Ds Mark II EOS-1Ds Mark III Casio: QV-2000UX QV-3000EX QV-3500EX QV-4000 QV-5700 QV-R41 QV-R51 QV-R61 EX-F1 EX-FC300S EX-FC400S EX-FH20 EX-FH25 EX-FH100 EX-S20 / M20 EX-S100 EX-Z4 EX-Z50 EX-Z500 EX-Z55 EX-Z60 EX-Z75 EX-Z750 EX-Z8 EX-Z850 EX-Z1050 EX-ZR100 EX-Z1080 EX-ZR700 EX-ZR710 EX-ZR750 EX-ZR800 EX-ZR850 EX-ZR1000 EX-ZR1100 EX-ZR1200 EX-ZR1300 EX-ZR1500 EX-ZR3000 EX-ZR3100 EX-ZR3200 EX-ZR3500 EX-ZR3600 EX-ZR3700 EX-ZR4000 EX-ZR4100 EX-ZR5000 EX-ZR5100 EX-100 EX-100F EX-100PRO EX-10 EX-P505 EX-P600 EX-P700 Contax: N Digital Creative: PC-CAM 600 DJI: 4384x3288 Mavic Air Mavic Air2 Mavic Air 2S (new) Mavic Mini2 Osmo Action Pocket Phantom4 Pro/Pro+ Zenmuse X5 Zenmuse X5R DXO: One Digital Bolex: D16 D16M Epson: R-D1 R-D1s R-D1x Eyedeas: E1 Foculus: 531C FujiFilm: DBP for GX680 / DX-2000 E550 E900 F500EXR / F505EXR F550EXR F600EXR / F605EXR F700 F710 F770EXR / F775EXR F800EXR F810 F900EXR S2Pro S3Pro S5Pro S20Pro S1 S100FS S5000 S5100 / S5500 S5200 / S5600 S6000fd / S6500fd S7000 S9000 / S9500 S9100 / S9600 S200EXR / S205EXR SL1000 HS10/HS11 HS20EXR / HS22EXR HS30EXR / HS33EXR / HS35EXR HS50EXR GFX 50S GFX 50S II (new) GFX 50R GFX 100 GFX 100S (new) X-Pro1 X-Pro2 X-Pro3 X-S1 XQ1 XQ2 X100 X100F X100S X100T X100V X10 X20 X30 X70 X-A1 X-A2 X-A3 X-A5 X-A7 X-A10 X-A20 X-E1 X-E2 X-E2S X-E3 X-E4(new) X-M1 XF1 XF10 X-H1 X-S10 X-T1 X-T1 Graphite Silver X-T2 X-T3 X-T4 X-T10 X-T20 X-T30 X-T100 X-T200 IS-1 GITUP: GIT2 GIT2P G3 DUO (16:9 mode only) Gione: E7 Google: Pixel Pixel XL Pixel 3a Pixel 4 XL Pixel 4a (5G) Pixel 5 GoPro: Fusion Hero5 Hero6 Hero7 Hero8 Hero9 (new) Hero10 (new) HTC: UltraPixel MyTouch 4G One (A9) One (M9) 10 U12 Hasselblad: H2D-22 H2D-39 H3DII-22 H3DII-31 H3DII-39 H3DII-50 H3D-22 H3D-31 H3D-39 H4D-60 H4D-50 H4D-40 H4D-31 H5D-60 H5D-50 H5D-50c H5D-40 H6D-100c A6D-100c CFV CFV-50 CFV II 50C CFH CF-22 CF-31 CF-39 V96C L1D-20c (DJI Mavic 2 Pro) Lusso Lunar True Zoom Stellar Stellar II HV X1D X1D II 50C Huawei: P8 Lite (PRA-LX1) P9 (EVA-L09/AL00) P10 (VTR-L09) P10+ (VKY-L09) P10 Lite (WAS-LX1A) P20 (EML-L09) P20 Pro (CLT-L29/L09) P30 Pro (VOG-L29) Honor6a Honor7a pro Honor8 (FRD-L09) Honor9 Honor10 Honor20 Honor View 10 (BKL-L09) Honor View 20 (PCT-L29) Honor 20 Pro (YAL-L41) Mate8 (NXT-L29) Mate10 (BLA-L29) Mate20 Pro (LYA-L29) Mate20 Lite (SNE-LX1) ISG: 2020x1520 Ikonoskop: A-Cam dII Panchromatic A-Cam dII Imacon: Ixpress 96, 96C Ixpress 384, 384C (single shot only) Ixpress 132C Ixpress 528C (single shot only) JaiPulnix: BB-500CL BB-500GE Kinefinity: KineMINI KineRAW Mini KineRAW S35 Kodak: DC20 DC25 DC40 DC50 DC120 DCS 200 DCS 315C DCS 330C DCS 420 DCS 460 DCS 460M DCS 520C DCS 560C DCS 620C DCS 620X DCS 660C DCS 660M DCS 720X DCS 760C DCS 760M DCS Pro 14n DCS Pro 14nx DCS Pro SLR/c DCS Pro SLR/n EOS DCS 1 EOS DCS 3 NC2000 ProBack PB645C PB645H PB645M C330 C603 P850 P880 PIXPRO AZ901 PIXPRO S-1 Z980 Z981 Z990 Z1015 KAI-0340 Konica: KD-400Z KD-510Z LG: G3 G4 G5 (H850) G6 V20 (H910) V20 (F800K) VS995 Leaf: AFi 5 AFi 6 AFi 7 AFi-II 6 AFi-II 7 AFi-II 10 AFi-II 10R Aptus-II 5 Aptus-II 6 Aptus-II 7 Aptus-II 8 Aptus-II 10 Aptus-II 12 Aptus-II 12R Aptus 17 Aptus 22 Aptus 54S Aptus 65 Aptus 65S Aptus 75 Aptus 75S Cantare Cantare XY CatchLight CMost Credo 40 Credo 50 Credo 60 Credo 80 (low compression mode only) DCB-II Valeo 6 Valeo 11 Valeo 17 Valeo 17wi Valeo 22 Valeo 22wi Volare Leica: C (Typ 112) CL C-Lux / CAM-DC25 Digilux 2 Digilux 3 Digital-Modul-R D-LUX2 D-LUX3 D-LUX4 D-LUX5 D-LUX6 D-LUX7 D-Lux (Typ 109) M8 M8.2 M9 M10 M10-D M10-P M10-R M10 Monochrom M (Typ 240) M (Typ 262) Monochrom (Typ 240) Monochrom (Typ 246) M-D (Typ 262) M-E M-P R8 Q (Typ 116) Q-P Q2 Q2 Monochrom S S2 S3 S (Typ 007) SL (Typ 601) SL2 SL2-S T (Typ 701) TL TL2 X1 X (Typ 113) X2 X-E (Typ 102) X-U (Typ 113) V-LUX1 V-LUX2 V-LUX3 V-LUX4 V-LUX5 V-Lux (Typ 114) X VARIO (Typ 107) Lenovo: a820 Logitech: Fotoman Pixtura Mamiya: ZD Matrix: 4608x3288 Meizy: MX4 Micron: 2010 Minolta: RD175 / Agfa ActionCam DiMAGE 5 DiMAGE 7 DiMAGE 7i DiMAGE 7Hi DiMAGE A1 DiMAGE A2 DiMAGE A200 DiMAGE G400 DiMAGE G500 DiMAGE G530 DiMAGE G600 DiMAGE Z2 Alpha/Dynax/Maxxum 5D Alpha/Dynax/Maxxum 7D Motorola: PIXL Moto G (5S) Moto G7 Play Nikon: D1 D1H D1X D2H D2Hs D2X D2Xs D3 D3s D3X D4 D4s D40 D40X D5 D50 D6 D60 D70 D70s D80 D90 D100 D200 D300 D300s D500 D600 D610 D700 D750 D780 D800 D800E D810 D810A D850 D3000 D3100 D3200 D3300 D3400 D3500 D5000 D5100 D5200 D5300 D5500 D5600 D7000 D7100 D7200 D7500 Df Z 5 Z 6 Z 6 II Z 7 Z 7 II Z 50 Z fc (new) 1 AW1 1 J1 1 J2 1 J3 1 J4 1 J5 1 S1 1 S2 1 V1 1 V2 1 V3 Coolpix 700 Coolpix 800 Coolpix 880 Coolpix 900 Coolpix 950 Coolpix 990 Coolpix 995 Coolpix 2100 Coolpix 2500 Coolpix 3200 Coolpix 3700 Coolpix 4300 Coolpix 4500 Coolpix 5000 Coolpix 5400 Coolpix 5700 Coolpix 8400 Coolpix 8700 Coolpix 8800 Coolpix A Coolpix A1000 Coolpix B700 Coolpix P330 Coolpix P340 Coolpix P950 Coolpix P6000 Coolpix P1000 Coolpix P7000 Coolpix P7100 Coolpix P7700 Coolpix P7800 Coolpix S6 Coolscan NEF Nokia: 7 Plus 8.3 5G 9 N95 X2 1200x1600 Lumia 930 Lumia 950 XL Lumia 1020 Lumia 1520 Olympus: AIR A01 C-3030Z C-350Z C-5050Z C-5060WZ C-7070WZ C-70Z C-7000Z C-740UZ C-770UZ C-8080WZ D-560Z E-1 E-3 E-5 E-10 E-20 / E-20N / E-20P E-30 E-300 E-330 E-400 E-410 E-420 E-450 E-500 E-510 E-520 E-600 E-620 E-P1 E-P2 E-P3 E-P5 E-P7 (new) E-PL1 E-PL1s E-PL2 E-PL3 E-PL5 E-PL6 E-PL7 E-PL8 E-PL9 E-PL10 E-PM1 E-PM2 E-M1 E-M1 Mark II E-M1 Mark III E-M1X E-M10 E-M10 Mark II E-M10 Mark III E-M10 Mark IV E-M5 E-M5 Mark II E-M5 Mark III Pen-F SP-310 SP-320 SP-350 SP-500UZ SP-510UZ SP-550UZ SP-560UZ SP-565UZ SP-570UZ Stylus 1 Stylus 1s SH-2 SH-3 TG-4 TG-5 TG-6 X200 XZ-1 XZ-2 XZ-10 OmniVision: 4688 OV5647 OV5648 OV8850 13860 OnePlus: 6 (A6003) 6T 7 Pro (GM1913) 8 Pro (IN2023) One A3303 A5000 PARROT: Anafi Bebop 2 Bebop Drone Panasonic: DMC-CM1 DMC-FZ8 DMC-FZ18 DMC-FZ28 DMC-FZ30 DMC-FZ35 / FZ38 DMC-FZ40 / FZ42 / FZ45 DMC-FZ50 DMC-FZ70 / FZ72 DC-FZ80 / FZ81 / FZ82 / FZ83 / FZ85 DMC-FZ100 DMC-FZ150 DMC-FZ200 DMC-FZ300 / FZ330 DMC-FZ1000 DC-FZ1000 II / FZ1000M2 / DC-FZ10002 DMC-FZ2000 / FZ2500 / FZH1 DMC-FX150 / FX180 DMC-G1 DMC-G10 DMC-G2 DMC-G3 DMC-G5 DMC-G6 DMC-G7 / G70 DMC-G8 / G80 / G81 / G85 DC-G9 DC-G90 / G95 / G91 / G99 DC-G100 / G110 DMC-GF1 DMC-GF2 DMC-GF3 DMC-GF5 DMC-GF6 DMC-GF7 DC-GF10 / GF90 DMC-GH1 DMC-GH2 DMC-GH3 DMC-GH4 AG-GH4 DC-GH5 DC-GH5S DC-GH5 Mark II (new) DMC-GM1 DMC-GM1s DMC-GM5 DMC-GX1 DMC-GX7 DMC-GX8 DC-GX9 / GX7mkIII DMC-GX80 / GX85, DMC-GX7mkII DC-GX800 / GX850, DC-GF9 DMC-L1 DMC-L10 DMC-LC1 DMC-LF1 DMC-LX1 DMC-LX2 DMC-LX3 DMC-LX5 DMC-LX7 DMC-LX9 / LX10 / LX15 DMC-LX100 DC-LX100M2 DC-S1 DC-S1H DC-S1R DC-S5 DMC-ZS40, DMC-TZ60 / TZ61 DMC-ZS50, DMC-TZ70 / TZ71 DMC-ZS60, DMC-TZ80 / TZ81 / TZ82 / TZ85 DC-ZS70, DC-TZ90 / TZ91 / TZ92 / TZ93 DC-ZS80, DC-TZ95 / TZ96 / TZ97 DMC-ZS100 / ZS110, DMC-TZ100 / TZ101 / TZ110, DMC-TX1 DC-ZS200 / ZS220, DC-TZ200 / TZ202 / TZ220, DC-TX2 Pentax: *ist D *ist DL *ist DL2 *ist DS *ist DS2 K10D K20D K100D K100D Super K110D K200D K2000/K-m KP K-x K-r K-01 K-1 K-1 Mark II K-3 K-3 Mark II K3 Mark III (new) K-30 K-5 K-5 II K-5 IIs K-50 K-500 K-7 K-70 K-S1 K-S2 MX-1 Q Q7 Q10 QS-1 Optio S Optio S4 Optio 33WR Optio 750Z 645D 645Z PhaseOne: IQ140 IQ150 IQ160 IQ180 IQ180 IR IQ250 IQ260 IQ260 Achromatic IQ280 IQ3 50MP IQ3 60MP IQ3 80MP IQ3 100MP IQ3 100MP Trichromatic IQ4 150MP LightPhase Achromatic+ H 10 H 20 H 25 P 20 P 20+ P 21 P 25 P 25+ P 30 P 30+ P 40+ P 45 P 45+ P 65 P 65+ Photron: BC2-HD Pixelink: A782 PtGrey: GRAS-50S5C RaspberryPi: Camera Camera V2 Realme: 3 Pro Ricoh: GR GR II GR III GR IIIx (new) GR Digital GR Digital II GR Digital III GR Digital IV Caplio GX100 Caplio GX200 GXR Mount A12 GXR GR Lens A12 50mm F2.5 Macro GXR GR Lens A12 28mm F2.5 GXR Ricoh Lens A16 24-85mm F3.5-5.5 GXR Ricoh Lens S10 24-72mm F2.5-4.4 VC GXR Ricoh Lens P10 28-300 mm F3.5-5.6 VC Rollei: d530flex RoverShot: 3320af SMaL: Ultra-Pocket 3 Ultra-Pocket 4 Ultra-Pocket 5 STV: 680 VGA SVS: SVS625CL Samsung: EX1 / TL500 EX2F GX-1L GX-1S GX10 GX20 Galaxy Nexus Galaxy Note 9 Galaxy NX (EK-GN120) Galaxy S3 Galaxy S6 (SM-G920F) Galaxy S7 Galaxy S7 Edge Galaxy S8 (SM-G950U) Galaxy S9 (SM-G960F) Galaxy S9+ (SM-G965U / 965F) Galaxy S10 (SM-G973F) Galaxy S10+ (SM-G975U) NX1 NX5 NX10 NX11 NX100 NX1000 NX1100 NX20 NX200 NX210 NX2000 NX30 NX300 NX300M NX3000 NX500 NX mini / NXF1 Pro815 WB550 / WB560 / HZ15W WB2000 / TL350 WB5000 / HZ25W S85 (hacked) S850 (hacked) Sarnoff: 4096x5440 Seitz: 6x17 Roundshot D3 Roundshot D2X Roundshot D2Xs Sigma: fp SD9 (raw decode only) SD10 (raw decode only) SD14 (raw decode only) SD15 (raw decode only) SD1 SD1 Merrill DP1 DP1 Merrill DP1S DP1X DP2 DP2 Merrill DP2S DP2X DP3 Merrill dp0 Quattro dp1 Quattro dp2 Quattro dp3 Quattro sd Quattro sd Quattro H Sinar: eMotion 22 eMotion 54 eSpirit 65 eMotion 75 eVolution 75 3072x2048 (Sinarback 23) 4080x4080 (Sinarback 44) 4080x5440 STI format Sinarback 54 Sony: ILCE-1 (A1) (new) ILCE-7 (A7) ILCE-7M2 (A7 II) ILCE-7M3 (A7 III) ILCE-7C (A7C) ILCE-7R (A7R) ILCE-7RM2 (A7R II) ILCE-7RM3 (A7R III) ILCE-7RM3A (A7R IIIA) (new) ILCE-7RM4 (A7R IV) ILCE-7RM4A (A7R IVA) (new) ILCE-7S (A7S) ILCE-7SM2 (A7S II) ILCE-7SM3 (A7S III) ILCE-9 (A9) ILCE-9M2 (A9 II) ILCA-68 (A68) ILCA-77M2 (A77-II) ILCA-99M2 (A99-II) ILCE-3000 / 3500 ILCE-5000 ILCE-5100 ILCE-6000 ILCE-6100 ILCE-6300 ILCE-6400 ILCE-6500 ILCE-6600 ILCE-QX1 DSC-F828 DSC-HX95 DSC-HX99 DSC-R1 DSC-RX0 DSC-RX0 II DSC-RX1 DSC-RX1R DSC-RX1R II DSC-RX10 DSC-RX10 II DSC-RX10 III DSC-RX10 IV DSC-RX100 DSC-RX100 II DSC-RX100 III DSC-RX100 IV DSC-RX100 V DSC-RX100 VA DSC-RX100 VI DSC-RX100 VII DSC-V3 DSLR-A100 DSLR-A200 DSLR-A230 DSLR-A290 DSLR-A300 DSLR-A330 DSLR-A350 DSLR-A380 / A390 DSLR-A450 DSLR-A500 DSLR-A550 DSLR-A560 DSLR-A580 DSLR-A700 DSLR-A850 DSLR-A900 NEX-3 NEX-3N NEX-5 NEX-5N NEX-5R NEX-5T NEX-6 NEX-7 NEX-C3 NEX-F3 NEX-VG20 NEX-VG30 NEX-VG900 SLT-A33 SLT-A35 SLT-A37 SLT-A55(V) SLT-A57 SLT-A58 SLT-A65(V) SLT-A77(V) SLT-A99(V) XCD-SX910CR IMX135-mipi 13mp IMX135-QCOM IMX072-mipi IMX214 IMX219 IMX230 IMX298-mipi 16mp IMX219-mipi 8mp Xperia 5 II (XQ-AS52) Xperia L ZV-1 (DCZV1/B) ZV-E10 (new) Vivo: X51 5G (V2006) Xiaomi: MI 3 MI 8 MI 9 Lite MI MAX RedMi Note3 Pro RedMi Note7 FIMI X8SE Xiaoyi: YIAC3 (YI 4k) YUNEEC: CGO3 CGO3P CGO4 Yi: M1 Zeiss: ZX1 Zenit: M * (new) means added since Affinity 1.10.0 which was based on libraw 202101

Hey guys, I first want to say a massive well done so far, its looking awesome! I don't know if its been mentioned here but I've noticed when testing out RAW files that once you make changes to an image in "Develop" and commit no XMP file is saved out (at least for .cr2 files). I really like XMP files as it provides a non destructive way to edit your files, its a standard across many RAW editors and has great compatibility across many apps. I would also be able to theoretically edit existing files originally edited in other programs right in Affinity its self! I've also noticed you can't go back to the "Develop persona" after committing an edit although reading the warning box suggests this wont be an issue in later builds. I just wanted to know the situation around this topic. Will things be improving or is this the limit to what you can do with RAW files in affinity. Cheers guys :)

Hi! I am using Affinity Photo on macOS Big Sur 11.6 hardware acceleration (in Preferences > Performance) is ON When developing big RAW images, typically after applying Basic / Lens / Details effects, when painting an overlay using either the trackpad or an external mouse, the coordinates seem to be turned around and the overlay gets drawn in a totally different place than where the curor is actually drawing them on screen. (See Screenshot1).

I have a problem opening RAW files direct, I've tried Sony ARW raw files from my A7iii and Canon CR2 files from my 6D. Affinity Photo crashes immediately after displaying the embedded jpg preview file. I'm running version 1.8.5.703 on Windows 10 v1909. I don't usually open raw files direct as I usually round trip TIFFs from Capture One. If I open the same RAW files using the "Open in Affinity Photo" option in Capture One the RAW opens correctly without crashing. Similarly using the right click "Open with" menu in Explorer opens the RAW without crash. The problem seems to only happen if the file is opened directly from the File - Open menu in AP. Is this a know problem and is there a fix or work around for it?

I just discovered, to my horror, that ORF RAW files are cropped in Affinity Photo. I kept wondering why I was suddenly cutting people's feet off. When I checked the JPG versions, however, all feet are there. Funny thing is, AP shows that the ORF version has a resolution of 5240x3912, while the JPG version shows 5184x3888. When I view the files with the Windows photo viewer, the JPG version is the cropped one, and the ORF shows quite a bit more. So I appear to be losing quite a bit of pixels in AP. Anything I am missing?

Hi, I am trying to batch process a set of files. I like to convert RAW files to TIFF and be able to set various pre-recorded (marco) parameter that are available in the development persona (things like Development Assistant and basic,lens,details,tones) My challenge is that I cannot see how I can record a macro under the development persona. I know how to do it under Photo persona (->view ->studio ->macros) but cannot see how to record the parameters I want to control in development persona (only not Photo persona) and then run onto a batch of files. Under Development Persona if you go to ->view ->studio there is no macros options. An actual example would be much appreciated thank you Arnim

The App develops my photo without warning and without me touching anything. The issue occurs in the middle of edits and the screen blinks and develops my photo prematurely when I'm not touching anything on the screen. Device: iPad Pro 2018 12.9 inch 1TB File: Fujifilm X-Pro 1 RAW file .RAF Video: https://youtu.be/OlfIgFUOSTc It's not a great video as I haven't used Affinity Photo in many months because of this problem, but the issue happens consistently, ie. every single time I edit a RAW file. To just watch the issue, please watch: 2:52 and 12:16.

I recently updated Affinity photo to version 1.7.2. After updating, the lens correction for my Olympus 8mm f/1.8 fisheye does not appear to be doing anything. Prior to updating, the automatic lens correction would straighten out the distortion from the fisheye lens, and the image in the develop persona appeared quite different depending on whether the automatic lens correction was enabled or not. Now, the image appears almost unchanged, whether the automatic lens correction is enabled or disabled. Affinity correctly identifies the lens, but it seems like the information on how to remove the distortion has been lost from the lens profile. I have tried changing the setting in the Develop Assistant from "Apply Lens Correction" to "Take no action". After that I've tried checking the box under Lens Correction, and it changes the image almost imperceptibly. Previously, it was a quite noticeable change when I did this. Has anyone else experienced this or know what should be done to fix it? Or, alternatively, what am I doing wrong? Thanks!

XMP (Extreme Memory Profiles) is a must for professional RAW editing in Affinity Photo! Urgent! ....Every time we need to RE-develop the same photo we need to do it all over again???! This is not professional at all! The Editing profile file should be placed in the same folder as the original RAW, every time we develop a photo. We should even have an option (like in photoshop) to only save the XMP without develop it. ...for later, without losing time. Because, by the way, Affinity photo is slow in this process compared to photoshop camera raw editor.

See video attached, the only difference between the technicals of the two images I tried are the lenses used and the date/time taken, my camera is in NZST and iPad is on EST, other than that there’s no technical difference between the raw files. They both open and edit normally using the Apple’s CIR engine. IMG_0174.MP4

Hi, When I open a raw file taken with my Nikon D810, the photos look very flat and dull. Is this normal behavior with RAW files or am I doing something wrong? When I open them in other applications, they look as I would expect them to. I've attached a screenshot and a copy of the RAW file to help troublshoot my quesiton. Left is a different application (whose name shall not be mentioned) and Affinity Photo is on the right. Any assistance is greatly appreciated. I'm using Affinity Photo for Windows version 1.6.5.123 and my computer is on Windows 10 with 32gigs of memory. Chris Copy of the original raw file. Fall-2018-photoshoot-1056 - Copy.NEF

So, am I doing something wrong, or is the default dpi when the CR.3 file is developed 72???

Bonjour, Je travaille sur windows 10 et ne parviens pas à ouvrir les fichiers Raw CR2 par lot. En essayant d'ouvrir seulement 4 fichiers, l'appli calcule longtemps pour finalement afficher un écran blanc "ne répond pas" avant de se fermer. Avez-vous déjà rencontré ce problème, quelqu'un aurait-il une solution à me proposer ?...

Affinity Photo currently does not support the .gpr filetype - please add support to ease workflow! (Adobe DNG converter is a terrible extra step!)

How can I save the XMP file from a raw edit? or the option to automatically save xmp settings as in Camera Raw

Hello all I evaluate AP 1.7 as a replacement for Lightroom but run in some very basic problems with raw file development. 1. When I develop one single raw file (DNG from Lightroom) AP writes a huge file (121MB versus 19MB original). This is no good. Is there a way to save the adjustments done in a fair way without using the alternative formats like tif, jpg etc. ? 2. I want to develop several raw files (DNG from Lightroom) at once with a batch process and saving them in jpg or tif for further processing. However, I do not manage to apply the individually made macro in Photo Persona to process the RAW files in Photo Develop, although I can select the macro. Possibly the macros are not compatible? How can I process several raw files the same way? 3. Is it still not possible in AP to save adjustments made in single raw files in an undestructive way? Thank you for your helpful answers. Best regards,

I just started shooting RAW (CR3) with a new camera (Canon 90D) and noticed some artifacts when developing from the Develop persona. The images are large (32 MP), so occasionally it takes half a second for the changes to propagate to the image. For example, I will modify the shadows/highlights and for half a second the image will scan (or pixelate) as the changes are applied. Sometimes when I do this I notice large, slightly discolored squares as if the effect wasn't completely applied. For an image of this size, the squares are probably around 500px to 1000px on each side. I can fix it by modifying the slider again, but when I actually press "Develop", the squares usually return. On one image I was able to remove it, but on another it had 3-4 of these discolored squares so I had to reopen it to make the changes in the Develop persona again. My graphics card is always up-to-date and I'm also using the latest version of Affinity Photo.

hi everybody! have a serius problem with Affinity Photo. to develop raw files (cr2) I open "Sviluppo Persona", after adjusting settings (really very few adjustment), so I click Sviluppo to switch to Persona Foto to export my work in Jpg...but the transition from sviluppo persona to persona foto (for every photo) is very slow! what's the problem? Really is too slow. I can't work in this way. VERY BAD!!! Ps: Work on Mac

I want to deliver uncompressed 16-bit TIFF files to a client (unfortunately, I don't know the specifics on how they will be printed, like size, paper stock, etc..,) so I would like to give them the best image I can, then they can do what they need to on their end to meet their print needs. So I'm trying to work out the best workflow. There are 12 images I need to deliver, so I was going to batch process them into 16-bit TIFF files (from the RAW files), then open them in Affinity Photo to edit. Keeping in mind that AP can't export uncompressed TIFFs, what's the best workflow from this point? Open in AP, edit, save as TIFF with layers, then flatten, and deliver as is? Assuming that the TIFF I'm working with is uncompressed. Or , edit, save as TIFF with layers, then open in Preview and save as an uncompressed TIFF? Is there anyway to work with the photo in AP's file format, then get it back to an uncompressed TIFF? Not sure if I'm over complicating things, but all I really want to do is Take my RAW file, edit in Affinity Photo, and deliver an uncompressed TIFF. (The client actually requested a EPS file, because they will use Illustrator at some point, but that's not my problem lol.) Thanks for the help.

running AP 1.8.4, but AP still does not recognize any lens profile for LX 100 M2. I added "Leica DMC-LX100 & compatible" to my favourites in order to quickly apply a suitable profile manually. In Develop Assistent I also set Lens Profile Default to "last used". This helps some way. I'm not sure that "Leica DMC-LX100 & compatible" yields the best possible adjustment. So what is the current state with LX100M2?

No matter how hard I try, I am still not able to edit NIKON Z6 II RAW files in the Affinity Photo. Exactly the same problem with NIKON Z50 RAW files. Already installed the Nikon NEF codec pack from the official website and also tried the Adobe DNG Converter. Still no luck. With the DNG plugin other software such as Zoner Photo Studio, XnView or Nikon Capture-NX can display and edit the Z50 RAW files, but the images are so hideous - under exposed, very grey and strangely coloured. Any idea how to fix this? All kinds of help heavily welcomed - thank you !!! OS Windows 10 Pro 64bit / latest 20H2 build Affinity Photo / latest build 1.8.5.703 Adobe DNG Converter / latest build 12.2.0.387 NIKON NEF Codec / latest build 1.31.0

I was following James Ritson's first tutorial Jump into Affinity . I uploaded the RAW image, and the program switched (correctly) to the Develop persona. Once developed, it was fine, and I was able to follow all the instructions. However, before it was developed, while still in Develop persona, it looked like this, with the sun part of the image blown out as can be seen. Can anyone explain why this might happen? Is it to do with my graphics card (Intel HD Graphics 620)?