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carl123

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Posts posted by carl123

  1. 3 hours ago, Alfred said:

    I would have expected that too, Carl. The fact that you got different results should probably be reported as a bug. bug.gif

    Not sure if it is a bug

    When you drag the Master Page Layer (MPL) to the top of the stack you get a history entry called Move

    When you use Layer > Arrange > Move to Front to move the MPL to the top of the stack you get a history entry called Move nodes to top

    So it's possible these are 2 separate actions and it's working like it should

    What is a bug though is if after you pressed the Finish button you go back to the History entry just before Edit Linked then only the MPL on the current page is returned to the bottom of the layer stack.  All other pages still show the MPL as being at the top of the stack.

  2. On ‎4‎/‎28‎/‎2019 at 11:26 AM, initrc said:

    The hint text is only useful to new users. It's a waste of space and distraction to the rest of the users. It'd be great if there's an option to hide it.

    As you probably know hitting the Tab key will hide most controls in the program, including the Hint Line

    If you want to reshow all controls except the Hint Line then after pressing Tab

    Use View > Studio to unhide the studio

    also on the View Menu, you can then reshow the Toolbar, Context Toolbar, & Tools

    The Hint Line will remain hidden

    Unless you only plan to do the above once or twice a day you might want to invest in an external Macro or Scripting program that will do it all for you using a simple shortcut key

    Edited: 4/6/19, Looks like the above persists even after restarts

  3. 21 hours ago, bebez71 said:

    OK, but you have to do it manually.

    How can do it if you have 300 pages for example?
    Page by page?

    @bebez71

    To move a Master Page to top of layers panel on all pages

    1. Goto first page with the master attached

    2. In layers panel select the Master Page

    3. Right Click & select Edit Linked

    4. Layer > Arrange > Move to Front

    5. Click Finish button at top of screen

    Note: In step 4 above I would have expected dragging the master to the top of the layers panel to do the same thing but I got unpredictable results, so dont do it that way

  4. Maybe

    But why do inner glow and inner shadows work differently, in that they do show the underlying image when opacity is reduced

    And in the real (physical) World if I was to put a frame around the inner boundaries of a picture then replace that frame with one that was more translucent I would expect to be able to start to see the parts of my picture which I could not see previously

  5. On 4/28/2019 at 2:07 PM, Guest-354025 said:

    So if someone would Explain Like I'm 5 how to Invert the High Pass Filter Layer

    Select just the High Pass layer in the layers panel then from the menus select Layer > Invert

    I don't have a 5 year old around but just tested on a 4 year old and they could do it.

    If that does not work for you then as previouly suggested upload some screenshots or a screen recording

    PS Make sure you are using the Live High Pass Filter not the one from the Filters menu

  6. I'm seeing totally different views of that 3rd frame dependent on my zoom level

    As we have been told, the best view to check your document is at 100%

    When I do that I do not see what I think you want your final document to look like

    I am seeing what is shown in your navigator panel in your first screenshot

     

    If I am right then I do not think that flattening (or size limits) is the problem and something else is wrong that needs fixing first

  7. If you can overlap the textures a little (say 0.25 inches) you can use the transparency tool just on that overlap part to fade the edge to zero transparency.

    Not sure if you wanted to get rid of the seam totally or just reduce it, if just to reduce it the above should be enough

    I have attached a screenshot where I also remove the shadow effect and slightly lightened the darker layer so the seam blended in better, almost eliminating it altogether (with a little more work you could probably eliminate it totally)

     

    seam.png

  8. Thanks just what I was looking for a few weeks ago

    Just one question, could all these objects not have just been placed in one document and you then just select the ones you like and Create Styles from them all in one go.

    Or is there a technical reason for having them all as separate files?

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