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Found 1,023 results

  1. Hi, could anyone please recommend me a way how I get rid of the water stains on this photo? I thought of seperating the colour-chanels first, but this did not lead to apropper sollution. Especially the area around the eyes seems to be complicated. Thanks für any hints, Georg
  2. Hi. Not sure if it's just me. Since I updated Affinity Photo to 1.6.5.123 I've experienced frequent Photo application crashes. My machine is an up to date Win 10 64 bit build with 16GB RAM. Typically Photo crashes within about five minutes and sometimes it's autosaved my work. Is this just me :) Cheers Andy
  3. Dear developers, I found a bug in PDF editing with linear gradient. Please check these steps: Create a (CMYK) project in Affinity Photo Place a photo to background Place a Rectangle to your project Fill Rectangle with linear gradient with breakpoint, and will two gradients (see attachment) save and export to PDF open PDF and see gradient bug: put a mask what incorrect, not same as in project under any PDF version. Please fix this if possible, because if I have PDF only, no project, then need create again this gradient. Same results under Photo and Designer too. Project version: PDF edit version: My settings for gradient:
  4. Morguliusz

    Problem with Wacom Tablet

    Hi! I report a problem with the Wacom Intuos Pro M tablet in Affinity Photo 1.6.4.104. Sometimes when I use a brush, the line does not show up, although I can use the "Undo" option. It only helps to restart the application. Yesterday I had to restart 3 times, today two*. Horribly annoying. I have up-to-date tablet drivers (6.3.30-6) #1 Edit *three times
  5. In support of our fantastic photo editing app, please use this comprehensive and structured set of videos for accelerated learning! The video tutorials are available on Vimeo and YouTube via these links: Vimeo - http://affin.co/PhotoVids YouTube - http://affin.co/photoyt We now have a specific Beginners Series of videos tailored to absolute beginners, with a more manageable pacing and focus on concepts and straightforward procedures. They all include subtitles to aid understanding. The tutorial set includes: Beginners Series Opening & Saving - YouTube / Vimeo Layers - YouTube / Vimeo Adjustments - YouTube / Vimeo Filters - YouTube / Vimeo Exporting - YouTube / Vimeo Introduction Discover Affinity Photo Getting Started Technical Benefits Basics Document Setup Layer Concepts Layers Overview Live Filter Layers Scaling and Transforming Cutting Out Understanding DPI Accessing Help Transforming Document/Image Resizing Canvas Resizing Cropping: Practical Cropping: Aesthetic Straightening Images Cropping: Golden Spiral Cropping: Options Aligning Images Selections and Masking Making Selections Refining Selections Pixel Selections from Layers Quick Masks Mask Layers Exposure Merging Clipping vs Masking Vector Masking Using Adjustment Layers on Masks - YouTube / Vimeo Correction Adjustment Layers Levels Curves Shadows/Highlights Split Toning and Selective Colour LAB Colour Mode Defringing and Chromatic Aberration Live Perspective Haze Removal FFT Denoise Removing Lens Flares Changing Eye Colour Graduated ND Filter Effect Salvaging Underexposed Images Dual Perspective Correction Perspective Skew Correction - YouTube / Vimeo (New: 20th April) Retouching Cloning Inpainting Frequency Separation Liquify: Retouching Vector-Based Retouching Enhancing Landscapes/Architecture Vector Architecture: Worked Example Enhancing Camera Phone Photography Making Images Pop Revealing Sky Detail Bringing Out Water Detail Quick Inpainting Crooked Horizons - YouTube / Vimeo RAW Development Raw: Discover Develop Raw: Developing Images Raw: Overlays Raw: Redeveloping Images Raw: Noise Reduction Maximising Raw Latitude Custom Tone Curve Raw Development Quality 32-bit Raw Development - YouTube / Vimeo Raw Colour Quality Automatic Lens Corrections Raw: Recovering Overexposed Highlights Raw: Exposure Bias Getting Creative Lighting Creative Gradients Creative Black & White Sepia Images Brushes Blend Modes Blend Ranges Liquify Persona Sky Replacement Adding Borders Text: Branding/Watermarking Diffuse Glow Displacement Circular Bokeh Swirling Bokeh Simulating Ambient Occlusion Texturing with Blend Modes Creating Atmosphere Creating Light Beams Vector Lighting Simple Gradients Technicolor Emulation - YouTube / Vimeo Creative Painting Colour toning with shapes Infrared Emulation Radial Blur Regular Tone Mapping Compositing Landscapes Adding Extended Borders Creating Photo Collages Abstract Ideas #01 Abstract Ideas #02 Enhancing Low Light Trails Light Painting Compositing Tone Mapping Portraits HSL Tonal Separation - YouTube / Vimeo Orton Effect - YouTube / Vimeo Design Aids Snapshots Modifiers Designer/Photo Interworking Pixel Accurate Design Placing Documents Useful Keyboard Shortcuts Non Destructive Inpainting and Cloning Layer Creation Behaviour Layer Nesting Exporting 3D LUTs LUTs for Tonal Adjustments View Points Global Cloning Subtle Toning Multiple Colour Formats Scopes Curves Picker Non-Destructive Dodge & Burn Flexible Defringing Edge Detection for Masking Split & Mirror View Batch Processing Clone Sources Pixel Art Resize Direct PSD write-back (round tripping) Freehand Selection Tool Undo History Importing .abr Brushes Undo Brush with Snapshots Quick Toggling Panels - YouTube / Vimeo Light UI - YouTube / Vimeo Brush Stabilisation - YouTube / Vimeo Channels Channels Channels for Alpha Masking Channels: Creating/Storing Selections Editing Single Channels Channels: Greyscale Blending Channel Packing Filters Live Filter Layers (Also in Basics) Apply Image Apply Image: Equations Equations Filter Dust & Scratches Filter Halftone Scanlines Effect Mirror filter Diffuse Glow Filter Defeating Filter Limits Panoramas Panoramas Tricky Panoramas Panorama Distortion Correction HDR (High Dynamic Range) HDR: Merging & Tone Mapping HDR from one exposure - YouTube / Vimeo HDR: Tone Map Presets HDR: Panoramas HDR: Preprocessing HDR: Advanced Editing HDR: Ghosts Removal HDR: 32-bit Editing Focus Merging (Focus Stacking) Focus Merging Focus Merge Retouching Focus Merging Bracketed Exposures Live Stacking Maximum Stacking Big Stopper Effect Light Painting Blending Stacking: Long Exposure Simulation Stacking: Noise Reduction Stacking: Object Removal Stacking: Exposure Merging Stacking: Star Trail Effect Pin Sharp Stars Live Projections (360 editing, perspective projection) 360 Live Editing - YouTube / Vimeo 360 Advanced Editing 360 Retouching 360 Multiple Views 360 Roll Correction - YouTube / Vimeo Live Perspective Projection OpenEXR/32-bit OpenEXR Multichannel Import/Export OpenEXR Import Options Editing 32-bit 3D Renders OpenEXR: Using Alpha Channels & Association 3D Render/Texture Work Seamless Textures Clone Sources: Texture Creation Enhancing 3D Renders #01 Enhancing 3D Renders #02 Tone Mapping 3D Renders 3D Relighting with Normal Map Passes - YouTube / Vimeo Colour Management OpenColorIO Setup OpenColorIO Adjustment Soft Proofing Printing on Mac Printing on Windows Wide Colour Profiles vs sRGB - YouTube / Vimeo Macros Macros Macros: Equations Macros: Layer Behaviour Batch Processing with Macros Finishing Off Sharpening Selective Sharpening Exporting Export Compression Efficiency Plugins Installing Nik Plugins (macOS) Installing Nik Plugins (Windows) Installing & Using Nik Dfine Projects Nature Portrait Supermoon Product Shot Retouching #01 Nighttime Architecture Workflow - YouTube / Vimeo Portrait Retouching Workflow - YouTube / Vimeo Bonus Content Uplift Epic Skies (1.6 Bonus Content) - YouTube / Vimeo Windows Workflow videos In addition to the regular tutorials, we've also got some workflow videos shot on the Windows version of Photo that cover using a variety of features to edit an image to completion. These tend to be released on a more informal basis. Hadrian's Wall Tiled Building Portrait Retouching Monochromatic Architecture Canary Wharf Banded Demoiselle Please let us know about areas you think need covering, have problems with, don’t understand, or just tell us if we’re on the right or wrong track. Simply reply to this pinned topic. Have fun with Affinity Photo! Best wishes from the Affinity Documentation Team!
  6. I had an existing photo that I had used for various project and wanted to test Publisher out. I have used Serif products for many years. This is a Fall photo, very good one at that. I polished it up with Fall Feasts, Some scripture, and other tools provided. It came out well I thought for the first time using your Publisher. I do websites, graphics, books, and publishing in our work at Warn-Usa.com for our WIBR Media.
  7. So I took a bunch of bracketed shots (five photo sets) and was converting them to HDR using Photo on my Mac on site (so people could see kinda what they looked like), its a, I think, early 2012 model, it WAS the top spec rMBP when they first came out so its not as much of a donkey as it might sound, but it was churning through the HDR merge and tone map fine, but to do my main editing I have a PC at home which is a 1700X Ryzen with 32gb DDR 4 and an NVMe SSD, not earth shattering, but decent. When I do the same exact HDR merge process on photo on my PC, its slower, like, noticeably slower, now I am assuming there is something wrong, like a setting or something somewhere that I have set wrong (I generally don't mess with settings though so pretty sure everything is default), surely there is no comparison in power between the two machines, but yet it takes longer on the more powerful one? Am I the only one who a) bothered to get affinity on both pc and mac and b) noticed this? Any tips? Cheers Charles
  8. Hey all, in addition to my shooting series, I also felt I should make available some of the macros I've recorded as far back as the Photo 1.5 betas and refined over time. I'll start with some workflow aids that may prove useful: Workflow Aids Download (ZIP archive) This set of macros for Affinity Photo provides a number of small workflow enhancements and shortcuts, including: Setting up frequency separation retouching (with two high pass layers) with non-destructive vibrance and tone controls. Masked local contrast filter layers for selective application. Creating a set of curves adjustments for each available blend mode. Setting up a non-destructive 50% grey dodge/burn layer. Edge mask creation using a laplacian kernel (optionally with gaussian blurring). Channel separation to individual pixel layers. See the included Readme PDF for installation instructions and a detailed rundown of each macro. Tonal Effects Download (ZIP archive) This set of macros for Affinity Photo provides a series of tonal effects and enhancements including: Technicolor 3-strip and 2-strip emulations. LAB 50:50 channel mixing. Saturation/Desaturation curves. Warm and Cool Haze effects. Dissolve blend mode emulations (using noise & diffuse). Subtle Diffuse Glow using blend ranges. Infrared channel swapping. Hope you find them useful - look out for more macros soon!
  9. Hi, when I deselect "Show Text in Points" in "Preferences > User interface" like in picture MU 1.png, and I click on a "Text Height" to change the font size, I get the list like in picture MU 2.png which is unusable. The list must be like in picture MU 3.png. Also, it would be great if you add a option in "Preferences" like in Freehand where we would be able to add a list of values separated by space for font sizes like in picture MU 4.png to override the predefined ones. The user should be able to enter as much values as needed.
  10. Hi I am trying to sharpen an image by using only the red channel as luminosity layer on top of the background layer. In PS its easy but with AP the image stays grey. Also in AP all the layers change to the red channel, while in PS the selected top luminosity layer is based only on the red channel and other layers keep their RGB colours. Hope it makes sense. Regards Antonius
  11. ChristiduToit

    Pressure Sensitivity Accuracy.

    Hey guys. Newbie here! So in a nutshell, I'm an illustrator who primarily draws in Photoshop using a graphics tablet. I've recently purchased both Affinity Designer & Photo in hopes to totally ditch the Adobe subscription thing. Working in the way that I do, once downloaded I immediately selected the Affinity brush tool (not the vector brush) in both apps to see how it performs, but for some reason my pressure sensitivity is not accurate as it should be. I'm experiencing this in both applications, but not in Photoshop, Clip Studio Paint, or Sketchbook Pro. What's shown in the attached images is all strokes that were made quickly using a stable pressure. As you can see the strokes in Photoshop are all very uniform and natural looking, but for some reason in Affinity apps my stroke pressure does not register accurately which makes it incredibly difficult to draw 'neatly'. Sometimes when I press very hard the strokes are incredibly thin, but then suddenly bulk up which causes the strokes to look blobby - the scribbles I made were done with the same amount of pressure throughout but for some reason they seem to start very thin, even with a decent amount of pressure, and then suddenly thicken without me even pressing harder. I'm working on an iMac. I've look up a bunch of tutorials to make sure that I'm using the brushes properly, but they don't seem to play well. Is it just me, or is this a known issue? In the last attached image some of the strokes didn't even register at all like the cross bar of the "F" in "of".
  12. I don't have time to search entire forums or the interwebs to see if someone else has ever suggested this feedback before. So I offer my apologies if my suggestions have already been covered. 1) Please can you provide a feedback function WITHIN the application it self. It's incredibly frustrating to have to use out dated methods of signing up to god-awful web-forums which just leads to nonconstructive replies of un-thought out opinions and arguments. It also allows you to correctly link feedback (and abuse) to the software license of the user and even categorise the feedback so you can easily see which areas are causing most concern to the user base. 2) Please can you fix the mouse icon when painting in masks in the develop mode. The standard OS mouse icon does not feel accurate to paint with. Also a nice to improve if possible: Painting often feels sluggish to see the red tint forming. If there is a way to make this feel more responsive without upgrading an existing 32GB RAM I7 processor machine, that would be lovely please. 3) Cropping in Develop mode is missing an "ok" or "finished" button. It's frustrating to be sitting back with my tablet, controlling everything then having reach over to the keyboard which I moved to one side, just to hit <enter>. I don't want to map the enter key to my tablet device as it's never used for anything else! if you simply put a button in the UI it will mean I can just move the mouse there and click! perhaps I've missed a trick that does what I want, but then that would mean it's not obvious and intuitive to the user. 4) Please update the flash function for uploading files on this forum. Who runs flash in 2017? Browsers auto block flash from running by default because it's nasty. 5) More of a question then a suggestion, but is there a way to rename the overlays in the Overlays tab in Develop mode? I have 3 gradient overlays, all with the same name! that's very confusing to simple minds like myself. 6) Although I generally hope you spend more time fine tuning what you have already developed, instead of just rushing out new features, it would be nice if there was an in-application function for browsing image files, with a nice big preview of the image and EXIF data, which you can then double click to open it in the develop mode. I don't think anyone wants all this "importing" and cataloguing rubbish which is very slow. But browsing files within Affinity with a UI that suits photographers that windows/macOS don't offer, would be a great win. Thanks for your time.
  13. Hi, can anyone explain why these two images blend? They are saved as PNG without background. As you can see the Opacity is 100% and Blend is "Normal". P.S. Sorry, I sent it to a wrong forum. It is for Photo.
  14. Hello everyone! I'm new to the Affinity scene and love it so far. I've been a Lightroom user for years and decided that it's time to put the presets and sliders aside for a while and really take control of my editing. Enter Affinity. The purpose of this thread is to discuss workflows used when editing multiple photos from a photoshoot. I can't seem to figure out a truly effective way to edit 50+ photos without creating a mess. Any pointers, videos, web articles, or books are welcome. Thank you all for the support and I look forward to reading your responses.
  15. Hi. I am sorry if this has been asked before but I have searched the forum and cannot find an answer for this. I have been happily using AP for several months and learning lots, and have now got to a stage where I am finalising several bits of work. When I work in Photoshop before going further I would go to File Info and then add the image info such as title, description, relevant searchable keywords, and then add all my copyright info and my url, so once it goes out my image has relevant metadata attached to it to help protect it and identify it should people need to contact me. I cannot find out how I do this ANYWHERE in AP and it is a basic but really critical element to the process. Please can someone advise me where and how I access the file info section for images so I can add this information. I have even converted AP images into jpegs etc and searched that way in case this option only becomes visible with more recognised file types but with no luck. I cannot believe a programme as smart as Affinity has not built this in, as in this day and age it is really important to protect your copyright and also allow your image to become searchable with key words. Thanks in advance for your help
  16. I can turn off the automatic function to automatic select objects? When the user clicks an object on a layer, layer will automatically switch. Im not used this.
  17. Hi! I've just found, that moving around picture via pressing space (and left mouse button), with Flood Select Tool turned on, I constantly select areas pointed via hand coursor. Same when using Selection Brush Tool.
  18. Affinity Online Help Hello all, we're happy to be able to offer you an online version of the in-app help! Access Photo & Designer Help here: https://affinity.help Here are some of the additional features we're able to implement as a result of having proper browser support: Dynamic language switching: The help will determine your language and (if it's available) serve you a localised copy of the help. If you prefer to read in another language, however, you'll find a combo box at the bottom left which will enable you to change languages - and stay on the page you're currently reading. Print: Sounds simple, but with full browser support we can now implement printing of the topic pages. The print icon in the bottom left will give you a nicely formatted printout of the current topic. Share: Clicking the clipboard icon will copy the current topic's URL to your clipboard, which means you can easily point other people towards topics that may help them. Responsive: The help was responsive anyway, including off-canvas menu functionality so you could collapse the window and still read a topic, but this is taken further in this version of the help. The help is formatted nicely and usable even on a 4" iPhone SE screen. With this online version you'll be able to print out topics and view them on your tablets/phones, which are two of the most common requests when it comes to help feedback. This is currently no search functionality - we are aware it would be useful and are considering possible solutions. As always, if you have any feedback or find any issues with this online version, please let us know! Hope you find it useful.
  19. Hi, several days ago I wrote about how much I am delighted by Publisher (and still I am) and now here are some of my suggestions about it (and in some cases they can be applied to Designer and Photo). Of course, there will be more of them but at this moment I can recall of these ones only: FIND AND REPLACE [This feature is crucial for me and the users of those four countries mentioned bellow. If you don’t add this feature, we will be stucked with ID] Please, make drag ‘n’ drop of glyphs to “Find and Replace” dialog boxes possible. Here, in picture glyph1.png 1, you can see how it is done in ID, but I think drag ‘n’ drop is much better sollution. I tried a few times to do it but Publisher crashed. Once glyph is added to Find or Replace box, the font name and font trait must follow it. In picture glyph1.png 2, you see two rows with 4 glyphs each. The glyphs in the first row are part of Russian and Bulgarian alphabet and those one in the second row are part of alphabet used in Macedonia, Serbia, Montenegro and Bosna & Herzegovina. All these glyphs are part only of italic fonts traits that support cyrilic and here they are in Minion Pro Italic. Nowadays, only ID supports Find/Replace of complete glyph character set. In Quark you can do it only replace only one by one, same as in Publisher and Designer. As you can imagine, without this feature Publisher will not be interested in these countries. As you can see in glyph2.png, ID offers alternative(s) next to the selected glyph so you can change it without searching in the glyph palette. STUDIO In picture studio.png, we can see one of more ways how ID displays palettes. Here is just a list with their names and my opinion is that this is the best way how should Affinity apps must deal with palettes. A list of all palettes must be provided here. This way there won’t be any unnecessary palettes that occupy the precious space. When a palette name is clicked only one panel is opened – no “More…” button to open additional panel. Additional suggestion: “Colors”, “Swatches” and “Gradients” should be merged into one palette and “Text Styles” should be separated into “Paragraph Styles” and “Character Styles”. STYLES 1. My personal opinion is that these options shown in picture styles1.png are unnecessary. “Group” and “Show in both panels” are quite new terms and completelly confusing, at least for me. 2. From picture styles2.png I can see that you accepted Quark’s way of preserving local formating. I think this panel is completelly unnecessary. ID’s approach to this “problem” is much more logical and intuitive. Here it is how it works in ID: · If you format some character(s) directly by applying font and font trait, it is lost when you ALT click on paragraph style to readjust the paragraph. · If you format some character(s) by applying a character style, this local formating is preserved when you ALT click on paragraph style to readjust the paragraph. 3. As it can be seen in picture styles3.png, the most important option in “Character Styles” is dissabled. Why? In 99,99% cases I use only this option in character styles. I always create “Italic”, “Bold” and “BoldItalic” character styles in any new document without specifying “font family” or any other options. After that I assign them to the appropriate local formating. So, when I want to change the font in “Paragraph Style” the characters formated with character styles adopt the new font family and keep the local formating unchanged. It will be of great help if Publisher offer to create those three styles (the way I suggested) and automatically change the local formating of inserted text with them. CONTROL PANEL There is another tool that is a must for any DTP app. In ID it is called “Control Panel” (a “Measurement Palette” in Quark) as you can see in picture Control Panel1.png. While in Quark it differs between Mac and PC version and is not very well implemented – it is a piece of art in ID. Everything is on its place, easy understandable and extra easy to work with. In picture Control Panel2.png you can there is a “Customize Control Panel” panel, where you can choose which options to be shown in “Control Panel”. EXPORT SETTINGS Why there is a need to open another panel, as shown in ExportSetting.png, with “More…” to set additional options for every filter? Can’t they be joined into one? SHAPE TOOLS First, why don’t you join (in Designer and Publisher) “rectangle tool”, “elipse tool” and “rounded rectangle tool” together with other shapes, as it is done in Photo? These shapes can be, also, improved this way: 1. Working witn pictures · Hovering a picture over a shape, converts this shape into picture frame and can accept the picture. 2. Working with text · Double click inside and shape, converts it into text frame and a text can be inserted inside the shape. Of course, the possibility to link it with another text frame must exist. 3. Adding captions By clicking on the outside part of the shape frame which is populated with text, table or picture – creates a caption frame. Caption can be entered on each side of the shape (top, bottom, left or right and rotated as neccessery) and must not exceed the shape length or width. If the shape is empty then clicking on the outside part of the frame acts as “Insert a text on a path”. GLYPH BROWSER “Font Name” and “Font Trait” in “Glyph Browser” must follow the selected “Font Name” and “Font Trait” as in picture GlyphBrowser.png. Also, a “Zoom” feature must be added for easier glyph detecting. MOUSE CLICKS Please, add when clicking on swatches: Left mouse click for assigning/changing the color of backgrounds and characters fills Right mouse click for assigning/changing the color of strokes, characters outlines and objects frames. IN THE FUTURE FOOTNOTES When you add this feature, please allow all footnotes in the document to be able to be selected with CTRL + A, as in the Word. Suprisingly, it can’t be done in ID and Quark. This feature can save us a lot of our precious time by giving us the oportunity to format all of them with one click. WORD COUNT Just as shown in WordCount.png, but located somewhere on the screen where we can see the progress while entering text. Additionally, it can be organized in two rows where we can see: the info for the whole document and Info for the frame where the text is entered in the moment (if there are some unlinked frames).
  20. Hello, I would like to be able to see the in focus areas of my RAW images. I found a menu for FOCUS but the only option to check is greyed out. I have attached a screen shot. I have searched and cannot even find a reference to this menu anywhere. What is this supposed to do other than show you the focus EXIF of your image? And, how would one go about seeing a focus overlay on the RAW image? Thank you for your time and have a good one! Lisa
  21. Hi - I added this video to my YouTube channel the other day and thought I would share here with all of you too! :-) A friend of mine asked me to create this video because he purchased some info-graphics on the internet but couldn't figure out how to separate them into different files. In this video I go over how to use the Export Persona in Affinity Designer and Affinity Photo to capture and save specific portions of your images, designs, and illustrations. I show you how to do this in the four most common file formats: JPEG, PNG, EPS, and PDF. It's a simple way to breakout portions of an illustration or design and export just the portion you want - even if the objects are on separate layers within the project. So, if you've captured something from the internet, bought something from a designer, or even photographed something you wanted to use in your art, this video will show you how to quickly capture just the parts you want and save/export them for use in another program, project or design. Thanks so much for watching. Happy Creating. Jen
  22. Hello, I am wondering if there is any way to pan the canvas with my finger. I have a Microsoft Surface Pro 4, which has a touch screen. I am fluent in Phase One Capture One. Within Capture One you can pan the canvas with your finger. This is a quick and natural gesture, it does not matter what tool is selected and does not require any modification key presses. For clarification, the finger is for panning and the pen or mouse is used for brushing. Does Affinity Photo for Windows 10 offer this feature as I've explained? If not, is there any way I can set it up to do so, or any way I can offer this suggestion to the developers? Thanks.
  23. Hey guys......so I was working on my new course...and got the the lesson on making brushes.....sooooo I had to amek some brushes. I made a set of fog/ smoke brushes in raster and a set of silky smooth stroke brushes for your vector applications. I have learned so much from the people on the site....I wanted to give back, so here ya go . I am working on new blog post and some new art using them....so I will keep you in the loop Feedback on them is always appreciated, I love making these sorts of tools Jeremy , www.7thseasonstudios.com Stroke brushes -7th season studios .afbrushes Smoke and fog brushes -7th season studios.afbrushes
  24. Hi! There is a way to set other than 20% value of flood select tool/magic wand? It's stick to 20% on the every new open file. I suppose, better option is to do not revert to default value, when opening every new file. It's important when you have to open and make 400 packshots...
  25. I have loaded the trial version of Photo and seem to have a problem with soft proof. As a test I exported some images from Capture 1 as PSD files. In Photo I add ( at the top ) a soft proof adjustment layer, select the canson Photo Lustre Premium RC profile. I can turn the layer on and off and there is no perceptible difference. With Capture 1 and Photo running concurrently on the same machine, same graphics card and same monitor I can switch between the Capture 1 image and the Photo image. Without soft proof on in Capture 1, the Capture 1 image seems to be the same as the image in Photo irrespective of the soft proof setting in Photo. When I select soft proof in Capture 1, the image changes significantly, this does not happen in Photo. The printer is a Pixma Pro 100S. There is clearly something wrong somewhere. I could have made a mistake but the process seems simple. I get the impression that I have not got any printer ICC profile to work in soft proof. I have not tried printing but I will not try that until I get soft proof to work. I have about 1 day left on the trial and I suspect that I am going to run out of time
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