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Hello folks, just bought Affinity today and I got lost in playing around with the insane zoom levels it offers. I create worlds within worlds and it was just a mind baffling experience. LOOOOOOVE IT!!! Of course, Affinity is...before anything else...a GREAT start. It makes working on vector graphics so much easier. Most of the possible enhancements were mentioned. A quick search through the forums didn't mention one thing though...and please correct me if I am wrong, I will delete this thread then. What about Cloud Sync? I know you can save files in iCloud. But I don't think it syncs things like preferences, settings, custom swatches etc. etc. As much as I work from home, I am also constantly on the road. Picking up from where I left off at home with the same settings etc. would be lovely. Any suggestions? Kind regards, madeinxyz
One of the things that really bugged me about my PS / LR workflow is the way that Photos would get passed back and forth between the two apps. With a typical workflow you start with a Photo in LR and then need to send it to PS to do something that LR can't do. LR makes a copy of the photo so when you are done editing it you now have two similar photos in your library. If you decide you want to edit the photo again you now have three copies and then four etc. The way this operation should really work is you make an adjustment in Apple's upcoming Photos app, say move the brightness to 27, and then when you export the file to Affinity Photo it uses the same photo instead of a copy of the photo. You should then see your brightness adjustment of 27 in Affinity Photo and then be able to make an adjustment to the brightness again to 15 which should then show up in the settings to Apple's app as you return back to it. I can understand some of the reasons why Adobe's workflow was clumsy, they were trying to get a 17 year old app to work with a brand new app after all. But now that both Apple and Affinity are both starting out at version 1 and at essentially the exact same time let's try and get the way this works under control. I disagree with many people on this forum that Adobe's photo solution works pretty well I think there is a huge opportunity for taking on Adobe in this area.
When creating a new document, will there be more page presets for film i.e. NTSC DV or PAL DV Widescreen? For film (often with a transparent background) it would be usful to be able to change the colour of the transparency grid with darker options available Rather than just a grid, is it possible to have the safe area guide?