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Craig Ozancin

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  1. Like
    Craig Ozancin got a reaction from selenita in My adventures with Exposure Blending in Affinity Photo   
    There are a couple channels that come to mind. This first is by Jimmy McIntyre who does a lot of landscape photography and accatioal architectural/Realestate photography. :
    https://www.youtube.com/@JimmyMcIntyre
    Jimmy also has a number of downloadable courses for sale on Exposure Blending.
     
    The second is by Anthony Turnham who has two channels. He is a big Luminar Neo fan. On his architectural photography channel he has a number of videos showing exposure blending for high end realestate clients,
    https://www.youtube.com/@archiphoto
     
    You can also find additional content by searching for Exaposure blending.
     
    Hope this helps.
  2. Like
    Craig Ozancin got a reaction from debraspicher in My adventures with Exposure Blending in Affinity Photo   
    This is not my workflow. It common use amongst a growing number of high-end real estate and landscape photographers and retouches.
    Sure, an HDR merge is faster and simpler. It is also considered inferior to what you can achieve with exposure blending. With HDR you are limited by the engine on how the blend is made. Exposure blending gives you full control of the blend including where and what gets blended. You can full control ghosting, color corrections and more during the blend process.
    In the case of real estate photographers, HDR is often used for low-end jobs where you go in, do a shoot in 15 - 30 minutes shoot, do a 5-10 minute retouch and send the results to the customer. Higher end jobs for example want the absolute best images. This includes many multi million-dollar listings. The difference you gain with exposure blending can mean the difference when an agent is picking a photographer for a job.
  3. Like
    Craig Ozancin got a reaction from Frozen Death Knight in Adjusted mask behaviour   
    I did a quick check on my Windows system. It looks great. It feels natural and intuitive.
    Thanks for the work on this.
     
    Craig
  4. Like
    Craig Ozancin got a reaction from Chris J in Adjusted mask behaviour   
    I did a quick check on my Windows system. It looks great. It feels natural and intuitive.
    Thanks for the work on this.
     
    Craig
  5. Like
    Craig Ozancin got a reaction from debraspicher in Adjusted mask behaviour   
    I did a quick check on my Windows system. It looks great. It feels natural and intuitive.
    Thanks for the work on this.
     
    Craig
  6. Like
    Craig Ozancin got a reaction from Frozen Death Knight in Adjusted mask behaviour   
    That wold give the most consistent and predictable user experience. It also give the easiest method (IMHO) to the extended menu without needing the keyboard.
  7. Like
    Craig Ozancin got a reaction from debraspicher in Adjusted mask behaviour   
    That wold give the most consistent and predictable user experience. It also give the easiest method (IMHO) to the extended menu without needing the keyboard.
  8. Like
    Craig Ozancin reacted to Bartosz Borecki in Adjusted mask behaviour   
    If I may share my insight after using latest beta... 🙂
    Maybe lets revert to previous method of assigning mask and keep right click for opening additional menu:
    - left click on the mask button = mask
    - alt + left click on the mask button = empty mask
    - right click = opens menu with additional options
    I have a filling that this may be more obvious solution, right click is usually for opening additional context menu. And previous behaviour of adding mask/empty mask was familiar for a lot of users and was fast for only adding mask/empty mask without the need for opening additional menu. Therefore no functionality will be removed, like alt + click for empty mask but new functionality will be added, like right click for additional options.
    Thanks for considering it and being open to all users suggestions 🙂
  9. Like
    Craig Ozancin got a reaction from bures in Adjusted mask behaviour   
    I can live with this option.
    Definitely need a tooltip.
  10. Like
    Craig Ozancin got a reaction from Ash in Adjusted mask behaviour   
    I can live with this option.
    Definitely need a tooltip.
  11. Like
    Craig Ozancin reacted to fde101 in Adjusted mask behaviour   
    Adding an arrow in the corner and supporting long-click and double-click would match it to the toolbar icons with menus behind them, but in my opinion, a right-click should work on those too...
  12. Like
    Craig Ozancin got a reaction from ronnyb in Adjusted mask behaviour   
    I second this idea. For those of us who use the live masks, having to always go to the menus becomes a pain point. This idea would really support the widest range of use cases.
    In addition, this seems a stronger UI friendly approach. As mentioned, long mouse clicks are already supported for a very long time.
  13. Like
    Craig Ozancin got a reaction from IPv6 in Auto clean added to paint mixer brush   
    I have been playing with this. It is a feature that has been needed for some time in the retouching arena smoothing colors in frequency-separation. 
    I have found a discrepancy remembering state when switching from paint mixer brush to brush and then back. While the auto-load-brush checkbox remembers it's last state, the auto-clean-brush checkbox.
    I am testing 2.1.0.1714 on Windows 11.
  14. Like
    Craig Ozancin reacted to Ash in Auto clean added to paint mixer brush   
    Apps: Photo (and Photo Persona in Publisher)
    Platforms: Windows, macOS and iPad
    A new option available in the context toolbar options of the paint mixer brush to auto-clean the brush after every stroke.
  15. Like
    Craig Ozancin got a reaction from MJSfoto1956 in My experience removing red skin   
    On a side note, this lad managed to spill some red punch on his sweater just before the the shoot. I was able to remove the red by using a pixel layer with the blend mode set to color, select the color from and unaffected area and point the red out. I then used a curve set to soft light and painted white over the wet areas that where showing darker.
  16. Like
    Craig Ozancin got a reaction from anon1 in My experience removing red skin   
    On a side note, this lad managed to spill some red punch on his sweater just before the the shoot. I was able to remove the red by using a pixel layer with the blend mode set to color, select the color from and unaffected area and point the red out. I then used a curve set to soft light and painted white over the wet areas that where showing darker.
  17. Like
    Craig Ozancin got a reaction from denisw in inpainting brush   
    Also, if you are using a blank layer, make sure that current and below are selected. The default is current layer.
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