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h_d reacted to NathanC in Publisher 2: Table panel display bug
Hi @h_d,
This is a known issue currently logged with the developers, I've updated the issue and bumped it with your report.
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h_d got a reaction from Alfred in How can I "distress" the stroke on lettering?
It depends on how you've 'created lettering'.
You could try:
Use Artistic Text to write the words and colour the text:
Duplicate the layer in case you need to revert. Then select the top layer and Convert to Curves from the Layer menu:
Select all the individual letter curves in the Layers panel, then Layers>Geometry>Merge Curves:
With the Move or Node tool active, apply a stroke to the merged letter curves from the Stroke pull-down:
Change the stroke style to Texture Line Style:
With the merged letter curves layer still selected, play around with the Vector Brushes until you find something that works for you:
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h_d reacted to bobdobbs in How can I "distress" the stroke on lettering?
Thank you!
This process makes a great addition to my armory.
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h_d got a reaction from bobdobbs in How can I "distress" the stroke on lettering?
It depends on how you've 'created lettering'.
You could try:
Use Artistic Text to write the words and colour the text:
Duplicate the layer in case you need to revert. Then select the top layer and Convert to Curves from the Layer menu:
Select all the individual letter curves in the Layers panel, then Layers>Geometry>Merge Curves:
With the Move or Node tool active, apply a stroke to the merged letter curves from the Stroke pull-down:
Change the stroke style to Texture Line Style:
With the merged letter curves layer still selected, play around with the Vector Brushes until you find something that works for you:
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h_d got a reaction from Old Bruce in How can I "distress" the stroke on lettering?
It depends on how you've 'created lettering'.
You could try:
Use Artistic Text to write the words and colour the text:
Duplicate the layer in case you need to revert. Then select the top layer and Convert to Curves from the Layer menu:
Select all the individual letter curves in the Layers panel, then Layers>Geometry>Merge Curves:
With the Move or Node tool active, apply a stroke to the merged letter curves from the Stroke pull-down:
Change the stroke style to Texture Line Style:
With the merged letter curves layer still selected, play around with the Vector Brushes until you find something that works for you:
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h_d reacted to Old Bruce in Creating a pattern with precise selection in Affinity Photo
Yes, I use the vector shapes because of the greater control for recolouring and resizing and relocating. They are just far easier to work with for this sort of block of colour work.
People will use the Pixel Marquee tool and then get all frustrated by problems caused by resizing and or colour not filling to the edges, the edges being feathered etc. ad nauseum.
Vectors are your friends.
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h_d got a reaction from CaroleA in Creating a pattern with precise selection in Affinity Photo
Transform panel, also under Window.
My variation on a theme, with a 400px x 400px .aphoto document (it doesn't need the Info panel):
Draw a 100x100 square with the rectangle tool, using the transform panel to set its precise height and width and x and y coordinates. Duplicate it three times, arrange the four squares and set their colours:
Select the top layer in the Layers panel, right-click on it and choose Merge Visible. This will create a new all-in-one Pixel layer with your design directly on top of the individual squares:
With the Pixel layer selected, go to the Layers menu and choose New Pattern Layer from Selection.
Adjust the size of the Pattern layer to suit:
If you decide you don't like it, you can delete the Pattern and Pixel layers, rearrange the squares, rinse and repeat.
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h_d got a reaction from R C-R in Help with the Move Tool and Rectangle Tool
Settings-Tools-Nudge distance:
The Modifier above defaults to the shift key. You can change either of the distances and units to suit your needs.
I don't think there are any other options.
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h_d got a reaction from R C-R in Bug Report - Decaying Spiral
Without the ends set to arrows or circles, a 0-turn spiral displays nothing.
With them, I get this:
Screen Recording 2025-06-21 at 09.48.00.mov
.afdesign doc attached.
In the course of setting this up I've had 'the crash' a couple of times with similar settings, both with unsaved documents. When I relaunched Designer, the toolbar, context toolbar, tools and Studio were all hidden. Pressing tab did not restore them - I had to re-display them individually.
spoiral.afdesign
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h_d reacted to Michael Mooney in Bug Report - Decaying Spiral
@h_d - same for me ... toolbars etc disappear (hidden) after crash.
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h_d got a reaction from Alfred in I am trying to figure out why an old file I thought set at 20% opacity is showing 100% in the layers panel.
I reckon you had the brush opacity set to 20%.
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h_d got a reaction from NotMyFault in General Questions
Also worth pointing out that you can get a no-obligation, fully functioning free trial here.
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h_d got a reaction from NotMyFault in Export/Faded Edges
Running macOS Sequoia 15.6, under Settings - General, the default Window background is 52% grey, 100% opaque:
(This is a png with transparency in the bottom right corner exported from Affinity Photo 2.6.3).
If you change the Window background to pure white:
You'll get a better Preview of the transparency.
As @lepr hints, you can also choose Show image background from the View menu:
With that menu option selected, you can no longer modify the window background colour in Settings.
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h_d got a reaction from kaffeeundsalz in A more Advanced Shading Tool would be awesome!
I would guess it's...
Which suggests it's an internal development.
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h_d reacted to Dough in Export/Faded Edges
Thank you all this is very good information...
I appreciate the help 🙏
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h_d got a reaction from Dough in Export/Faded Edges
Running macOS Sequoia 15.6, under Settings - General, the default Window background is 52% grey, 100% opaque:
(This is a png with transparency in the bottom right corner exported from Affinity Photo 2.6.3).
If you change the Window background to pure white:
You'll get a better Preview of the transparency.
As @lepr hints, you can also choose Show image background from the View menu:
With that menu option selected, you can no longer modify the window background colour in Settings.
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h_d reacted to stuck in Using Nik Software v4 - specifically Silver Efex Pro 3 - with Affinity Photo 2
'appear' is the key word there.
I too followed the link, entered my email address and nothing seemed to happen, except ending up at the DxO Shop. I too thought, "Oh well, nothing ventured, nothing gained."
That was then but...
Today I got an email, all in German, with a link to download Nik 6. The email also included an activation code. The first thing the installer Did was to ask for the language I wanted to use,but English seemed to be the default. It then recognised my Photolab an Affinity Photo installations. It completed without error and when I opened Photo, all the Nik 6 plugins were available within Photo.
Result!
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h_d got a reaction from R C-R in can't open .idml file exported from Adobe Indesign
Would be interested to know how? 🙂
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h_d got a reaction from MikeTO in Benchmark results v25000
Trusty old MacBook Pro 2018, 2.9 GHz 6-core Intel Core i9
Memory 32 GB 2400 MHz DDR4
Running Sequoia 15.5
Let me know if you need more info.
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h_d got a reaction from Ldina in Editing Metadata
The name 'Martin xxxx xxxx' is listed under the Artist tag in the metadata.
exiftool -artist /full/path/to/IMG_5294.CR2
Artist: Martin xxxx xxxx
The Copyright and Owner Name tags exist but are empty.
As @Ldina says, you could use Affinity Photo to change this on a file-by-file basis. But if you have many files to change - either replacing an old name in all the other files, or removing it, or adding a new one - then ExifTool is a far better bet, as it can convert them all in one go with a single command. In Affinity you would have to open each file individually, modify the metadata and then save. Which would be very slow.
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h_d got a reaction from Alfred in How lighten image less what brighness adjustment does?
I would suggest experimenting with a Curves Adjustment:
Screen Recording 2025-06-08 at 18.09.32.mov
It's a lot more subtle and controllable than Brightness/Contrast.
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h_d got a reaction from Coco Below in Editing Metadata
Metadata is an absolute jungle - it's quite possible that the camera wrote the original owner's name to both Copyright and Artist fields, and that Bridge is displaying one while Affinity Photo displays the other. It's also possible that Bridge is reading from its own .xmp sidecar and that Affinity is reading from the embedded metadata in the .cr2.
The only way to be certain is to use a dedicated metadata reading and editing tool such as ExifTool.
It's a command-line utility that runs through Terminal. It also has a very steep learning curve. But it will let you modify the metadata within multiple .cr2 files, very quickly and effectively.
If you can upload one of your .cr2s to the forum then I would be happy to run it through ExifTool.
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h_d got a reaction from Hangman in Editing Metadata
Metadata is an absolute jungle - it's quite possible that the camera wrote the original owner's name to both Copyright and Artist fields, and that Bridge is displaying one while Affinity Photo displays the other. It's also possible that Bridge is reading from its own .xmp sidecar and that Affinity is reading from the embedded metadata in the .cr2.
The only way to be certain is to use a dedicated metadata reading and editing tool such as ExifTool.
It's a command-line utility that runs through Terminal. It also has a very steep learning curve. But it will let you modify the metadata within multiple .cr2 files, very quickly and effectively.
If you can upload one of your .cr2s to the forum then I would be happy to run it through ExifTool.
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h_d reacted to Stiker in How to scale vector brushes in groups
Thank you so much !
The detailed explanation really helped, it works ^^