Loonaclik Posted July 24, 2015 Posted July 24, 2015 A fuji X-T1 raw file developed in Affinity photo. Fantastic software and will be spending a bit more time with this I think. (I think I've finally got the uploader working...) Screen shot of layers now attached. Claude B., MacGueurle, peter and 1 other 4 Quote
peter Posted July 28, 2015 Posted July 28, 2015 (edited) Where's the pic? There it is ...clunky uploader :angry: Edited August 3, 2015 by peter Quote MacBook pro, 2.26 GHz Intel Core 2 Duo, 4 GB 1067 MHz DDR3, NVIDIA GeForce 9400M 256 MB, OS X 10.11.6 http://www.pinterest.com/peter2111
Affinity Jack Posted July 29, 2015 Posted July 29, 2015 Picture? Seems to be a white overexposed Picture with a white background . :lol: :lol: :lol: Loonaclik 1 Quote Affinity Jack Video-Tutorials on YouTube in German with English Subtitles Link to my YouTube-Channel: AFFINITY JACK Author in the team of www.affinitytutorials.de, the website all about Affinity Photo & Affinity Designer
pbass Posted July 29, 2015 Posted July 29, 2015 Picture? Seems to be a white overexposed Picture with a white background . :lol: :lol: :lol: Don't be snarky; it's of a snowstorm on a brilliant sunny day. Without 5 stops of exposure compensation it would've looked all medium grey; like this it's an accurate depiction. ;^> Loonaclik and Mr. Doodlezz 2 Quote
peter Posted August 1, 2015 Posted August 1, 2015 Or the front cover of Bel Canto's re-release White out conditions. Loonaclik 1 Quote MacBook pro, 2.26 GHz Intel Core 2 Duo, 4 GB 1067 MHz DDR3, NVIDIA GeForce 9400M 256 MB, OS X 10.11.6 http://www.pinterest.com/peter2111
Framelynx Posted August 1, 2015 Posted August 1, 2015 Ahhh, I thought it was a slightly overexposed closeup picture of a flash of a speed camera on a sunny day in the middle of Antarctica! Forgive my misperception! =P Loonaclik 1 Quote
justwilliam Posted August 3, 2015 Posted August 3, 2015 Amateurs! It is obviously an homage to a portion of Kazimir Malevich's 1918 oil painting White on White. How could anyone miss that? Jeez. EDIT: Yes, Loonaclik, you have indeed got the upload to work now. (sorry about all the joking before :rolleyes: ) A really clean image with good tonal range; are you going to share the adjustments done in the develop persona in order to achieve this for those who may not have worked with monochrome images much? Mr. Doodlezz 1 Quote
peter Posted August 3, 2015 Posted August 3, 2015 (edited) Amateurs! It is obviously an homage to a portion of Kazimir Malevich's 1918 oil painting White on White. How could anyone miss that? Jeez. EDIT: Yes, Loonaclik, you have indeed got the upload to work now. (sorry about all the joking before :rolleyes: ) A really clean image with good tonal range; are you going to share the adjustments done in the develop persona in order to achieve this for those who may not have worked with monochrome images much? Amateurs indeed! I had my money on the bottom left hand quarter from Robert Rauschenberg, White Painting, 1951. House paint on canvas, 72 x 72 in, four panels. Seriously, some of us only have primitive JPG cameras and would like to see the initial image sitting next to the developed/finished image. So apart from huge file sizes, what else is different? Edited August 3, 2015 by peter Quote MacBook pro, 2.26 GHz Intel Core 2 Duo, 4 GB 1067 MHz DDR3, NVIDIA GeForce 9400M 256 MB, OS X 10.11.6 http://www.pinterest.com/peter2111
Framelynx Posted August 3, 2015 Posted August 3, 2015 @justwilliam You're not far off... It's a white on white overexposed snowstorm in a bowl of rice digital composition with a nice b/w photo of Ballintoy Harbour layer multiplied over the top! Well done loonaclik! Also sorry about the jokes but it was such a tempting opportunity! XD Quote
Loonaclik Posted August 4, 2015 Author Posted August 4, 2015 Amateurs indeed! I had my money on the bottom left hand quarter from Robert Rauschenberg, White Painting, 1951. House paint on canvas, 72 x 72 in, four panels. Seriously, some of us only have primitive JPG cameras and would like to see the initial image sitting next to the developed/finished image. So apart from huge file sizes, what else is different? hi Peter, Thanks for that. I attach a shot of the layers in The Ballintoy image which I hope will be self explanatory for anyone who's interested. As you'll see, it's basically the application of the BW filter, adjustments to taste within that filter, and then a series of contrast grading curves layers (and masks) to adjust different parts of the image. Brian Quote
peter Posted August 29, 2015 Posted August 29, 2015 This picture...is coming alive, I think I can hear a swimmer/surfer climbing those steps, out of shot. Just like the Guinness: Surfer advert. The bit where-the-hard-bits-meets-the-sea, combined with the darkened, imposing cliff edges, reinforces the fact that the sea is nobody's friend...dark, moody and always alluring. This is poster material! ‘Ahab says “I don’t care who you are, here’s to your dream”. The old sailors return to the bar. ’http://failingaestheticallyadvertising.tumblr.com/post/140789036/guinness-surfer Quote MacBook pro, 2.26 GHz Intel Core 2 Duo, 4 GB 1067 MHz DDR3, NVIDIA GeForce 9400M 256 MB, OS X 10.11.6 http://www.pinterest.com/peter2111
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