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  1. Hi! I'm a new designer and I'm attempting to print my own zine on a risograph I recently gained access to. I've been looking up tutorials on how to set up files with Affinity, and while I figured out how to set up pages in booklet printing for a regular printer, I have some particular specifications I need help with. The risograph only prints on 8.5x11 or 11x17 paper, but the zine I want to make is A6. So I want to scale the pages on the sheet and lay things out so pagination is correct, even with multiple pages being printed on the same sheet. I also plan on staple binding it, so the typical foldable zine structure won't work. Is there a way to set up pagination automatically using Affinity, or do I need to figure it out for this particular setup by myself?
  2. I have a couple of images that are masked. In publisher the mask is invisible, except if you zoom in and out (see attachment). If I print the page on a professional fine art RGB printer (EPSON), then the mask is printed as well. Do you have any clue what the reason for this could be and how I can avoid this? Kapture 2022-09-28 at 22.12.01.mp4
  3. I don't see how to create a feature (object/layer) that is visible, but won't print.
  4. I'm using a registered version of Designer 2 and it's stuck in a loop. I have two documents open - both saved - and I want to print one of them. At first it reported I hadn't selected the document to be printed, and now I'm stuck in this loop (see screenshot) and it won't let me leave. The "From:" value is set to 1, as was the "To:" value. Help!
  5. When I print from affinity Designer, the text is always bolder than what’s on screen. Tonight I exported the document as a PNG then printed it from the PNG, and the font thickness is as it should be on screen. Does anyone know how or why this is happening? Or how to fix it? im using a Mac and V1 AD. I’ve attached a photo so you can see the difference in the print direct from AD and one from the exported PNG.
  6. Using version 2.0 on MacOS Ventura (latest version). The issue is consistently reproducible. I occurs in new documents. A collection of sample documents are attached. Description of the issue: When creating objects that are black (K=100 or GREY=0 or RGB=0,0,0) in a Publisher document, then printing it, cause these object to output in various shades of grey. This cause the objects to be rasterised. Exporting a PDF X:1a and then printing that PDF from Preview correctly renders the objects with the colour K=100 as full black, and thus without raster. This is the expected output. I’m using an HP LaserJet P2015 set to highest quality and in-printer colour management. (This setting works in InDesign FYI). The HP printer is a mono laser. all_the_logos_4C_X1-a.pdf all_the_logos_4C.afpub logo_RGB=0,0,0.eps logo_RGB=0,0,0.pdf logo_RGB=0,0,0.afdesign logo_GREY=0.pdf logo_GREY=0.eps logo_GREY=0.afdesign logo_K=100.eps logo_K=100.pdf logo_K=100.afdesign
  7. Hi all, I think I need some advice on the best way to create and print an A5 Booklet using my home printer (ideally from start to finish). I have searched the forums but have been unable to find any help on this topic. I have created a document (in A4 format, I believe? (.afpub file attached)), but when I come to print it, I am unable to get it to print in A5 Booklet format. I have tried all possible combinations in the print settings (my HP LaserJet4250dtn printer supports duplex printing) but no combination seems to produce the required result. I am not sure if I have created the document using the incorrect template, just missing something in the printer settings, or BOTH! Any advice or pointers/links would be greatly appreciated. Catalogue2.afpub
  8. I have PDF'd my file with facing pages turned on because that is how I want the PDF to be presented. The issue is I want to have the ability to print the pages physically individually instead of a full spread on one sheet. I know I would need to export as "All Pages" instead of "All Spreads" but it would ruin the affect of the facing pages. Is there a way I can work around this? Hopefully I explained this well... Thanks!
  9. I recently noticed that none of the "black" text in my document was actually printing on my laser printer as black. I created the attached simple Affinity Publisher document to demonstrate the problem. This document accepts all the default settings for a new "Press Ready" letter sized document, which includes the CMYK/8 color format and U.S. Web Coated (SWOP) v2 color profile. I changed nothing, added a single line of text, and printed the document. The text on the printed document is noticeably dithered. I tried exporting a PDF (also attached) and find that when I try to print it, the text is exactly the same, dithered a bit. I have confirmed that the document has (by default) chosen the proper C0 M0 Y0 K100 color of black for the body text. Note that I can use the same laser printer to print a similar simple test from Apple's Pages software and the text appears crisp and fully black. What am I doing wrong with Affinity Publisher? How can I be sure that when I export my PDF for the printer, it will export with proper black text when I cannot confirm this myself before sending it off? I'd like to be able to print decent proofs in my office, it is extremely frustrating that everything I print comes out looking pixellated (see the photograph, Affinity Publisher sample on top, Pages sample below). test-black.afpub test-black.pdf pages-black.pdf
  10. Hi, When im printing a document I made, it prints these weird boxes around curves with dropshadows. This also happens to ordinary .EPS and .PNG logos. The box is not visible without a background color printed on ordinary white paper. I've attached a picture taken with my phone of a test document I printed. I use a mac, and the printer is a Xerox WorkCentre 7830 v1 Multifunction System PS. The problem don't appear when I export to PDF and print thru adobe acrobat. But when I do this, the colors are super ugly and pale. Cant understand why the built in printing option produces a different color profile...
  11. I'm trying to print a poster, tiled across multiple A4 or A3 sheets. PagePlus X7 ( where I'm migrating from ) had some useful templates which tiled the output automatically. Can anyone tell me how ( or indeed if ) I can do this in Affinity Publisher, please ? Thanks,
  12. Windows 11, latest release versions of the Affinity products. Let me preface this by saying that although I've been using Affinity products for some time, I've never tried to print anything and am struggling to get what I see on my screen onto paper. Here's what I've done... In AD, I created a CMYK/8 document at 600 DPI (as that is my printer's native resolution). I'm printing to a Canon MF630 color laser printer, using the latest printer drivers w/correct profile selected. I printed to standard office paper and chose U. S. Sheetfed Uncoated V2 as the profile. The document is a proposed logo for our church, attached (I am in no way a designer and make no claim as to the quality of the design). I've tried printing using all four Rendering Intents, and I printed each using Color Handling by the printer as well as by Designer. I didn't see much (if any) difference amongst the results. The printed images are not only too dark, but I see too much red & even brown in the gradient. Have I configured something incorrectly in the document? Could I improve things if I used a better/different paper? I've spent many hours & wasted too much paper and ink trying to figure this out on my own, so I turn to the experts for assistance. Scaled Logo.afdesign
  13. This is not much, it’s a simple .afdesign file that turns photos into pre-digital vintage-like printing halftones (the industry standard here is affinity, not the lame PSD). It is of course compatible with both Affinity Photo and Affinity Designer. Sorry for the big size (over 400mb), it’s because all halftones and maps are ‘heavy’ (I didn’t want to ‘reduce’ them). I made all the files included here over the years, for halftone brushes and styles. The process is simple, and the user has complete control over the final result. I think the file is self-explanatory even for newer users. Instructions inside (and below). Edit, for new users: to have greater control over dark go to “adjustments” / gradient map. It’s one of the most important adjustment, and I should have let it outside. (If they’re too big please let me know and I will upload the files to mediafire) Template is 5000px X 5000px. A quick, soundless and boring video overview: https://www.youtube.com/watch?v=f5A8C5vk3Fs The resulting halftone file is pixel-perfect. There are two files available for download below, one with dot halftones and one with line halftones. They’re obviously intended for Affinity users only. Resulted images can be used for any purpose without any worries. Maybe someone will find these useful. All the best! line_halftones.afdesign dot_halftones.afdesign
  14. My Affinity Designer document contained a dozen lines using a font named Barmeno. It only has 4 weights and I used 2 of them. The file looked fine but it refused to print. After much time of instituting a repair of all 3 Affinity apps (they were never broken), reinstalling my HP printer (it was never broken either) I finally discovered the problem. I printed a different file from Affinity and it printed so I knew it had to be the font. After swapping it for another, problem was resolved. I'm recreating my CorelDraw files in Affinity but this issue has me nervous. Why did this font not print??
  15. Hello, i'm having an issue exporting a PDF for a print job. I have different layers for the artwork, the guide and the notes. When i export the file it is just a flat PDF with a white background, as apposed to a PDF that opens with the layers. How do i export with the option to show hide layers in other software, or even with a blank background? At the moment the white artwork just gets flattened into a white background and i'm just exporting a blank image. Thanks.
  16. Months ago I bought a Canon Pixma Pro-100 and started using Affinity Designer. My artwork came off the printer looking nearly identical to what I saw on the screen. I was very, very excited. Now I don't know what has happened, but everything that comes off the printer looks like crap. The colors are WAY off. Basics: - Affinity Designer on HP Envy x360 m6 laptop running Windows 10 Home (using laptop monitor and 2nd aux monitor) - Canon Pixma Pro-100 using Canon Semi-Gloss paper The default color profile that was being used was sRGB IEC1966-2.1. I don't know much about color profiles and that was the selection that showed up when I started digging. I have switched my document AND printer profiles to Canon PRO-100 <SG> 1/2 Photo Paper Plus Semi and Adobe RGB (1988) with zero changes in print output results. Everything I have read talks about calibrating monitors... I admit that I have not done this, however I am not printing photos but creating artwork in Adobe Animate using the standard color palette. I feel that no matter how my monitor calibration is set when I select red #FF0000 (255/0/0) that it should still print red, right? So here is the strangest part of this. I downloaded a test image to print. On my monitor the red looks red, green looks green, etc. When I imported the jpeg into Affinity Designer to print I immediately saw that the colors were different. The red appears more pale, the bright green looks like a pastel, etc. Here is a screen shot... pay special attention to the green in the 9-box just to the right of the ship photo. ...so I printed the sample graphic using Affinity Designer and the Canon Semi-Gloss color profile and ended up with this ugly POS: Granted, the light in my office isn't great, but the baby's face looks almost purple and not skin-tone like on the monitor. Hmmm.... WTF? Had a thought... hey, what if I print this using Windows instead of Affinity Designer? Right clicked the jpeg on my desktop and let Windows do it's thing and ended up with this... The color of the baby is VERY close to what I see on the monitor when I printed from Windows. The colors in the 9-box are DRASTICALLY different Windows vs Affinity Designer. So I thought that I could output my designs to a PNG and just let Windows print it... but I tried it with my own artwork and the results came out identical to every other attempt. (scratching head) Hoping someone can help. I'm overwhelmed by Google results on this topic.
  17. I have noticed a sizeable difference in color quality when printing the same photo using Affinity Photo vs. Photoshop, on the same printer, with the same settings. The colors I get from printing from Photoshop are truer to the original photos than the colors I get when printing from Affinity Photo. This is especially true of the blues. PS prints a wider range of blues than does AP. I recently printed a photo that had a lot of dark blue gray in it, and the print from AP was almost complete gray with little blue. Part of the issue seems to be there there are more color settings available in PS than in AP. In PS, you can indicate a rendering intent and check black point compensation. As far as I could tell, these settings were not available in AP. At the moment, I have both programs on my desktop computer but only AP on my laptop. At some point, I will no longer have PS available to me as it won't be compatible with further Mac OS upgrades. At that point, if I wanted to use PS for printing, I would have to purchase a subscription to PS which is something I don't want to do and the reason that I purchased AP. So, my questions are: 1. Does AP have any plans to improve its color management tool to get better color output? 2. Are there already color management tools in AP that allow for more fine tuning of color output, tools that I'm missing or unaware of? 3. Has anyone else noticed these differences and found a way to compensate for them, such as increasing the amount of blue in a photo with an HSL adjustment layer? This seems like a very hit or miss strategy, however. Thanks
  18. Is anyone else experiencing printing errors with Affinity Photo and Mac Monterey? I am printing with a Canon Pixma Pro 1 on a Mac M1 Desktop with OS 12.01. For no reason that was apparent to me, I got this error "The media type and paper size are not set correctly." This occurred after printing 20 pages successfully, with no changes to the printer settings. Canon haven't yet provided an updated printer driver for Monterey but using the Big Sur driver was working perfectly well. I found the only way to clear this error was to quit and restart Affinity Photo which leads me to believe that the problem may be with the latest version. The problem is, the printer will only print one copy, so in order to continue I have to quit and restart Affinity Photo after each page. I am printing a 72 page photo book so you can understand my frustration. Any help or suggestions will be appreciated.
  19. I'm new to Affinity products and having a difficult time understanding how to assign a printer output profile within any of the Affinity apps. I want the Affinity app to perform the color conversion when printing, not the print driver. Coming from the world of Adobe, where this process is pretty straight forward, I cannot find a similar methodology in Designer, Publisher, or Photo. Can anyone please explain to me how to tell an Affinity app that I want it to handle the color conversion, and to assign an output profile for my printer and paper, rendering intents, etc.? Typically, I use AdobeRGB as my working space. I do not want to have to do a manual conversion (menu: Document/Convert Format / ICC Profile...) from the working space to the printer color space before printing. I want the print process to handle the conversion on the fly. I'm on v1.8.3 on all apps, MacOS v10.15.5 Thanks!
  20. I don't know if it's a question or feedback. For the past 5+ hours I've been trying to make sense of how to check how my work will look like when printed, and here's what I found. What I need I need a quick way to check whether my colors are within the printable gamut range and also to see the out-of-gamut colors. They keyword here is quick. What I get The Soft Proof layer works not like that. Suppose I am in the sRGB color space. It seems like it takes the RGB coordinates of current image of the sRGB space and simply applies them to the Proof Profile that I select (without conversion). But that's not what I want, this naturally gives the wrong results. What happens is that once I apply soft proof with the "U.S. Web Coated (SWOP) v2" profile I suddenly get a brighter image, as if it tells me that this is how it will be printed. And if I click the "Gamut Check" button most of image becomes grey. But it's not the case, it's not how it will be printed. In fact, all the original colors will be printed (in my particular case). The step that this Soft Proof feature misses is the conversion of Color Spaces for this "check". If instead of applying the Soft Proof layer I convert the color space (Document > Convert ICC Profile...) and select CMYK/8 + "U.S. Web Coated (SWOP) v2" then the image will remain exactly as is, it will not become brighter. Furthermore, if I now apply the Soft Proof layer and select "U.S. Web Coated (SWOP) v2" then the image will stay exactly the same, and if I click "Check Gamut" then no area will be grey. Because all colors are within the color space range. Bottom line It's very misleading what the Soft Proof shows if you don't convert your profile first. But if you have to convert your image profile to check the gamut then it makes the "Soft Proof" feature not helpful. I am attaching an image, just for reference, which I used to play around with this. Can you please help sort this out, why does it work like that and has that been done intentionally.
  21. Greyscale become multicoloured when printing from Affinity Designer. Obviously a conversion to/from color profiles happens inside Designer. How can I prevent this from happening? (This happens to all colours. It is just shown best with greyscale.) My printer expects data in the same colour profile as my AD files working profile. (ISO coated v2 (eci)) When exporting a PDF/X1a and printing with Adobe Acrobat everything is OK.
  22. The attached document prints kind of borders on a few of the vector based elements (not all of them and even not all of the same paw pattern) if you do not flatten the image before printing. The attached photo shows a flattened print (left) and a buggy one (right). There are no artifacts visible on screen at any zoom level. System: Win10 Pro 21H1, Ryzen 5 1600X, 24Gb, GTX1050Ti, HP Deskjet 5520, Affinity Photo 1.10.1.1142 szepes_plakat.afphoto
  23. Hello, New user here to Affinity Photo. I opened and edited 10 jpegs and want to send them to a new folder with the edits I made. I don't see a way to export more than one photo at a time. Am Im missing something? Thanks, Stan.
  24. I have both Affinity Photo and Affinity Publisher. The printing I do will go either on a mug, t-shirt, or harder substrate all of which will be printed with sublimation. Affinity Photo, it was suggested is a very fine software offering quality prints, thus my reasoning for having it. I also print on an Epson WF7720 Printer. My question is using Affinity Photo, what are the procedures/steps for printing no border of any kind when printing the picture etc.❓ I am only interested in seeing the finished picture with subject, background, and or text no frame. Is this possible to do this, and if so please how is it done❓ Thank You, Dick
  25. Hello everyone, I bought an Epson XP-15000 and I'm trying to print from affinity photo on MacOs. I've done the soft proof correctly and now I'm in Print menu but I have some doubt. About color matching I set up this: But here in printer features there are a large number of parameters. How can I set them, please?
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