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  1. Heres a set of duplicate personal logo designs i created.
  2. An ominous photo I took in 2012 of the Hollywood Tower Hotel in Disneyland Paris. Retouched in Affinity Photo and Noiseless Pro in 2015 from the original RAW file.
  3. All my previous work has all been in Designer because that's what I do, but I do have a real hidden passion for photography. This was taken in France a few months back on my iPhone6 with a Moment lens attached. Now we are out of beta, i'd thought i'd give it a serious go. My first piece in photo and although i'm pleased with the results, there is still a way to go and more to learn but working in Photo was fun. You will see the before and after, and what a difference 30 mins in Photo makes. Allan.
  4. Hi folks, another work ... ;) (photo manipulation)
  5. Using Affinity Photo to color my scanned art is real dream and has made my life so much easier.
  6. So far I have done a few photo corrections and basic extract, cut and paste in AFP and was sufficiently impressed to decide to invest some time and effort into trying to learn AFP to a usable standard. This is my first attempt to produce an image entirely in AFP. I can't pretend it wasn't very frustrating at times. One of AFP's most amazing features, the way it stacks and nests layers, masks, adjustments, is very powerful and subtle, but it's also the most difficult to get your head around. You have to forget anything you learned elsewhere and learn a quite different approach and philosophy. :unsure: This simple image contains no photographic elements at all. It is 'painted' entirely in AFP using pen, brush, Layer FX, and some noise. That's it. Just the very basics. Given that my next best passion after photo manipulation and creation is my kitchen and cooking, I thought a foodie subject would be appropriate. I broke an egg into a non stick pan put it beside my monitor and created the image from life just as one would a traditional still life painting. This is very unusual for me as I normally work photographically, but it seemed a good way to get to grips with some of the tools. Can't pretend to be entirely happy but no one should be ashamed of first attempts, that's how we learn ............ and I learned a LOT by doing this. :) I shall definitely be persevering further. David Mac
  7. Here are a couple of quick composites created in Affinity Photo, changed the blend modes, added a lighting filter etc. 1. Elephant in a jar 2. leopard waiting to board Allan
  8. How to increase Grid line thickness - Affinity Photo The Grid lines are too thin for me. In Develop Persona I Show Grid and the open Grid and Axis Manager but I don't see a way to increase Grid line thickness. Can this be done and how?
  9. First photo manipulation using Affinity Photo. I haven't done one of these in YEARS, creating this was my way of touring the software. Loved every minute of it.
  10. Photo Manipulation with AP (Full HD wallpaper), do you like it? Free images used from pixabay.
  11. I'd like to use Guides for Lens Correction in Develop Persona in Affinity Photo How can I Enable Guides in Develop Persona? I enable View>Show Rulers and then View>Show Guides. There is no Move Tool to drag a Guide out. There is no View>Guides Manager.
  12. Hello, in PS, it is pretty handy to be able to copy layer, layers or even group of layer onto other documents. I would appreciate if you could implements this feature in Affinity Photo. Thanks for listening.
  13. Hi, Has anyone noticed a difference in color of the raw file in AP and that same file in PS? How can i be sure i'm getting the correct color from the adjustments I'm making? Just curious because when i try to process in AP the images don't come out as great as i believe they are in PS. Thanks!
  14. Messing around a bit with watercolours and some blenders. I recently repainted this picture from scratch using the new Watercolour Set, using much more refined tools. Now textures are subtle but perceivable and the final result is more credible. Affinity's engine has been growing a lot since 2015!
  15. Hello my name is heli herrera, It's my first time in this forum, I made this test of photo manipulation, hope you like Greetings from Brazil Credits: Images used http://www.bigstockphoto.com/ http://tigers-stock.deviantart.com/ http://mysticmorning.deviantart.com/ http://kuschelirmel-stock.deviantart.com/ http://krisderp.deviantart.com/ http://kassmir.deviantart.com/ http://hybridgothica.deviantart.com/ http://frostbo.deviantart.com/ http://gf-stock.deviantart.com/ http://brunilde-stock.deviantart.com/ http://alp-stock.deviantart.com/ http://9j1kabir.deviantart.com/
  16. Affinity Photo only has entire image/document based cropping. It needs to have image/layer based cropping. While one can use selection/deletion (which is destructive) or masking (which can be awkward), I think a simple straight line crop tool (like the document crop) and a bezier and b-spline crop tool with handles/point control would be good. I'd like to see two features in that regard (time to suggest them in the Feature Request forum): • There should be a Non Destructive Crop • It should have handles/points (much as the crop tool does). That can work for both "straight lines" or on bezier and b-spline curves. * Ideally it should have x, y coordinate point readout which might help in some cases.
  17. So, Diving into some Affinity Photo. I had a Couple of hiccups, but I am enjoying Affinity Photo so far. Still working this one out, but I am at a stopping point, so I figure I would share what I have so far. Stock Photograph model credit to Fae : http://faestock.deviantart.com/
  18. I try (test) Affinity Photo beta with different motives. Here are two cats from a children's book. Not really ;) , I just try several illustrations to ‚explore‘ AP. Previously Pohothosp was my home in graphics, now it’s AD and AP. That's a bit strange, but… very, very good. What is your own experience?
  19. Using a photo from my last post, I wanted to show what can happen when you let Affinity Photo do it's own thing. The first image is the original RAW photo with no changes. The next is my attempt to learn a little more about AP and make adjustments to improve the photo. And lastly is the image produced by AP with no help from anybody. I used all four of AP's auto adjustments and I for one am very impressed with the results. Although it is a little on the cold side, AP managed to pull out a great deal of detail and correct a lot of the indistinct elements. As I said on my last post, the photo is a macro image of a small cut and polished stone. The entire image area is just slighly larger than a US 25 cent coin. The new release of AP is certainly worth a look.
  20. This is my first photo from the new release of Affinity Photo. For those who might be interested, the photo is from a RAW file opened in AP, slightly adjusted and then developed. The image was then exported out of AP in 3x which resulted in a 219 MB PNG file with the image at approx 48 x 36 inches with a resolution of 288 ppi. I then squished it down to upload to the forum. The image is a macro photo of a small agate stone that has been cut and polished. Affinity Photo handled the whole thing like a trooper. No hesitation, no slowness, no fuss, no bother. I really like this program. Since I have zero experience or talent in this area, I am really pleased at the result. Thank you guys at Serif. Nice job !
  21. It would be great to have global clipping warnings inside of the regular Photo persona. Photoshop has implemented clipping warning overlays as part of a few tools, such as Levels and Curves, but it won't for instance help you when you are trying to use the dodge and burn tools to get a pure white or pure black background and other workflows. Since I assume that this is already planned as part of the Curves and Levels improvements on the roadmap, I would suggest to make it a view option, accessible either from the View menu or in the Histogram/Scopes panels that can be used at any time, with any of the tools available instead of adding it only to two or meticulously adding it to all sorts of adjustments manually. Holding Option inside Levels/Curves and on the Luminosity slider in HSL adjustments, Black&White etc. would then temporary toggle that option to the opposite of its current setting (i.e. on when it's off and off when it's on). Video cameras often implement the overlay as a zebra pattern, and you can customize the threshold at which it shows up. That's actually a useful workflow for other areas as well. For instance, you could have your clipping warnings at 95% if you wanted to see which areas are reaching a range that while they might not be clipped, would not show detail when offset printing the image. A preference to animate a zebra pattern inside the clipping warning, like the marching ants of selections do, would also make it help stand out when the image is visually very similar to the overlay pattern.
  22. In addition to the current sampling settings in the Healing Brush etc., a "Current Layer and Below in Group" option would be very useful. One frequent use case would be frequency separation. I like to use two groups, one for the low frequency and one for the high pass image. I can then create additional layers in each one. For the low pass group, that's pretty simple since "Current Layer & Below" will work fine. To work with layers inside the high frequency group, however, I need to manually hide all layers below until I can clone/heal from the high frequency image only onto a new layer. That means I currently get no live preview of my results, and checking what I am doing involves manually selecting and toggling all layers below all the time. Being able to restrict sampling to the current group would solve these issues. Also, a checkbox inside the Frequency Separation command to create groups with layers in them instead of single layers would save the trouble of creating the groups, setting the high frequency layer's blend mode to normal and setting the high frequency group's blend mode to Linear Light every time, and it could even create empty layers above each base layer as well. While I am at it, it would be very nice if the Blemish Removal Tool could also get sampling options since that is really the only way one could work non-destructively with that particular tool.
  23. Hi, Just curious when we'll see the new Tutorials for AP? :)
  24. Downloaded the app! yay.. making my way through the menu, so I can replace Adobe. I was excited to read that it works with PS plugins. I use the Portraiture plugin and have upgraded it to work with the newest PS. I told AP where the plugin folder was. Tried to use it, and every time, this plug in seems to crash AP. It opens, I set it, and get no further. It simply closes the program. help!
  25. Hi friends, Now that I have purchased the Affiniy Photo Inhad dreamed that this one of my former questions would be answered by the working of the app. ut I am desappointed for is not. I am longing to get the selection outline being softened by a slight blurring, but as much as I repeat the action, select-shrink-invert selection-apply blurring....the result is that the blurring does affect the whole shape and. not the outline that is outside of the "marching ants" I have followed a moderator's instructions or tips and the hing does happen again and again, Can anyone have tried to do this action and succeed? I would appreciiate, again a bit of. help in this, Is important for my conpositions and though I coulld refine the outlines with Photoshop...mmmm....the thing is to get ride of it as much as possible...you see. Thank you so much in advance. Rosa
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