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Created in Affinity Designer, using my own Eyes and Mouth Assets I created.

Couldn't decide what to do next so did this. People on FB said about the Christine movie that featured a '58 Fury, not watched it but it's now on my list.

Today I made two A3 size landscape signs using Affinity Designer. I produced a one-page PDF document for each of the signs. I also made two one-tenth scale png graphic files of the designs, as displayed in this post. I did the designing using pixels as the measurement units, so a one-tenth scale png graphic of the design was a convenient size to use. The upper one is to express Welcome. and the lower one is to express Thank you for visiting. in a language-independent manner. The idea is that a person may understand the meaning as expressed in his or her chosen language by knowing the meaning from previously, or the code number allows it to be looked up in a list. The QR code contains the same information as the code number so that automated look up could take place using a smartphone that has a camera and a suitable app. Using the exclamation mark before the digits is done so as the code number is not expressed in the same way as an actual number. At the time of starting this thread it may well be that only a very few people recognize the intended meaning from the glyph, the only decoding list is as far as I know for English, and as far as I know there is no smartphone app to do the decoding. Yet one needs to start somewhere, to take the early steps forward to try to achieve results in the future. I had produced the QR codes as FREE TEXT style QR codes at the following website. https://www.the-qrcode-generator.com/ In each of these QR codes there is encoded just the exclamation mark and the digits, there is not a return character included in the QR code. The downloaded QR code images are each 1012 pixels square (=23 times 44). There is a download arrow above the displayed QR code at the website. After I had produced the one-tenth scale png graphics of the signs I tested each of them at the following website and for each of them the text encoded in the QR code in that one-tenth scale image decoded successfully. https://products.aspose.app/barcode/recognize/qr I am hoping to obtain some hardcopy prints of the A3 size signs on 350 grammes per square metre paper from an ooline virtual print house. William

3-4 Years ago my Nephew and I decided it would be funny to create an animated series based on some weird cockroach drawings he did as a child that he called 'COCs'😅. We came up with some characters and story lines and the name C.O.C SQUAD (Combat Orientated Cockroaches). It's based on early 90s action movies and cartoons and went through quite a few different art styles and approaches until we found what worked. The movies Showdown In Little Tokyo and Hard Target were particularly influential. The characters were designed in Affinity Designer and Affinity Photo. There were then exported to various pieces of animation software. We recently launched a Kickstarter to try and get some funding to finish the first episode in a reasonable amount of time (It's half done). I would love to know what you guys think of it. More info available at https://www.cocsquad.com/

The Art Deco entrance to the Lowell Pool in Boise Idaho. Designed in 1953 by Wesley Bintz.

My idea of flat, no blurs so tried to blend things in a bit by using shapes and blend modes.

I don't know what I did to create this monstrosity but I used Pencil Tool if that helps. This is all I did in this file. It also exports the same. Adding pressure variance makes it worse, but it's by no means required to cause a defect. Testing the stroke in other programs does not cause an issue... Document attached: 231201_stroke-odd-behavior.afdesign

Here’s a video which shows how to make a heptagram which looks like it ‘weaves’ into/through itself in Designer 2 (some of the tools used aren’t in Photo, Publisher or earlier versions of Designer). Some of the functionalities/tools used are: Star Tool (to get the initial shape) Pen Tool (to draw the basic heptagram) Expand Stroke (to get a thick shape) Point Transform Tool (to manipulate some shapes) Shape Builder Tool (to ‘join things up’) It should also work on most similar figures with a ‘low odd-numbered point count’, like pentagrams, etc. Important: Don’t forget to move the origin of the curve to where the guides cross before you start duplicating the curve, otherwise the Point Transform work won’t be right. 2023-12-06 12-53-07.mp4

3rd time in 2 days that I end up here because Affinity Designer lacks the most fundamental tools... absolutely unbelievable. I just checked: Aldus/Adobe Freehand MX (2002): spiral tool present AI (CS 6): spiral tool is there Corel Draw 2019: spiral too available Rhino CAD: has spiral tool Inkscape: yup, has a spiral tool Affinity Designer V1.10.5 (end of 2022): NIX, NADA, NOTHING Unbelievable. I'm slowly beginning to suspect that AD is optimized for the quick production of flashy eye candy but not for the professional development of user interfaces, diagrams, illustration, technical documentation or how-tos...

I am loving the new spiral shape tool in V2.3. So many uses! However, one way that a spiral can occur - as a coil or spring - I cannot seem to make with the options currently available in this new shape feature. I am think of a coil as you would see along the edge of a spiral bound notebook, or a coil spring in a diagram. Would be great to have that added as another option in this spiral shape tool.

Designer 2.3.0, Windows 10 No problem, just an observation... I have a Print preset, 2000 x 2000 pixels. I open the Document Setup window and change the height to 1000px (width and height unlinked). The height immediately changes to 1000px. If I do something similar but change the width to 1000px rather than the height, nothing happens. Only when I zoom in or out does the width change. No problem, just confusing.

. . . just in time for the holiday season . . . finished version of the 2024 VW Beetle calendar . . . created with Affinity Designer 2.0

The Flower of Life, created with Affinity Designer.

In AD 2.3.x the alignment of some tools does not work as expected. E.g. lines drawn by pen tool, or Serial Tool. Using e.g. the Heart Tool has no issues. No such problems in AD 1.x Please watch the video ➡️ Line and Brush alignment issues Alignment AD 1.x.afdesign Alignment AD 2.x.afdesign

I have been searching for a while now, but cant find any "select same colour" feature. All I can find is a feature request post from 4 years ago asking for this. Surely this rudimental feature has been implimented by now. Selecting and replacing a colour is one of the main benefits of vector work, to not have this seems crazy to me. I know the dev team is small and your product is so superior to Adobe is so many ways, but missing fundamental features like this makes it unusable for real world projects. I hope I am being a dullard and a select same colour feature is available. If not please add it to the top of the list of features in the next update.

there is no possiblity use swatches in gradients? and way when i change swatch also gradients change. Also gradient it seems cannot be global?

Here is a series of macOS application icons. The idea is to redesign them as simply as possible, fitting them perfectly into the frame (grid template) defined by Apple, without embellishment and flatness. A simple graphic game for fun (you can exploit them as you wish)!... Voici une série de reprises d'icônes d'applications de macOS. L'idée est de les redesigner le plus simplement possible, en les calant parfaitement dans la frame (grid template) définie par Apple, sans fioriture et aplat. Un simple jeu graphique pour le fun (vous pouvez les exploiter comme bon vous semble) !... macOS Icon Grid Template 1024x1024px.afdesign

Here's a link to a recent series of fun and colourful retro inspired objects and toys. All done in vector using Affinity Designer. Designer is so great for this kind of work. Cheers Serif! https://www.behance.net/gallery/180858837/Retro-inspired-objects-and-toys-series

The Flood fill tool is missing from my toolbar. I am able to select the tool using the keyboard shortcut R As far as I can tell, my toolbar looks like it's still 2.0.0, although i'm using 2.3.0. I noticed this issue when I was looking for the Flood Fill tool a few weeks back, on 2.2, when I found a screenshot of the toolbar that looked different from mine In this post It also seems to me that the gradient and transparency tool are supposed to have been merged into a single toolbar item by now. The screenshot shows what my toolbar currently looks like. The issue is permanent, unrelated to files, present whenever Affinity Designer is open. I have tried restarting Designer but the issue persists. I have tried rebooting my computer but the issue persists. I have uninstalled and reinstalled 2.3.0 and the issue persists. I have also tried docking my toolbar to the side, but the issue persists. I'm using windows 10 hardware acceleration is on I'm using a Wacom 22 pen display

Some reproductions of works of art with the associated vector files: it's up to you to make them your own and recolor them to your liking (according to the color of your living room)... The new duplication functions in AD 2.2.1 were very effective!... Quelques reproductions d'œuvres d'art avec les fichiers vectoriels associés : à vous de les approprier et de les recoloriser à votre convenance (selon la couleur de votre salon)... Les nouvelles fonction de duplication d'AD 2.2.1 ont été très efficaces !... Jacqueline Schafer Hipster Nr3 I Love you (2015).afdesign Jean Allemand Composition bleue Lot 79.afdesign Liberté Égalité Fraternité Obey Shepard Fairey.afdesign Victor Vasarely Cheyt-Ond (1986).afdesign Victor Vasarely Domo (1989).afdesign Victor Vasarely LIKE_01.afdesign Victor Vasarely LIKE_02.afdesign Victor Vasarely LIKE_03.afdesign Victor Vasarely USA-EG (1986).afdesign Victor Vasarely Vega-WA I (1968).afdesign Yvaral (Jean-Pierre) Progression Plychrome (1971) Wallpaper.afdesign Yvaral (Jean-Pierre) Progression Plychrome (1971).afdesign Yvaral (Jean-Pierre) Structure Cubique B (1973).afdesign Yvaral (Jean-Pierre) Structure Cubique B (1974) Wallpaper.afdesign Yvaral (Jean-Pierre) Structure Cubique B (1974).afdesign

Any idea how to use fill color in grid area without make rectangle shape in each grid?

I thought I'd try and do something with Inkscape now v1.3 is out. Cars are "easy" if long winded so I though that would be a good project to try it out on. Even installed Linux to give it the best chance but it's just too slow, clunky (like the coders don't actually use it, but they're doing it for free so not complaining too much) and a bit buggy. So I gave up after a couple of days and opened it in AD v2 then copied it in to AD v1 (as v1 wouldn't open it) and did it in there instead. Windows AD was grinding to a halt near the end, should just use my Mac.

Hey everyone, Update: Okay, apparently I completely missed the introduction of Key Objects somehow. Thanks for telling me it’s already there! 🤯 Firstly, however, part of my original subject was that key objects should work for any alignment – this includes the spacing operations »Space Vertical« and »Space Horizontal«. They currently work for the general alignment options such as top/bottom, left/right. From my logic it could/should work like this: If NO key object is selected, the last set »Align To:« option works as intended and expected. However, if a key object IS selected, the »Align To:« option should react and prioritise it by changing the »Align To: Key Object«. As soon as there’s no Key Object selected, it switches back to the previous item in the list, like »Last/First Selected«. Without checking, I think this is how it works in Illustrator as well. And I mean, it's just logical (at least to me): If a user actively selects a Key Object (and for Designer this can't be accidental, since you have to hold down an extra key on your keyboard), the user most likely wants to use it as such. So the Key Object should always have the highest priority in the list of alignment candidates/options. Secondly: They also only work from the Context toolbar – when I work with the toolbar popup and want to align (top/bottom, left/right, ...) it prioritises the selected »Align to:« option from the drop down. I think there's an item missing from this list for key objects to work in the toolbar popup as well, and I think that's the culprit. It's not at all obvious that »First Selected« equals »Key Object« in the »Align To:« dropdown in the Toolbar (not Context Toolbar). ––– I very dearly miss the ability to click on one of multiple selected shapes (especially in Designer and Publisher) in order to define it as some sort of »pivot« object, so to speak, around which all other alignments will happen since day one switching to Designer almost ten years ago. (Wow, Designer really turns 10 next year!) The »First/Last Selected« options in the »Align to:« dropdown come close to what I mean, but are not as intuitive, nor do they work for all alignment operations such as »Space Horizontal/Vertical«. Illustrator has solved this more elegantly and functionally by allowing you to mark one of the already selected objects as the »centre« by clicking on it, around which all further alignment operations will take place. They call it »Align to Key Object«. Here's a short clip of how it works. Here’s a video that explains its differences a little bit better compared to other alignment options present in Designer. Please please pleeease Affinity, I need this QOL back in my process and would love to see it and in the Affinity Suite. 🥲 Cheers Dennis

In reaction to a recent question, I’ve attached a video showing one method you can use to create a vector ‘Greek-style’ border using various tools in Designer 2 (some of the tools used aren’t in Photo or Publisher, or earlier versions of Designer). Some of the functionalities/tools used are: Quick Grid (to get the initial grid of squares); Shape Builder Tool (to join the squares up, not actually necessary in this case); Geometry functionality (to tidy things up and make them easier to manipulate); Warp Group (to create the ‘bend’); Move Data Entry (to create multiple copies). If you need a different number of ‘repeats’, or differently-sized/spaced overall result, then you will need to calculate the Warp Value and Rotation differently, and maybe use a different height/width ratio for the initial design. I’ll leave it to you to experiment. 2023-11-28 12-29-33.mp4

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