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All photo's sourced at Unsplash. Ancient pillars created using shapes and textures. Colour scheme courtesy of my brain.

Just for the fun of it. All photos courtesy of Unsplash.

Hi guys, is everything okay? 👍 I'm still here 😁... here's another photo composition with AF. All the images are from Pexel and I made a couple of things (the sheets and the clock) with Blender because I couldn't find any right images and the man with the umbrella was recolored because the image was black and white. I learned a lot while trying to solve the problems that came up every ten minutes...🤔 I hope you like it... I like it a lot! 😂 Ciao e grazie Davide

What a grand title for such a simple picture concept! All photo's sourced at Unsplash. Visualisation created using Affinity Photo.

Hi guys, this is another photocomposition test with AP. I tried to create something more dynamic... and why not, night-time 😎 All images are taken from Pexel. Ciao e grazie! 😀 Davide

I'm trying to get my arms around Blender 3D, which is what I used to create the sand dunes in the attached image. I am confused and completely overwhelmed by Blender, navigation, render passes, etc. The desert isn't overly convincing, but it's the best I could do with my newbie, rudimentary skills (or perhaps I should say, the lack thereof). I brought exported desert scene into Affinity Photo, where I did the rest of the work. Haha, anyway, I thought I'd post this and see if anyone has any sage advice on coming up to speed with Blender.

....Swirling sands, driven by gentle winds slowly clear to reveal a Metropolis. The research team stop to take a moment and absorb the magnificent sight ahead of them.

Here is a different composite I started working on: Here is the base image: This is the base image of the ambulance used: This is the the image used to change the license plate to a vintage 1980s Maine one: I tried my best to match the look from the original movie:

.....Discovery by the research team of an energy sphere which they have coined, "The Power Marble." Apart from 4 base photographs, desert sands, distant rock structure, tourists, well hole, all concept designs created entirely within Affinity Photo using shapes and texture samples.

My wife is a RABBIT FANATIC. She even calls herself "RabbitMom". Over the years, she's begun to take on some of the attributes of her pets. Here's the proof!! 🤪

This, by rights, should've been picture 4 in the series, but due to a major computer malfunction I lost the version (3) I was working on. Hey-ho. # I don't trust technology.

Affinity Photo is a joy to use and allows me to create composite art that helps me stay sane during these uncertain times.

Fun Photo Composite in APhoto….escaping … ’Once Upon A Fairytale’ - by Jason Hanson, Copyright 2022, All Rights Reserved.

Image concept entirely created with Photo.

Source photo (desert and woman) from unsplash. All structures created in Affinity Photo with shapes, textures, and an assortment of brushes. Planet built using Luna Cell (unfortunately Affinity does not support this plugin).

Shot with a Sony A7 and a Samyang 14mm F2.8 1) File > Merge to HDR 2) Select your bracket 3) Uncheck Tonemap (you can do it later) 4) Edit in developer persona

Affinity Photo V2 with a little help from GMIC plugin.

Fun little Star Wars themed project. 3D work done in Blender. Photography was done in studio, processed in AP. Composited in AP.

This is minuir's first affinity photo artwork. Falling airplanes are always accompanied with terrible disasters. So I hope it will never happen in the world. "Airplane Falling Down" speed art : https://youtu.be/5KhWTDvi9eQ

Specs iPad Pro (2020 Model) 12.9” iPad OS 15.2 Affinity Photo 1.10.1 Paid Photoshop Course followed: Kevin Carden Sword in the Stone Originals:

‘Did go...wherever I did go.‘ Just a fun Composite Artwork....in Affinity Photo. ‘Fishful Thinking’- by Jason Hanson/StudioJason

Did some final polishing of a Composite Artwork...like it much better now. Affinity Photo/iPad Pro.

Um pouco das minhas composições de hobby. Virus_2.afphoto

Utterly apolitical, I promise! I'm not even from the US, so I have no axe to grind. As everyone on the interweb seems to be popping Bernie Sanders into humorous settings, I thought I'd have a go myself. I looked for the largest photos I could find, as it's much easier to work at the larger size -- and the mistakes are less obvious when I save the jpeg at a much smaller size (I hope!). OK, the first one is The Night Watch by Rembrandt (but you know that).I found a copy of Mr Sanders' photo online and selected out the figure and the chair. After some trial and error, I thought this was the best position to place him, but I had to flip the image to make the perspective of the chair to match. Fortunately he's fairly symmetrical, so it's not obvious. I made a slight Curves adjustment to get the contrast more or less right. Then I selected a section from the costumes of the figures in the background, upper left , applied an Average blur to it and laid it over the Mr S layer, set the blend mode to Overlay, and dialled down the opacity till the colours looked right. Finally I made a selection with the Pen tool and used that for a mask to put him behind the chap in front.I ought to have removed that dog, I suppose -- or moved it back a little so it doesn't look as if it's under the chair. And this is Luncheon of the Boating Party by Renoir.I used the same original image I'd extracted for the previous pic and masked out parts of the Renoir to out him behind the table. Then I Cloned in some background to remove the chap who was originally sitting there -- a little bit of his head and shoulders was still visible. I made the same adjustments as before, including the colour overlay (from the big fellow's arm on the left) to try and match the skin tones.Now here's the clever part! I made a copy of the Bernie layer and its adjustments and rasterised it. (This way I still had the group intact if I made a mess of it.) I opened the Paint Mixer brush and selected the Impressionist Oil 01 brush, set the foreground colour to none, and painted brush strokes over the raster Bernie, making sure I had Auto Load Brush on and clicking Clean Brush frequently. In this way I made the texture match the rest of the painting and not look like a photograph. I didn't need to do this with the Rembrandt, as his style is photographic.