Jump to content


  • Content Count

  • Joined

  • Last visited

Everything posted by Hokusai

  1. Hello fde101, This might not be what the original poster is requesting but to me, merging layers wouldn't be anything like grouping or embedding objects. If I merge layers, I would expect things to remain exactly as they are, the only thing that would change would be that all of the objects that were before on separate layers, are now all on the same layer. You're right, there is no such equivalent to be found (to my knowledge) in Affinity's products. I do think it would be a useful addition though. The way Designer allows you to have Objects that aren't on Layers makes things confusing. The confusion is created by not having a clear separation between them in the Layers Palette but (in my opinion) Layers and Objects are not the same thing. Layers are containers and they hold the Objects. Objects don't normally hold other Objects (in some cases they might but normally they don't).
  2. I took "merging" to be like how they do it in Adobe's apps where you have the option to Merge Layers meaning to combine all of the elements that are found on those layers into one layer. It has nothing to do with boolean operations as it is done in Photoshop as well as Illustrator (and probably Indesign too). Vector shapes are not their own layer, they are objects that are placed on Layers, and if objects and elements (vector, raster, text, etc) that exist on the different Layers can all be merged (collected together as they are) and placed on one Layer. Merge Layers simply puts all of the things (objects and elements) that exist on your selected Layers onto one layer. It is handy. Sure you can do the same thing with cutting and pasting but if you have a lot of different Layers, it is time consuming.
  3. psiclone, I think that's a good request. Maybe there's a way to do it now? If there is, I haven't seen it but there are always new things that sprout up and it could have been one of them. There are two ways to do this but they are workarounds and wouldn't be ideal in many situations. Just export your file as a PDF and then open up the PDF in Designer. You can also select all and then copy and paste onto a new layer. It gets the job done but not quite as smooth as a "merge layers" option would do. Hokusai
  4. Alfred, I'm guessing that Martin is thinking of like how it works in Photoshop (sorry I don't have a copy of Illustrator that is easily to get to right now). When you are drawing with the pen tool (even vector paths) you can Alt+Click and it will delete one handle, leaving you with a handle on only one side leaving you free to adjust only one side of the path. I thought Illustrator could do this too but I can't remember but I do know that Photoshop does this. It is sometimes helpful. Hokusai
  5. Martin, Sorry I misunderstood what you were requesting but I understand now. That's a good suggestion. I wouldn't be surprised if it is already in there hidden somewhere, if not it would be a welcomed addition. Hokusai
  6. Martin, If you control + click (on a Mac sorry I'm not sure about the Windows version) on a node with no handles using the Node tool it will add the handles for you. I'm sure there are other shortcuts too. Or you could use the little menu at the top of the screen when you are using the Node tool. I hope that helps. Hokusai
  7. Helios, It is under the Keyboard Shortcuts/Miscellaneous, it is a little tricky to find but it is there. It worked for me, maybe you have Shift X assigned to something else? I hope this helps. Hokusai
  8. Hi MEB, I'm not 100% sure but I don't think I'm performing any other tasks. Normally when it happens to me is when I'm drawing a complex picture with the pen tool and I use the space bar to access the pan tool to move around while I have the pen tool active but then somehow the pan tool won't release and I can't seem to get back to the pen tool unless I zoom in a long ways or zoom out a long ways (I use the navigator palette to do the zooming because I don't think it will allow me to switch to any other tool other than the pan tool, not the zoom tool either) and then suddenly it will allow me to switch back to the pen tool. Thanks for looking into it. Hokusai
  9. Hi MEB, My issue isn't from using the shortcut keys to zoom in/out. It happens to me when I'm drawing with the pen tool and I use the pan tool (via the space bar) and then when I release the space bar the pan tool becomes stuck. Sorry if I didn't explain it well before. I use the zoom in/out as a way to get it to release the pan tool. When I'm stuck with the pan tool, I zoom in or out (sometimes a lot) and it will allow me to switch back to the pen tool. I hope that helps. Hokusai
  10. eobet, Do a select all and it will show you the object count in the bottom left hand side of the app. Hokusai
  11. Martigny, I think if you make sure that you have the "Edit All Layers" in the Layer Palette selected (and everything showing that you want to count), then you can do a select all and it will show you the total object count. Hokusai
  12. CLC, Thanks! I wasn't sure if it was just me or something odd about the system I running or what? I'll check out the links that you posted. Thanks, Hokusai
  13. This doesn't happen to anyone else? I was hoping that someone might have a different work around from what I've been doing (zooming in or zooming out).
  14. I'm using what I think is the latest version of Affinity Designer (1.8.3 and I'm using Mojave 10.14.6) and often times when I'm drawing it somehow switches to the pan tool and then I can not get it to go back to the pen tool (or any other tool). I know this used to be an issue at one time but I haven't seen it for a while but it is happening a lot for me with the latest version. Once it switches to the pan tool, it is difficult to switch to another tool. Using the shortcut keys doesn't let me switch and neither does clicking on the tools in the tool bar. The only way to get Designer to switch to another tool is to zoom out or zoom in and then it releases the pan tool and lets me choose another tool. It is very frustrating and if anyone knows how I can keep it from doing this I would greatly appreciate it. I'm also having issues with screen redraws but I'm not sure how to describe it. It seems to happen when I'm zoomed in and I click and make a node and then pull the bezier handles towards an area that is currently off screen. The handles disappear and lines showing me the length and direction of the handles disappear. Maybe this is how it is intended but I wouldn't think so because it only does this when I am working near the edge of a document. It isn't a big problem but just something that I was curious about. Other than these two issues, things have been working great for me. In my use of Designer the expand stroke is working much better and so are the boolean operations. Thanks to Matt and all the developers working on Designer! Great job!
  15. chile9, You can double click the item in the Layers panel and it will zoom to fit too. Hokusai
  16. This is the whole reason I am against the subscription model. Sure it is great for companies but not for end users. Users end up paying more for software that is "mature" which equates to "no significant new features" or features that are added simply because they have to add something to continue charging them yearly (which leads to bloat). I can understand why companies like the subscription model, it generates a lot of cash for them with less work. What I can't understand is why so many people love it or put up with it. I like Affinity's view in regards to the perpetual model and I like the way they think in terms of how tools should work. I think they offer a very fresh and innovative solution for users who are willing to try something new.
  17. Hi dominik, Here are two screen shots which I hope shows the different styles. The regular one that you described is just a regular marquee type. The one with the modifier (with the Option key on the Mac) gives you greater control over which nodes (or points) are selected by letting you "draw" the selection as opposed to just selecting broadly. I'm guessing this is the difference but there maybe be something else, I'm just not sure. Hokusai
  18. Thanks dominik, I knew that someone would come up with it! Thanks for letting me know that I don't need to use a modifier. I didn't realize that you don't have to use the modifier on the Mac either but the behavior is slightly different with the modifier and without. Maybe someone can explain the reason for the differences?
  19. Are you referring to the Node tool (the white arrow)? There is a trick for it to allow you to select multiple nodes with a selection by first selecting the object with the Node tool and then holding down the Option key and drawing or moving your mouse around the nodes you want to select. Sorry I don't know the Windows modifier but I'm sure someone else here does. I'm not sure if this is what you are after or not but it is worth giving it a try. Best of Luck, Hokusai
  20. Sephan, I'm not sure if this is what is causing you problems but there is a little icon on the bottom left side of the Layers palette and if it isn't selected, you can't select things that are on different layers until you first change to that layer. Give that a try and see if it helps. Hokusai
  21. Jarome B, Number 5 can be done by typing in the dimensions that you want using the Transform palette. Create the shape you want first, for example a square and then enter the width and Height that you'd like and it's done. I hope that helps. best regards, Hokusai
  22. Thanks for the kind words everyone. Yes MEB I'm still around! I've been reading the forums often but I haven't commented all that much for a while because things have been rather busy with my work and "other" life but I did keep up with the Publisher beta and then its release and I have been using Designer daily (along with Photo too).
  23. It has been a while since I've shared anything here on the forums but I haven't been slacking. I've been enjoying playing around with Publisher and I've been using Designer as much as I can. I've also been busy toiling away on a bunch of projects and I thought I would share one with you that I've been working on for close to a year now. I have been working on it in my spare time before and after work to help relieve stress but it took much longer than I had expected. I completed most of it with my old iMac (a 2009 with only 4 gigabytes of RAM) but the last quarter of it I did with a Mac that was much more powerful and it was so much faster (still an old Mac but with more RAM and a better processor)! To me, seeing that people can create complex drawings using old hardware is a testament to how well Designer is made. My compliments to MattP and everyone on the Designer Team at Serif for all of your hard work. I'm looking forward to Designer version 2.0 to see what other wonderful tools you will give us to use. My version is roughly based on an old European print from 1480 or so (the original title I believe is The Tempting of St. Anthony). Everything was done using Affinity Designer on a Mac running Mojave and everything is vector. I used several versions of Designer but I think mostly 1.7.1 and 1.7.2. If you like this drawing, check out my other drawings of Don Quixote and The Four Horsemen. Thanks for taking the time to view my work and I hope that you enjoy it. Hokusai
  24. To be honest, I didn't watch the whole video seeing how it is over 20 minutes long. I looked at the finished logo at the end and I didn't see anything that couldn't be done easily using Affinity Designer. Look through the videos that they have here (on Serif's website), they are very useful and have lots of helpful hints. Best of luck
  25. I'd prefer something better than what is offered in Illustrator and hopefully that is what the guys are cooking up, that is my hope anyways!
  • Create New...

Important Information

Please note the Annual Company Closure section in the Terms of Use. These are the Terms of Use you will be asked to agree to if you join the forum. | Privacy Policy | Guidelines | We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.