VectorCat
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VectorCat started following Mac Photo 2: advice on selecting sky in this photo , MacOS: Can't make noise appear on a layer with color , QFHD and resolution above 72 dpi and 4 others
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VectorCat reacted to a post in a topic: Mac Publisher 2: zooming in a live type gets jaggedy on 4K monitor; not so in Designer 2
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VectorCat reacted to a post in a topic: Mac Publisher 2: zooming in a live type gets jaggedy on 4K monitor; not so in Designer 2
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Does Publisher 2 for Mac have a limitation which Designer 2 does not have in terms of keeping type sharp no matter how much you zoom in? In Designer 2, live type is crisp no matter how far I zoom in, but in Publisher 2, live type gets jagged at 150% zoom! and to be clear, what I mean by "live type" is type which has not been rasterized or converted to curves, and is selectable and editable AS type. Thank you for any clues
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when I am working with text…modifying, formatting, scaling, etc., I want the keyboard out of my hair until I’m ready to type, but it keeps sliding up to help me anytime I do anything text-related. Is there a way to get the keyboard to give me the little widget to keep the full keyboard out of the way…the way it is in publisher 2? thank you
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walt.farrell reacted to a post in a topic: Publisher 2 Mac: When Hide Studio active, Pallets can not be invoked
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Maybe this is a feature, but it feels like a nasty bug. If I Hide Studio, I may want to clear up the interface visually, but I don't want to lose all functionality. Is this our choice? I want and need to be able to make all the tool palettes go away, but I also, equally need to be able to summon certain things back, whenever I need to. For example: hide all the tool palettes, but let me pull up the layers pallet when I need to see what's on the layers, or the text frame pallet when I need to do something to a text frame. Thoughts?
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VectorCat reacted to a post in a topic: Mac Photo 2: advice on selecting sky in this photo
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This is an image I downloaded from Pixabay. As you can see, I've made a selection of the sky using the Selection Brush Tool, and it's pretty good, except that many of the non-sky elements which border the sky are similar saturation and color. Some of the areas like the guardrail of the curved bridge, upper left relative to the woman, are intricate; crude selection will produce a crude result: I want to replace the original sky with something more blue and dramatic. Is this the best I can do with this tool, and should I next make my selections and de-selections manually? Thank you