-
Posts
1,639 -
Joined
-
Last visited
Everything posted by David in Яuislip
-
Persona Link icons
David in Яuislip replied to Grandadjim's topic in Pre-V2 Archive of Desktop Questions (macOS and Windows)
-
Affinity Photo Paths
David in Яuislip replied to greencode's topic in Pre-V2 Archive of Desktop Questions (macOS and Windows)
-
Having spent too many hearbeats trying to understand this, here are a couple of observations. If you stretch the blue layer to the same height as the image you see a homogenous blue #016CA9 Compare that with the layer thumbnail which shows some sort of gradient Now export it, very weird I think @VeganPete deserves a prize for creating this
-
Yes, Affinity Photo aided and abetted by Paracetemol To use the attached macro you need five objects, group them the file below, make sure that Transform Objects Separately is enabled then run it. It rotates 20° at a time so for 360° you'll need 18 groups so run the macro 17 times I then rasterised & trimmed each group and exported as a psd into Image Ready The only slight snag is that the macro only works on my original layout, you can recolour a shape and that's it, if you move it the macro is useless So, if you really must do this you'll need to create a macro for your exact layout knowing that it won't work for anything else. I had no luck in editing the amount of rotation either If I had to do this for a living I would take up Mechanical Engineering, good luck Rotate5ObjectsGrouped20deg.afmacro RotateMacroBusted-2.afphoto
-
Create Swatch
David in Яuislip replied to Bobaffinity's topic in Pre-V2 Archive of Desktop Questions (macOS and Windows)
A gradient? Tri Color APgradient.afpub -
Use the following formulas in the W & H boxes of a New Batch Job (NBJ) to resize your images max (2560, min (w, 2560)) max (2560, min (h, 2560)) Then another NBJ applying a macro which converts to sRGB and sharpens as required. If you apply the sharpening macro in the first NBJ then it will be applied before resizing and that's the wrong way round Or, if you must do it in one pass then use Filter/Distort/Equations with the following x= x*max(w/2560,h/2560) y= y*max(w/2560,h/2560) If you wish you can record the sharpening in the same macro or make a separate one and apply both in the NBJ Trouble with Filter/Distort/Equations is that you cannot select the resampling method but if the results are accepteble then fine The attached macro resizes images to a max long dimension of 2560 EquationsResize2560.afmacro
-
How are you selecting the objects? Image below shows the objects of the Site Plan selected with the Move tool, note that the North arrow is not included Export using Selection Only is perfect Export using Selection Area also includes the arrow clipped within the blue box For what it's worth, for images with limited colours and geometric lines I'd use png rather than jpg
-
How about four jobs? The Black & White is easy as there is a built in macro that does that, see image below. Rename files using your favourite method, in Windows I would open a cmd window and do for %i in (*.jpg) do (rename "%i" "PREFIX%~niSUFFIX%~xi") Now create a macro that applies your Teal and Orange effect and repeat above
-
Avery label template
David in Яuislip replied to jimmy55's topic in Pre-V2 Archive of Desktop Questions (macOS and Windows)
-
It can be done pretty quickly with Data Merge Put both attached files into the same folder, open the afpub Do Document/Data Merge Manager - it should have remembered the link to the csv Click Generate Save the generated document as afpub Import these pages into your main document with Document/Add Pages from File circles.csv RedCirclesOnly.afpub
-
RAW Workflow
David in Яuislip replied to stefanjan's topic in Pre-V2 Archive of Desktop Questions (macOS and Windows)
Usually 8bit but sometimes 16. I suggest you do your own tests for lens correction using both programs. I've done enough to convince me that Photolab is superior. As to noise reduction, Deep Prime is as good as it gets. I tend to use mainly spot adjustments, it's quick and easy in PL. If you need to use the Repair/Clone tools in PL then it can save a lot of time with the clone tool in an image editor. The only reason I can think of to develop raw files in APhoto is that PL doesn't handle the files eg Fuji X-Trans Or to put it another way, if I only had APhoto to develop raws I would go back to shooting jpegs out of the camera -
It can be achieved with Data Merge but be prepared for some pain, what follows may prevent you from falling down some of the rabbit holes I found All images must be the same size or else you'll have to crop them individually after the Generate stage Create a csv file with the filenames and required text fields. Mine was a bit of a mess having created text in various places with different software so I used exiftool -Iptc:Caption-Abstract -Iptc:keywords -XMP:Subject -m -csv *.jpg > data.csv It looked like the image below. It's probably best to clean this up so there's only one text field but I left it as is so used three text fields in Publisher Now, in Publisher Create a document equal to the image size, no Master, single page Create a frame with the Rectangle Picture Frame Tool covering the whole page - this to be at the bottom of the layer stack Create a text placeholder with the Frame Text Tool Read the Publisher Help Open the Fields panel and link the image & text to the relevant fields Document/ Data Merge Manager Preview a couple to check they're working then click Generate Export as Jpeg, All Pages
-
If it's a single folder then @walt.farrell's method will work. If you need to include sub-directories then this may help. However, exiftool can move image files into folders based on metadata so you could run the batch file on the lot then use exiftool to move files into folders depending on keywords. However^2, png files don't contain exif data so it depends on how you've added the metadata and whether that is passed on by Affinity during a batch run and whether exiftool can read it. If it doesn't then you could use exiftool to move the psd's into keyword folders to start with. Good luck