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  1. Solved my issue by choosing the last option when you hold Ctrl while starting up - "Deactivate Affinity 2 apps" After this I was able to step through reactivation and the apps started normally.
  2. I'm having this issue but it's not newly downloaded for me, I have been running V2 for some time. I don't know if it's related to the other threads about files opened from server but I sometimes do work with Photo files on a server. But all three apps are not responding upon attempting to open them. I have tried uninstall/reinstall and clearing settings via holding down Ctrl. I have also updated from 2.03 to 2.04. No success so far. I have installed from MSIX and I'm on Windows 10.
  3. I agree that placing multipage PDF would be great as we used to do in InDesign.
  4. Hi, I came here looking for solutions and I do see that Layer > Convert to Picture Frame works for me to restore a lost outside stroke as long as I don't then crop it again. Let me just say that this should all be a bit more intuitive. Pixel vs Image object is a distinction that I'm going to have to get my head around. I am laying out a newsletter where I am dragging images in from a file browser and applying a style to them, and sometimes cropping where necessary. I just want it to work. :-) Cheers, hope the developers can help us out a bit. :-)
  5. The way I understand it, the only thing that makes a Designer file different to a Photo file or a Publisher file is the filename extension. Inside they're all the same. You can try it if you like. All apps will open all files. The difference you'll experience is how each program works with that file and the options and tools it exposes. So that's why it's tricky to add something to Publisher, because you're also simultaneously adding it to Designer and Photo, and on all platforms.
  6. That quote from Affinity in Peter's post above is what has me worried. A killer feature for Affinity apps is that they are so interoperable across all apps and platforms, with the same file format for everything. I am just hoping that as we move into more Publisher-specific features like footnotes, data merge, etc, that this killer feature doesn't become the achilles' heel.
  7. I came here because I am laying out a book and needed the feature but couldn't find it. Couldn't read all 19 pages of comments but now I know what I have to do for now. I was an early adopter of InDesign and from memory it didn't have footnotes when it came out. So I'm not too worried to be honest. Serif have been smashing it with their development speed, really. Meanwhile I'm really happy I'm not paying Adobe club fees so all good. 🙂 🙂
  8. Wow! I was wondering what was happening over at Serif. I can see you've been busy. :-)
  9. Sorry, I should use precise language. Yes, I meant embedded. I see what you mean. It would be useful to be able to create an embedded document file out of an embedded image file. Anyway I am further experimenting with embedding JPEGs and using the basic functionality. With Photo persona you can pretty much do anything you want.
  10. As I posted elsewhere on this forum, there is an interesting twist that I hadn't seen coming. Because of StudioLink, I have found I don't need to link a folder full of PSD files. That's an older way of looking at it, which is not always necessary now. A JPEG stock image can live in the Publisher file, with all live effects applied, and may therefore not increase the file size that much. I haven't fully tested this but I'm just putting this comment here because Affinity are going in a whole new direction. I still think full linking without massively increasing the file size should be an option, because that is the way people are used to working. But I'm starting to rethink my approach.
  11. Coming from the InDesign, Photoshop, Illustrator trio, I had a very set way of working - create your elements in Photoshop and Illustrator, bring them in and place them in InDesign. Images are pre-sized to correct resolution in Photoshop. Anything too tricky such as gradients and shadows can be built into the Photoshop file background, etc. All in CMYK of course, unless you were one of the people that saves RGB to CMYK conversion to the output stage. I would routinely have a folder full of huge PSD files to support a given publication. Watching the StudioLink announcement and working with it a little, I realised that we can probably be more free to mix and match, and there's no particular reason to have every single image live as its own layered file. If you're just placing a stock photo, why not place the JPG directly and do your minor edits right in Publisher. I don't see any need to go to all the bother of creating a separate file (PSD equivalent) for a lot of that work, unless it's a special composition or something that will be reused elsewhere. David Blatner suggested something similar with InDesign a few years ago, but I never really took that up because I wanted really clean files going to pre-press, plus InDesign had limited tools for image manipulation. But with StudioLink, I don't think it really matters anymore. Provided the RGB to CMYK conversion is going to be straightforward and predictable at the point I make a press-ready PDF (haven't delved into that yet with Affinity), I'm really starting to reimagine how to build a publication. Artists coming from other software or workflows may already be in this mindset but I've come from a background in serial publications where it was very much a folder full of linked images that are all prepped and managed in Photoshop, nothing embedded (only linked), nothing RGB, nothing straight from JPG or not appropriately resized prior to placement, etc. Interested to hear what others think. Cheers.
  12. I'm tired, have to sleep, will catch you all later. Too bad for the Aussies, I'm keen but not enough to stay up or get up that early. :-)
  13. I have done this too. Ever since my work stopped giving me a licence I haven't had the option. But even if I had the option I wouldn't want to install it on my new laptop. GIGABYTES worth of stuff that wants to update itself constantly. Ugh. I remember the days when Adobe was cool. They were innovating. They did performance releases sometimes (anyone remember Photoshop 7?). I went to their launches and conferences. I was at the original InDesign launch tour. You wanted to buy in because there was just nothing like it. When they put everything together into CS I wanted the Master Collection. It was great! But with CC, it was too expensive, too problematic (licencing errors like we all know too well). And if you don't pay the bill, it all stops working. When Premiere started having problems, and InDesign started taking forever to launch, I had enough. I struggled for a few years getting by with other alternatives. When I found Affinity last year I didn't look back. Publisher has completed the suite of design apps for me. For all things video I went to Davinci Resolve. I understand that a lot of people still need Adobe apps and that's cool, this is not a hate club in my view. In fact, I actually hope Adobe is listening. But having moved from Quark years back I'm no stranger to moving on if need be. When the market leader gets comfortable and their customer experience goes down, that's just not good. Me? I'm done with Adobe. No regrets guys!
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