unni Posted April 30, 2020 Posted April 30, 2020 The original, straight out of camera and edited image along with the layer stack details are given below. This is to give an idea of the work flow and results before/after sothat it may be useful to the viewer to get some feel of the process. First, a B&W layer was made after adjusting the sliders in the B&W adjustments. The end result is a bright area for flower and dark area for background leaves. Use Levels to further increase contrast between bright and dark area. This forms the base layer (lower most)for masks. By pressing CNTRL+ALT+left click on this layer a selection can be made. This selection can be used on other adjustment layers. In some cases, the selection is inverted to make flower area dark and leaves bright. I also slightly gaussian blur the selection inorder to avoid halos. Now the rough base mask is ready. The few selective colour adjustment layers are for enhancing the colours of various parts of the flower. So Each such adjustment layer is initially made fully black by "invert" and then with a white brush, it is painted to reveal the required parts. This is simple and rough painting with brush at 100% fill. The HSL layer is used to shift the leaves colour to a greener shade using its sliders. The Darken leaves and brighten flower adjustment layers have the mask applied. Some rough touchup of mask with brush will be required to make transitions smooth and balance the image. As an example, In Darken leaves curves adj layer, the mask is white for the leaves and dark for the flower. Then the curve is brought down around mid point. This will darken only leaves. A blur of about 15 pixels is also given to the adj layer to avoid halos. The sharpen layer has bright area only for the flower. So the leaves will not be sharpened. Thanks for viewing ! Best Regards, Unni After Editing in AP Original from camera before editing lepr, markw, John Rostron and 3 others 5 1 Quote
unni Posted April 30, 2020 Author Posted April 30, 2020 1 hour ago, Smee Again said: Nice job! Thank you Smee ! Quote
John Rostron Posted April 30, 2020 Posted April 30, 2020 Nice also to see the layers panel to see how the magic was performed. John unni 1 Quote Windows 11, Affinity Photo 2.4.2 Designer 2.4.2 and Publisher 2.4.2 (mainly Photo). CPU: Intel Core i5 8500 @ 3.00GHz. RAM: 32.0GB DDR4 @ 1063MHz, Graphics: 2047MB NVIDIA GeForce GTX 1050
unni Posted May 1, 2020 Author Posted May 1, 2020 9 hours ago, John Rostron said: Nice also to see the layers panel to see how the magic was performed. John thanks john. what i have noted is halos whenever selective adjustments are attempted. there are various videos on tackling it, for PS. i realized, understanding them is crucial. those methods are all related to modifying masks, having another clone layer, growing selection borders, blurring masks etc. i was always doing simple modification of mask by painting black or white but this is tedious and will never bring a smooth transition ,it will finally result in halos and unnatural look. best regards, unni John Rostron 1 Quote
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