HenrikM

Thanks! There is room for improvement. There are some things I'll do differently next time. Still, I am happy with the results, and more importantly, so was the model.

@Alfred and @Smee Again, Here is a version without frequency separation.

For a recent portrait, I decided to try out the Frequency Separation functionality in Affinity Photo to remove skin discoloration. Worked very well.

I have started using DxO and Affinity Photo together. I do basic stuff in DxO, then use DxO to send the result straight to Affinity Photo for compositing and other work. Worked like a charm from the start. The programs work very well together.

I just downloaded 1.7.0.192. No anchored frames yet. This really should be in the first release. Even though it is a bit risky, I want to layout a new book using the beta. Without anchored frames, that does not really work.

Inline graphics really should be part of the first release.

For comparison...a daylight version of the same scene. Traditional werewolves would be unlikely to venture out in the mid-day sun though.

Alice of Sandby vs. werewolves. Alice is a graphic novel character created by Petra Brewitz. Petra and I are working on a graphic novel manuscript, Alice: Demons Gate. No werewolves in that story...but there is definitely story potential in an encounter between Alice and a pack of werewolves. The scene was rendered in Daz Studio. I used Affinity photo to turn the original daylight scene into a nighttime scene: I increased the contrast reduced saturation toned bright parts slightly yellow, and darker parts slightly blue, to create a feeling of night. That is basically it. A

Having the object positioned above the anchor point was possible in FrameMaker, unless my addled memory confuses wishful thinking with actual experience. A really good thing to have, in any case. I plan to buy Publisher the day it is released in any case, but publishing non-fiction books will have to wait until anchored frames are supported.

My next two projects are a graphic novel and a heavily illustrated book. I'd like to use Affinity Publisher for both of them, but that hinges on getting anchored graphics. I used FrameMaker to write technical documentation, and other things, for several years. With FM, you could produce a document from start to finish with a single tool. What I am hoping for, is to be able to do the same thing in Affinity Publisher. Either that, or seamless integration with a tool like Scrivener. I understand the first release cannot have everything, but anchored frames, that can hold any other object, pictures, tables, or text, should, I believe, be part of the first release.

It'll be awhile before we do the shoot, but I'll post the image once it is done.

Ordinary house cat, and a really, really good makeup-artist. Actually, I cheat a bit. I bought the cat model in the Daz store. For the final photo version, I will probably buy fur with longer hair. The model looks pretty realistic as it is right now though.

I have begun storyboarding photo sessions using Affinity Photo, Daz Studio, and Dynamic Auto-Painter. Cat and Mouse is a good example. I set the scene up in Daz Studio and rendered it. Then I post-processed it in Affinity Photo. Finally, to reduce the realism and get a more painterly feeling, I ran the picture through Auto-Painter. Works pretty well, I think. Now, of course, I have to do everything all over again, shooting with a live model. However, having a storyboard picture like this makes it a lot easier to figure out how to light the scene, to discuss the scene with the model, to figure out what props to use...

Thank you! I'll hold a rather boring business presentation on Wednesday. I'm counting on this picture to wake the audience up a bit. :-)

Five Finger Voting - A quick-and-dirty illustration for a presentation slide.