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GarryP

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Everything posted by GarryP

  1. Here’s a simple example where I create a single-page master and apply that to a facing-page master. Note how you can edit all of the pages at the same time via the Edit Linked function. 2020-06-07_13-09-04.mp4
  2. I don’t think you can easily do what you want. The paste function takes the spread as the place you are pasting to and so the pasted layer is placed exactly where it was originally. If you want the same thing in the same place on multiple pages then you might be able to use master pages – depending on your precise requirements – but I’m pretty sure you can’t do what you want on a normal spread. I’d be happy to learn otherwise though.
  3. Have a look at my attached document. In particular, look at the Tab Stops settings for the “Menu Items” Text Paragraph Style. tab-stops-for-menu.afdesign
  4. You need to add your captions manually with either a Text Frame or Artistic Text. If you have lots to do then consider making some Assets to make the process quicker.
  5. I think we may need some clarification from the team on whether we are supposed to be able to add a Stroke (or a Fill) to a Pixel layer. If we should be able to then the software doesn’t seem to allow this, which sounds like a problem to be fixed. If we shouldn’t then the software is fooling us unto using functionality that has no purpose (in this case) which, again, is something that probably needs to be fixed. Either way, it looks like something needs ‘fixing’ here. MikeA: I’m not sure what you want now – I don’t know if the first thing is related to the second thing, one was outlines the other something to do with Geometry(?) – but it sounds like you could put your image layer(s) inside a Rectangle layer and give that Rectangle layer the Stroke outline, see attached image.
  6. I think you should be able to add a Stroke to the boundary of a Pixel layer in Publisher (or the other Affinity apps) but I can’t seem to be able to do that for some reason, see attached image (from Designer, but same thing in Publisher). Maybe it’s too early on a Sunday morning but this doesn’t make sense to me at the moment. Surely I must be doing something wrong, or forgetting something basic/important.
  7. Thanks dannyg9. I was going for something ‘punchy’ so I’m glad that came across.
  8. Poor old Bob. He’s taking his comedy tour on the road but doesn’t know where he’s going. Two posters, both experimental ideas along the same lines, just for a bit of fun. Done in Designer and Photo (probably could have been done in either alone). The main image – which I (quickly) isolated from its background – can be found here: https://gratisography.com/photo/crazy-eyes/
  9. You can get a quite decent ‘hand-drawn’ look by using a brush on a vector line. See attached image and document. Have a look at how I have used the different line lengths to simulate the pen line being drawn differently. Not perfect by any means, but quick. P.S. The ‘Minor’ group of objects in my attached example shows one way to create dashed lines in a similar way but it’s very messy and I wouldn’t advise using the same method, but it might be useful to know about. hand-drawn grid test.afdesign
  10. Welcome to the forums. It looks like you might have accidentally used Drop Caps in your Paragraph formatting but it’s difficult to tell without looking at the document. Would you be able to supply the document, or a cut-down version of it?
  11. As an alternative, you can create a large rectangle, then create a grid of lines over the rectangle. You can then select all of the lines, use Expand Stroke, then use the Geometry Divide function to create a grid of squares. One issue with this is that the resultant squares will be slightly smaller than the ‘grid’ you made with the lines, but that might not be a problem in some circumstances.
  12. Functions in a Procedural Texture only produce a level of ‘whiteness’ between 0 and 1. There’s no way to use/pick colours in there. You can apply that whiteness level to a particular channel but you still just get a level between 0 and 1.
  13. Welcome to the forums. Press the ‘fx’ button/label, either on the layer itself in the Layers Panel or at the bottom of the Layers Panel, to see more Effect options.
  14. You're welcome. Don't forget to pop back to see if anyone has posted any other techniques that could be useful.
  15. I think the first thing you can try would be to use a Contour Outline Layer Effect as in my attached image (gaudy colours used just to show the effect). There will be other ways but this is probably the quickest option.
  16. I don’t think there is a way for you to make the UI components smaller. It’s probably worth mentioning that other people have asked for a way to make them larger (especially on 4K screens).
  17. I don’t think you can snap that way. You can create a new node in the centre of the horizontal line and then drag that to snap it to the other curve but you will then have to manually adjust the new curve to suit. Or you could use the Geometry tools, but that how you would do that would depend on how your other curve is defined.
  18. You might not need a ‘grid’, as such. Have you looked at Row/Column Guides instead? (They might have been added or have changed since this thread was started.)
  19. As far as I know, the main difference between a file and a template is that a template can be added to the “File → New” dialog. I don’t think there is any extra functionality in a template that you don’t get in a file. This may not be true in the future if extra functionality is added so it’s worth checking the update logs in the relevant forum sections when you update the applications.
  20. Unless I’m very much mistaken, when you export to PNG everything will be converted to a single bitmap/raster so there’s no need to convert anything to curves beforehand.
  21. Welcome to the forums. Can you give us more information about what you mean by “outline”? This could mean at a lot of different things so we need to know what you want before giving good advice. An example image – annotated if possible – would be useful.
  22. Welcome to the forums. I cannot figure out which behaviour you prefer, being able to see the object or not. Have you tried changing the Clip to Canvas setting in menu “View → View Mode”?
  23. In addition to the advice above, you can use the Cog Tool to draw various different clock faces and similar things, see attached image.
  24. That does look to be a bit ‘patchy’ but, unfortunately, without being able to check with your document on my machine, I can’t tell whether what’s happening is expected or not. I would expect some performance degradation when lots of adjustments are used but the extent of the degradation would depend on a lot of things. It’s generally quite difficult to diagnose performance problems and give solutions – if any exist – because of the sheer number of things that could be contributing to any performance loss and the amount of different combinations of settings which could be tried. Even if I had a copy of your document I would only have one machine to try it on so I wouldn’t get much of an idea of what could be changed to make things better as I don’t have your machine with its specific setup. As I understand the situation, performance on Macs is slightly better than on Windows – even better if Metal processing is used (in most cases) – but that can be down to various things which aren’t under our control. Maybe someone with similar hardware, or one of the team, could give some advice.
  25. Thanks for the extra info’. You certainly don’t seem to be doing anything wrong. The layer doesn’t seem to be locked and I’ve checked (just in case) that vertically resizing a rotated Text Frame is allowable, as expected. I haven’t been able to replicate the problem but that might be difficult given that you don’t get it all the time. If you do manage to catch it on video, if you say which OS you’re using then that will help with diagnosis.
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