Starbase1

Thanks to you both, it's prompt helpful responses like this that make a big part of what makes Affinity software a pleasure to use - the knowledge that help is always at hand. Nick

Ah, that's it, thank you! I was confused when the V2 download was in a different place to the V1 download.

Ah, that gave me the clue I needed, not seems back to normal, thank you!

Argh! I tried loading a JPG 2000 file, it didn't work. Apparently it's not fully supported... (I'm on V2.6 Photo) But the next time I started Affinity Photo, all the toolbars and windows had gone! But were ticked in the dropdown menu. (I attach a screenshot I made using GIMP) Rebooted windows, no change. Went to my affinity account, figuring if I ran the installer I could probably fix things. But "Downloads and keys" only shows a download for version 1, and the separate V2 licenses and downloads only shows the license, not the software. So... Can someone tell me how to restore the windows? Or where I can download my software, to try again? I really don't want to lose all my settings like favourite fonts if possible... Thank you, Nick

Thanks Walt. I'm starting to wonder if the easy way for fonts would be to create a document that used my all favourites, and pick them up from there! Nick

Hi All, I have Affinity suite installed on 2 windows computers, a main one, and one I use when the more powerful one is tied up, or misbehaving. One irritant with this is that I can't see a way to keep the fonts I have marked as favourites aligned, or things like what LUT's are on which machine in line. I recently upgraded my hardware and I'm about to reinstall windows and all the software for a fresh start. And it would be really cool if there was a way to get things back the way they were quickly. Now I realise that Affinity is not going to shuffle the fonts and LUT files around for me, but is there a good way of doing this? Even exporting a checklist would make this task a lot less prone to errors. Thank you, Nick

GarryP, thanks for that - you have hit the nail on the head with the question! This is why I was thinking of the kind of controls you get in the dust and scratches. It's a 50 year old document on cheap paper that someone pointed a low res phone camera at from what I can work out! Not the best source quality... Nick

Very interesting! That's a lot better than the last time I looked at conversion to a vector format. I'd still like to know how to do the selection though. Thanks, Nick

I'm currently working on cleaning up some old archive images, that are very poor quality, (I attach an example). What I want is to preserve the lines in the diagram, clean-up breaks in them, and lose the grey blotches in the background. It occurred to me that this is basically the opposite of a dust and scratches filter, i.e. I want to keep the fine lines! The obvious first step was levels, but darkening the lines made the blotches more visible. So, is there a select option that will allow me to select the sharp dark elements, like I would if I was selecting scratches? That would seem to be an excellent starting point... Thanks, Nick

I'm having problems cleaning up scans - and the scans are not by me, so I can't just do them again properly. My problem is that I find myself often working with scans where the are near the fold in the book is distinctly darker. And while adjusting the levels helps, there are also grey images on the pages, which lose subtlety with a contrast stretch. Now, I can generally get to good enough, by mucking about with lots of selections, but I'm wondering if there's a better way. The shading is very regular, so I think there may be a way... I attach an example, which may help clarify. Thanks, Nick

Thanks to al who helped with this. That whole style is new to me, but I was able to get something I was very happy with, which I attach, in case anyone is interested.

Thanks to all, Blueliner, that is particularly helpful! Nick

Hi All, I do most of my work in Affinity Photo, but this feels like a Designer question. (I have that too). I'm redoing old Soviet space illustrations, translating as I go. I attach the one I am currently working on in case it helps. I think it would look better if I changed the arrows from straight to something with a bend in, probably with the tail horizontal, to lead to the captions. Now I found tutorials on curved arrows, but that's not what I'm after here. I want one with a bend in the middle, (or maybe not the actual centre!) Can affinity handle this? If so, how please? Thanks, Nick

Wow! My first product here seems to have gone fairly well! 🙂 Happy to listen if anyone thinks something needs improving, or if you'd like some kind of a follow up...

Hello All, I'm a CGI artist, and fellow of the International Association of Astronomical Artists, and I've put together my first resource product! I dislike using long exposure photos of the night sky, as they really don't look much like what your eye sees. So I decided to make a big collection of both accurate constellations based on the real night sky, and fictional ones, (I have generally made these a lot richer). High resolution, (over 6k across), mostly lossless PNG, some PSD. Some star fields are provided with multiple layers you can turn on and off for even more variety. https://starbase1.gumroad.com/l/NightSky The star fields are big enough for you to pan around them, or zoom in and out, even with 4k resolution video. I've also included high resolution renders of the Moon in all phases, and two styles, (realistic and dramatic). Also views from directions other than from Earth, for spaceflight scene2. 1.5 Gigabytes in total, for a mere $3.99 There are also tutorial videos, using my favourite image software, Affinity Photo. These are intended to help people get the most out of the resources, and cover things like blending the Moon into a sunset sky, adjusting the star fields for specific purposes, adjusting star colours, and working with the multilayer files. I attach a starfield with added Moon seen from the far side, to give you a better idea of what's in there. I hope you like them. Nick