
William Overington
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William Overington reacted to SanSerif in Version 2 (V2) Doesn't Have Language Support for Indic Languages—Devanagari, Tamil, Telugu, Malayalam, Odia, Bengali, Etc.
All of it. Affinity cannot simply render Indic text correctly without slipping into Tofu characters. It cannot bring together vowel and consonants together correctly. Nor can it render words correctly. Nor can it render kerning and tracking correctly. It fails on all counts.
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William Overington got a reaction from Alfred in Version 2 (V2) Doesn't Have Language Support for Indic Languages—Devanagari, Tamil, Telugu, Malayalam, Odia, Bengali, Etc.
Ah, I had not noticed that functionality.
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William Overington reacted to Alfred in Version 2 (V2) Doesn't Have Language Support for Indic Languages—Devanagari, Tamil, Telugu, Malayalam, Odia, Bengali, Etc.
There’s not much point in going to the parent ‘Core Spec’ page for the chapter links, since you need to click on the ‘Contents’ tab to see them. The ‘Contents’ tab on the Chapter 12 page provides the same functionality.
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William Overington got a reaction from Alfred in Version 2 (V2) Doesn't Have Language Support for Indic Languages—Devanagari, Tamil, Telugu, Malayalam, Odia, Bengali, Etc.
The following linked document provides a lot of information about the way that Unicode encodes a number of Indian languages.
https://www.unicode.org/versions/Unicode16.0.0/core-spec/chapter-12/
Other chapters are available from the following web page.
https://www.unicode.org/versions/Unicode16.0.0/core-spec/
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William Overington got a reaction from Charlesky in Will the Canva Affinity management team consider please stating a Pledge about AI
Will the Canva Affinity management team consider please stating a Pledge to not include any AI in Affinity Publisher, Affinity Designer, Affinity Photo and if Canva Affinity introduces any AI into Affinity that it is done in separate products that can be accessed from Affinity Publisher, Affinity Designer, Affinity Photo. This would keep any AI features entirely separate and would provide provenance for artists who would be required by their clients to guarantee that AI has not been involved in the production of their artwork, required for both artistic and legal reasons. Making such a pledge now would provide great reassurance to those who would welcome such reassurance, yet not restrict the possibility of providing AI features for those who would like to have them available. Indeed, some artists might choose to use AI in some projects yet not in others.
I write to ask about this as a result of a post in another thread, my reply and the reply by @Alfred to my reply, and my reply to that post.
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William Overington got a reaction from Chris_06 in QR CODE GENERATOR
I disagree.
The threads were not current.
If someone wants to post to an older thread and bring it back to the top, then fine.
If someone wants to start a new thread, then fine.
The problem with bumping an old thread is that a reader may feel as if he or she should read everything that has been posted previously in that thread.
A new thread is fresh and starts off straight away with what the poster wants to say.
William
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William Overington got a reaction from PaulEC in Spellcheck false positive for the word "Introducer"
This is interesting.
Oxford spelling - Wikipedia
William
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William Overington got a reaction from PaulEC in Spellcheck false positive for the word "Introducer"
Someone might have miskeyed and got "one could introducer ectangles into the design" in the document.
Interestingly, in keying the above line into this forum post both miskeyed and ectangles become underlined in some red waves but introducer does not.
William
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William Overington reacted to pioneer in latest picture quiz
Latest picture quiz for our club's bingo and quiz night. will be one copy A3, entry £1.00 per person and money collected will be divided equally to the club member/guest winner and a local charity
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William Overington got a reaction from Alfred in Official Affinity Designer (V2) Tutorials
In what spell checkers often term as "British English" it is 'organisation'.
However, the -ize ending that American English uses is a retention of the earlier English form that people took with them when moved from England centuries ago, before in England it was influenced by French.
The Oxford English Dictionary tends to use the -ize ending for many (ise/ize) words, but it is not a simple matter. It tends to be influenced by how the word came to be in the English language.
There is something about whether it came from classical Greek.
However, the Oxford English Dictionary reports usage by people, not prescribing nor proscribing usage.
William
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William Overington got a reaction from David in Mississippi in Official Affinity Designer (V2) Tutorials
In what spell checkers often term as "British English" it is 'organisation'.
However, the -ize ending that American English uses is a retention of the earlier English form that people took with them when moved from England centuries ago, before in England it was influenced by French.
The Oxford English Dictionary tends to use the -ize ending for many (ise/ize) words, but it is not a simple matter. It tends to be influenced by how the word came to be in the English language.
There is something about whether it came from classical Greek.
However, the Oxford English Dictionary reports usage by people, not prescribing nor proscribing usage.
William
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William Overington reacted to walt.farrell in Watercolouring a stroke in Affinity Designer: Answered
In the Stroke panel in the Designer Persona you will find icons at the top for the line style, including None, standard, dotted, and textured (terms are probably not quite right). Choose textured.
Pick a brush from the Brushes panel.
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William Overington got a reaction from Anonymous Puddle in Graphic content suggestions
I too am a hobbyist.
To start, I think it would be a good idea to state the size of the poster.
Then consider at what distance you want people to notice it, read at least one or two or a few words so that they are likely to move closer to the poster to read what is in smaller type.
Please remember that eyesight varies among people and that some people are wearing glasses and if your lettering is too small then people may have a problem reading it standing by it rather than sat down reading a leaflet.
If the poster is to be indoors at the library, perhaps on a noticeboard, maybe you might consider having a pile of leaflets available at the enquiry desk, then the poster could have something like There is a free leaflet available at teh reception desk with further details.
What the "one or two or a few words" are in something to consider.
Maybe FREE COURSE will get people to read the poster.
Or maybe
3D PRINTING
text
text
text etc etc
FREE COURSE
might be more effective.
What information do you want the poster to convey.
When I first saw your post I had never heard of a Cricut machine.
Maybe a lot of people who see your poster will not have heard of it either.
So maybe somewhere you need to include
A Cricut machine is (then concisely say what it is, in general terms)
What software are you using?
William
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William Overington reacted to chasm in Graphic content suggestions
Hi All,
Maybe this forum is a good place for this but I thought I'd ask as I've crated a basic graphic for a public library event via a poster. We're trying to communicate that we teach 3D printing and the Cricut machine both for free with free prints either one-on-one or small groups.
I'm wondering how I can, as my mom would say, "doll it up" a bit?
Besides the basic graphics what could I add that might give it other attractive features?
I'm not a graphic designer so something like curved lines or other little graphic enhancement so it doesn't look so basic?
If this is an inappropriate topic, would you please be so kind as to share a good forum one can post projects on and get constructive suggestions?
Thank you.
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William Overington got a reaction from Ash Eldritch in AI generative Fill in Affinity
Sent by Copilot:
Certainly! To reduce the number of posts and keep your content concise, you can follow these tips:
1. Use Paragraphs: Instead of creating separate posts for related information, use paragraphs within a single post. Pressing the “Enter” key will create a new line within the same post, allowing you to organize your thoughts without cluttering the forum.
2. Bullet Points or Numbered Lists: If you have multiple points to make, consider using bullet points or numbered lists. This way, you can convey information succinctly without creating separate posts for each item.
3. Edit Your Content: Before posting, review your message and remove any unnecessary details. Focus on the essential information you want to share.
4. Reply to Your Own Post: If you need to add more information later, reply to your original post rather than creating a new one. This keeps the discussion in one thread.
Remember, the “Enter” key is your friend for formatting within a single post! 😊
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William Overington reacted to Rickertmork in Oils
It takes at least an hour to make the first layer, which is the framework/foundation for where you will put the rest of the details. For a decent finished painting like mine it will take a total of 5-8 hours or so, ( but that can take me 3 weeks to find the time. Being deliberate about every action beginning to end helps, but creativity and spontaneity can’t be ignored.
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William Overington reacted to PaulEC in Oils
Apparently it took Leonardo 16 years to paint the Mona Lisa!
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William Overington got a reaction from maxoakland in Generative AI Please
Well, in my opinion it is about providing those customers who want them with the tools they want to enhance their creative processes yet also not requiring those customers who do not want them to have their work potentially deemed to be using them.
William
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William Overington reacted to BLKay in Will the Canva Affinity management team consider please stating a Pledge about AI
"Bulldozes" meaning it will run right over any effort of avoidance. It will be built in. Watch the keynote. I know Apple will absolutely not be the only one that bulldozes. There were many older software from the 80's and 90's that were so intuitive (because it was the beginning) that I really wish I had some software that was that intuitive. But it's gone no matter how much I wish I could use that old software on my new computer. I feel this will be what happens to everyone here with AI whether you like it or not. Am I guessing?
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William Overington got a reaction from maxoakland in Will the Canva Affinity management team consider please stating a Pledge about AI
Will the Canva Affinity management team consider please stating a Pledge to not include any AI in Affinity Publisher, Affinity Designer, Affinity Photo and if Canva Affinity introduces any AI into Affinity that it is done in separate products that can be accessed from Affinity Publisher, Affinity Designer, Affinity Photo. This would keep any AI features entirely separate and would provide provenance for artists who would be required by their clients to guarantee that AI has not been involved in the production of their artwork, required for both artistic and legal reasons. Making such a pledge now would provide great reassurance to those who would welcome such reassurance, yet not restrict the possibility of providing AI features for those who would like to have them available. Indeed, some artists might choose to use AI in some projects yet not in others.
I write to ask about this as a result of a post in another thread, my reply and the reply by @Alfred to my reply, and my reply to that post.
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William Overington reacted to NoLongerHere in Circular something.
It's not a style you can simply apply, it's multiple objects. But you only need to change the one ellipse's colour to change all of it.
Circles main.afdesign
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William Overington reacted to NoLongerHere in Circular something.
Something really easy for Sunday. A single flat colour for each with shading and highlights done with hard light blend mode, so easy to change the colour of them. They aren't meant to be sphere's (obviously).
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William Overington reacted to Alfred in Oils
Go to the Layer menu and choose ‘Arrange > Move to Back’. Alternatively, use the keyboard shortcut (which will be Ctrl+Shift+[ unless you’ve changed it).
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William Overington reacted to Alfred in Oils
If you set both the stroke and the fill to have no colour, of course they’ll disappear, but I thought that’s what you wanted!
If it doesn’t produce the effect that you were aiming for then it’s the wrong brush, but if it does produce the desired effect then it can’t be wrong in any meaningful way.