Jump to content

GFS

Members
  • Content count

    273
  • Joined

  • Last visited

Everything posted by GFS

  1. On the Mac, this is called the Finder, although most people wouldn't be aware of how powerful it is.
  2. You may be in luck! Nik Bhatt, ex-lead of Aperture, brought out his excellent RAW Power app a while back. It taps into the MacOS built-in RAW decoding, which is used/maintained for Photos. This is what Aperture uses too, although Aperture can no longer use the current decoding. A couple of weeks ago at Apple's WWDC, Apple announced that they are going to allow developers to access to Photos' database in 10.15 Catalina. This means that apps like RAW Power will be able to use the Photos database, which crucially will allow them to share all that metadata and perhaps the adjustments. So I would imagine, that you will be able to import your files into Photos, but then ... not use Photos ... and instead use something else, with more features and a better UI more suited to pros, like RAW Power. The long and short of it is that Nik could build RAW Power into as good a DAM as Aperture AND it will be able to read your Aperture Libraries (because Photos already can). Did I just make your day? Maybe give him some encouragement ... https://twitter.com/gentcoders https://gentlemencoders.com/raw-power-for-macos/
  3. Thanks for the replies. As you said Walt and R C-R, AFP is respecting the metadata, which is great and my problem was coming from the way that Aperture handles files which are lacking a metadata date. In fact, what it does is it displays the Finder date in the exif date field, but if these files are exported *as originals*, that date is not included, presumably because it is not a part of the original file. So that is as it should be. If you export as a version, then the date is applied, which equally, makes sense. On top of this, it turns out that it's trivial to set the date permanently in the originals, within Aperture. So my problems is solved without any headache ... just a lot of fiddling, checking, searching etc. Also good to see that AFP is handling batch conversion in a useful way.
  4. Hi, I'm finally preparing to move away from Aperture, which I still use for its DAM, which remains by far the best, as far as I can see. Sigh. I have several thousand old tiff files, that are unsupported in 64bit (you can test this by starting up in 64bit mode on you Mac). Happily, whilst AFP 1.6.7 choked and crashed horribly trying to batch convert these old .tif files to modern versions, via New Batch Job, AFP 1.7beta cruises through them with much appreciated speed and solidity. So far I have made a >2,000 batch conversion. Problem/Question: Obviously the Batch Job is producing a new Tiff LZW file, which has a new date. Is there any way within AFP that I can set the date to the same as the original file (I can't find anything) or does anyone have any suggestions how I can keep the original file date? I suppose it could be done in the Finder via Applescript, but this is beyond my capabilities. Seems like this is something that could be desirable for quite a few people.
  5. Thanks again and I should have been more specific about which date, but those still don't answer the question. FWIW and not relevant for much longer, Aperture can batch change EXIF date. So I already have this ability. The question is how to batch convert (or retain in AFP when using Batch Job) the original file date, so that the new file's date matches the old (original) file's date. I have many thousands of these images, so doing them one-by-one would be time consuming.
  6. Thank you for the reply. These don't address the issue though. The question is not how to change a file's date, it is how to retain the date of the original file when batch converting (the exif date ... not the Finder date).
  7. There is a bug with inPainting on a pixel layer. I'm not sure what the problem is, but I'm *guessing* it may be to do with having elements of your file (layers) being outside the canvas area. Anyway ... this fixes it for me: •Group your layer •Copy the Group •From File Menu choose - 'New From Clipboard' •Use Transform to get your Group back to correct position and also resize canvas as necessary •UnGroup (This may fix some other weird stuff too)
  8. I stopped using AFPhoto 18 months ago, due to the extensive masking bugs. None fixed to date. I bought but never used AFPhoto iPad, but decided to give it a try out a few days ago, as I had to work on a legacy file. Disappointed to find more masking/brushes bugs and tools which lack functionality compared to the desktop version. When Serif first launched the AFDesigner/Photo betas, the company performance and responsiveness to comments, bug reports and feature requests was phenomenal. I think they've made strategic mistakes in expanding too fast, though obviously they would completely disagree ... it's incredibly hard to build a good reputation, but very easy to loose it. My own view is they need to build bug free apps, before they move onto more (presumably bug filled) apps.
  9. I’ve been trying out the iPad vs of AFP (I moved away from AFP Mac 15months ago, due to its numerous masking issues ... still unresolved). However, having to work on some legacy files in the last week or two, I thought I’d give the iPad vs a go. I’d bought, but never used it. I have the 12.9 Pro and Apple Pencil. However! Using the Apple Pencil, I’ve found it really hard to avoid accidental input on the iPad and it can be a nightmare for messing up work. The problem is that your ‘pinky’ can be inputting without you noticing, or even I think, the side of the palm. I’ve even seen it happening in some of the Affinity instructional videos. So ... being old enough to recall darkrooms and the handling of negs and trannies, I happen to have some white cotton gloves lying around. The perfect solution? Not only does it work perfectly, but you have the added bonus of constantly polishing your screen!! Cost? ~2€. No complicated programming or software revisions required, only a pair of sharp scissors. Machine washable. Good for cold winter days. Eco-friendly. ‘It just works’. Maybe Serif could do their own cool designs? Michael Jackson eat your heart out:
  10. And there I was thinking that the cross between Michael Jackson and Fagin look was so appealing. So why is this even an option?? I have to say though, that after almost 25 years working with a Wacom, it’s kind of strange to be working directly on the screen. Difficult without a circle showing where the brush is though.
  11. 18 months, no comment from Serif? Sigh ...
  12. Hi MEB, thanks for jumping in. The colour picker is indeed the problem, but the bug actually goes beyond that. Obviously, you wouldn’t choose RGB sliders to change the colour from white to grey to black (3 sliders instead of 1). But playing around with them, I find that the HSL sliders are also buggy (which is what I normally use and therefore why I tried another colour model when I found it not working correctly). Sometimes the HSL choice is refusing to paint at all, when white is selected. I switch to black and it’s as expected, back to white ... nothing. In fact, right now, switching around, I can’t get HSL to paint with white.
  13. Perhaps there is something that I am not understanding about the iPad vs, which I've had for a long time, but am only just trying out now. I have a file, that I can brush a mask in and out with black and white on the desktop vs. and it behaves as expected. When I transfer the file to iPad and do the exact same thing, it behaves as if the brush is grey, whether I choose black or white. Does anyone have any idea where I may be going wrong ... or is this a bug?
  14. Any chance of a reply from someone at Serif on this?
  15. OK, here's a couple of grabs ... Mac & iPad. I can't find anything on the iPad that I'm doing wrong. Opacity set to 100% etc. GFS-AFP-iPad-2.mp4 GFS-AFP-iPad.mp4
  16. Bumb on this ... where do I send the screen-recordings?
  17. A client has sent me an EPS from PS and it's opening in greyscale. The Finder preview is fine. Anyone know how to open/import into either Designer or Photo and retain the correct colours?
  18. Move a layer with a mask. Then Refine the mask. Add to foreground/background works ... but in the wrong place!! Very confusing. This is an old bug. Be nice if it was fixed. Well I'm assuming it's a bug, unless there is some specific way of moving a layer with a mask? http://www.grantsymon.com/Grabs/GFS-RefineMask-Bug.mp4
  19. I've been working with pixel-shift (previously known as multi-shot) since the year 2000. In answer to your question ... No. Pixel-shift works by moving the chip by 1 or 0.5 pixel increments, in order to capture full-colour at each and every pixel site. This is because of the way a Bayer Pattern works. Each pixel has only one colour (RGGB). When you take a picture, the Bayer demosaicing 'interpolates' (makes up) the missing colour for the varying pixels according to their colour (RGGB). This process can only be done at the chip/demosaicing stage. It is not the same as having 4 images and blending them together, although as it happens, blending several images together will reduce noise. This is because noise is random and so is equalised (reduced) when several images are blended together. What pixel-shift gives you, is a non-interpolated, pure colour image. It is only useable for stationary subjects, although the Pentax K-1 (and new K-11) can automatically replace movement artefacts, by replacing those areas with one of the 4 single-shot files that are used to produce the pixel-shift image.
  20. I don’t know what is happening, maybe a memory leak with one of the layer types or something. The files are quite complex and after a while AFPhoto hits a wall and then seems to start needing more memory and cpu. It just churns away and I’m stuck, with an unfinished file and a deadline to meet. What should take seconds starts to take minutes ... literally. I haven’t tried resetting the app yet, but are there known issues? (If there aren’t then I know for one, that there are unknown issues). (I’m running on a late 2015 MBPro ... the last one with an SD slot).
  21. I’ve downloaded the AFP 1.6.7 GM beta and there is no improvement.
  22. Chris, I think you're correct about Live Filters. I've removed them from the file and it seems to solve the problems. As you will see, it has 3 gaussian blur and 1 Clarity. I'm not surprised that the gaussian blur causes problems as it's very high demand computationally, but can you tell me if the Clarity is causing problems too as far as you know? Are there any Live Filters which perform OK, or is this slow down across the board?
  23. Hi Chris, sorry to be so slow in getting back to you on this. I've just uploaded a file to the DropBox. I included a sysdiagnose ... which was pretty large, so I suppose lots of stuff was going on. I've just spent 1 hour, exporting 6, 8bit Tiff files. 10 minutes per file. Very small changes between each file (turning 1 layer off and another on). After spending 3 hours trying to do fairly rudimentary adjustments for a client, then exporting the files ... I have to admit, that I forgot which specific process was whirring away at full CPU for however long, when I invoked the sysdiagnose. However, pretty much everything is glacial. Please NB ... I'm running a late 2015 MBPro. 16Gb. Only Mail was running in the background. I can see that AFPhoto is using a massive amount of RAM. >12.5Gb (single file open) + >7.5Gb compressed. The only way I can work with AFPhoto, is to switch to 8bit, then when I'm ready to export, switch back to 16bit (there is a paint gradient). At this point I don't think I can continue using AFPhoto, if this is how it's supposed to work. I'm hoping it's not! When I compare this to my beloved 20 year old app, which would have had zero problem with this sort of file ... sigh.
  24. Indeed. Aperture is a tool designed specifically for photographers, although iView Media Pro was designed as a general media asset management tool. I think if you’re talking about managing a wide range of assets in the context of a design agency or advertising agency, then you are talking about a completely different set of problems. First off, it needs to be networked and you need more than just media asset tools. You need to include email, text and presentation tools too. Something like Extensis Portfolio is designed to do much of this, but wouldn’t be able to handle the communication and text file, or presentations side of things. For that you would need to add-on some sort of database, like Filemaker Pro, which incidentally, has the very strong advantage of being cross-platform and cross-device and in the cloud (if you want). Coincidentally, in the last year or so, I’ve thought about writing a Filemaker solution for myself, for cataloguing/DAM to replace Aperture. Obviously there would be no retouching tools, but in terms of managing the assets, it would be excellent ... better than Aperture and with the incredible advantage, that you can make it do anything you want. It can also work as managed or referenced and it can be made to open files in whichever app you want. But until Aperture finally breaks (could take years) and unless at that time there is no equivalent to migrate to, then there is no deed to do so. As for the Finder. It is actually much more powerful than most people realise. I use Tags quite extensively. These are really powerful. You can use these for asset management. For example, you could create a new Tag for say; ‘Client-X’. This Tag is then available system wide for all files. So, Tag some files and then add the Tag to the Finder’s Sidebar and you have a super-fast, one-click way of gathering ALL those assets into a single Finder window in a fraction of a second. Also ... Tags are synced via iCloud and your AppleID, so if you’re working in AFPhoto for iPad, then they work across your devices. There is no limit on the number of Tags you can create. (I should note though, that Custom Tags, are not preserved when sharing files with other users, so they are not suitable for a collaborative work environment). I can’t tell you how many times I’ve stood next to someone trying to find something on their Mac. Going through endless hierarchical Folder structures, sometimes giving up in frustration. It’s like the worst database management you can imagine. I gave up on that years ago. AFAIC, the modern way, is to use Tags and Metadata and Smart Folders. It is so much more efficient and so much faster. Even on the most basic level, in database terms, it is a far better system. (Smart Folders are actually just searches, but can be extremely powerful searches). For example ... I only use Smart Folders in Mail. The great advantage here, in database terms, is that using Smart Folders, a single item, can exist in many places. With conventional Folder management, a single item can only exist in one place ... and at some point you have to decide where that place is ... and then you forget. Say you work with an old friend called Peter, who is married to your sister. Do you file his emails in Work, Friends or Family? All my Mail just stays in InBox and Sent, but with Smart Folders, Peter’s emails would show up in all 3 of those folders. Actually, I hardly organise any files in the Finder and similarly, in Aperture I have quite a large number of Referenced files, which reside on an external hard-drive. I don’t put these in Folders on that drive, instead, everything is simply dumped at root level. The advantage of this, is that you will never loose a file, because should anything happen to your Aperture file and you have to rebuild or something awful, you just point Aperture at the drive and it will find everything. No searching through Folders. So the Finder with Tags and Smart Folders ... but ... there is also Spotlight Comments in the Finder. So you can very easily add metadata to any file of any kind. As many keywords as you want. When you combine this with Tags and Smart Folders, you have a very powerful system for file management and amazingly ... you don’t actually have to organise anything, if you don’t want to. You could top all this off by building your own Services (Contextual Menu) very easily using Automator, e.g. for Batch adding of Spotlight Comments, which is a single step Automator Action ... nothing to actually build. Using this you can set, or append to, or clear, or in any other way alter, Spotlight Comments for thousands of files in just a few seconds. Equally, you could have a Folder with a Folder Action, which tags and adds Comments automatically to anything dropped into it (so you don’t forget! ) I actually use Smart Folders extensively in Aperture, as I find them much easier and more malleable than the Search Bar, which can only do one search at a time. With Smart Folders, you can have as many searches as you want, just one click away.
×