Andi Saitenhieb Posted September 13, 2020 Posted September 13, 2020 Hi there, I have 3 branding colors (1 main accent, one near white and one near black). In my video editor I found an option to set a different color for the light and the dark tone independently. So I set 2 of my colors, set the saturation and the intensity each to 50% - voila, loved the result. Now I want to do the same to my photos for branding reasons. So I tried all the options I could find (including the colorize function with the 2 sepia presets) but didn't get really close. How can I do this in Affinity Photo? Thanky ou for your help, Andi PS: My exact colors are vintage white: #FCF9F2 / 252 249 242 (instead of plain white) beige: #DEB887 / 222 184 135 dark brown (instead of plain black): #35211D / 53 33 29. Quote
David in Яuislip Posted September 13, 2020 Posted September 13, 2020 Anything like this? The gradient map is in the .afphoto file attached SacreCoeurGradMap.afphoto Andi Saitenhieb 1 Quote Microsoft Windows 11 Home, Intel i7-1360P 2.20 GHz, 32 GB RAM, 1TB SSD, Intel Iris Xe Affinity Photo - 24/05/20, Affinity Publisher - 06/12/20, KTM Superduke - 27/09/10
Dan C Posted September 13, 2020 Posted September 13, 2020 @Andi Saitenhieb You may want to try using only one Gradient Map layer, as shown below - Andi Saitenhieb 1 Quote
h_d Posted September 13, 2020 Posted September 13, 2020 (edited) A further suggestion - convert the image to greyscale, adjust brightness and contrast to give a 'punchy' black and white image, convert back to RGB, then apply a Gradient Map. Don't use the "Lighter Colour" and "Darker Colour" blend modes. Use a single Gradient Map, with the blend mode set to Normal, with your darker colour set to the left-hand end and your lighter colour set to the right-hand end. I've attached an .afphoto file with the history saved and using your two colours - hope it's close to what you want. ADD: To explain a little further - the Gradient Map adjustment maps the left-hand blob (your brown) to the darkest (black) pixels in the original, and the right-hand blob (your beige) maps to the lightest (white) pixels. Pixels with intermediate tones (greys) map to the intermediate tones in the gradient map. That's why I would suggest converting to greyscale and adjusting brightness and contrast - the more contrast in the original, the better the sepia-toned image will appear. If there are no blacks in your original, there will be no dark browns in the sepia-toned version. Likewise with whites. brugge_sepia.afphoto Edited September 13, 2020 by h_d Added a bit of explanation. Andi Saitenhieb and Dan C 2 Quote Affinity Photo 2.6.3, Affinity Designer 2.6.3 Affinity Publisher 2.6.3, Mac OSX 15.5, 2018 MacBook Pro 15" Intel.
Andi Saitenhieb Posted September 13, 2020 Author Posted September 13, 2020 @David in Яuislip @Dan C @h_d Thanks again to everybody! I had to fiddle with the opacity in the Gradient Map, now I am really satisfied with the result! 🙂 Final question: Where can I fine tune the saturation? I didn't find that knob / option. Camtasia: Affinity Gradient Map with 3 points, 50% Opacity Original photo: Quote
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