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Bonjour. Il n'existe toujours pas de prévisualisation des séparations des couleurs (films) avant de faire le PDF HR comme dans InDesign et Xpress ? Cela fais plusieurs années le manque de cette fonction. Tant qu'il n'y a pas la gestion des films (séparation), cela ne sera toujours pas une application pro. Cordialement
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RM f/g reacted to a post in a topic: color management and color separations preview ?
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If you import a photo in Indesign to 100% of its original format with a resolution of 240 or 300 DPI, for printing in OFFSET, you can enlarge the photo up to 124% in Indesign without practically seeing it when is printed on a coated paper with a final screen of 150.
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I do not speak to you either of the different printing frame: square, rhombus ... it is another debate but which is as even attached with the number of DPI and the perçentage
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In Indesign I know that I can increase up to 116% see 124% without loss of quality or so little on some photos without going through photoshop (time gained). So I just have to type 116% and that's it; I am in the good.
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For printing, we need a final resolution of 300 DPI and a minimum of 240 DPI with an offset printing frame of 133. For the Flexo, a frame in final print of 150 is sufficient but the Original photo must always have a minimum of 300 DPI and 1/1 format. For this reason, the percentage is important: we increase the probability and the DPI decreases, we decrease the danger and the DPI increases. So useful information and available immediately without having to make calculations or get an idea aproximative! Here I spoke about only two types of printing, there is still the PROJECTION (for Shelters, 15M2, 36M2 ...), there are also baches ... So for me who follows a studio production and creation, the percentage and the number of DPI in final exact is important according to the frame (printing).
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Thank you very much ... and excellent this forum like the other programs. Bravo
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How do I warn the Publisher team of this problem and this % ?
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What is dangerous, if I drag the jpg file on my Publisher page, it gives me bad information (DPI), however if I import (place) the jpg, then I have the right information on the DPI. If I do the same thing in Quark or Indesign, I have the right information in DPI ... not great for Publisher and very dangerous for production.