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Checkmate

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Posts posted by Checkmate

  1. I have had Affinity Designer setup for years to use CTRL and the Plus/Minus keys on the number pad for 'Geometry Add' and 'Geometry Subtract'. I think it's because Inkscape had those and they made sense to me.

    Anyway, recently the behaviour has changed and this key combination now creates a 'compound' shape every time. However when I use the buttons from the menu it works as before (destructive).

    Is this a bug, or is there a toggle to prevent this behaviour?

  2. I've noticed a slightly annoying bug when trying to edit guides on a document in Affinity Designer 2.2.1.

    How to replicate the issue:

    • Open the Guides Manager
    • Single-click on an existing guide
    • Start typing a number

    The focus is still on the document so it starts changing the opacity (as would happen when using the number pad within a document).

    I realise I actually need to double-click on a guide to edit its value, but I often forget this.

    Is it possible to remove the focus from the document when in a popup window, to avoid unexpected changes being made?

  3. I've just discovered this weird glitch in AD V2.04.

    When resizing an artboard with 'Lock Children' ticked, frame text will still get affected by the resize.

    This only happens when using the extra bottom-right corner node.

    Interestingly, the tooltip at the bottom of my window shows "Drag to resize text', even though I was resizing the Artboard.

    image.png.b0be351a03d2a14bda7697be8fbc53c9.png

    To replicate the issue

    1. Open the attached .AFDESIGN file.
    2. Drag the bottom right corner node of the artboard to resize it.
    3. Frame Text gets resized, but Artistic Text does not.

    Artboard Resize Text Issue.afdesign

  4. Hi there, I have a particular use case scenario for gradients that I'm sure I've seen in other apps.

    Let's say I have a gradient going from blue to green. I want to now have it going from blue to green to yellow (ie. Green in the middle). However I can't add a colour beyond the end points, so I have to add a new mid-point, change that to green, then add my yellow to the end point. This involves adding the green to my colour swatches or filling something with it first so I can colour pick it after.

    Wouldn't it make more sense to allow the end points to be dragged further in than the edge of the gradient, then allow whatever colour is last extend to the end?

    Eg:

    Blue 0% --------------- Green 75% -----|

    This would start at blue, blend to green at 75% point, then continue as that green to the end of the gradient.

    That way if I decide to add my yellow afterwards, I can do this easily by clicking anywhere after the green.

     

  5. I got around this by creating manual shortcuts to the Affinity 2.0 apps, using the exe locations from this thread:

    C:\Users\username\AppData\Local\Microsoft\WindowsApps\AffinityDesigner2.exe

    C:\Users\username\AppData\Local\Microsoft\WindowsApps\AffinityPhoto2.exe

    C:\Users\username\AppData\Local\Microsoft\WindowsApps\AffinityPublisher2.exe

    (Replace 'username' with your own).

    Instructions:

    1. Right click on the desktop and choose New > Shortcut
    2. For file location use the relevant location above
    3. Once the shortcut is created, right click and choose Properties > Change Icon
    4. Choose the appropriate .ico file for each app (attached)

    Note: I also used these .ico files and exe locations to add each app to my right-click context menu for certain files like PDFs:

    image.png.632c42c9e47c027d540e8b6ed683c43a.png 

    Affinity Designer 2.ico Affinity Photo 2.ico Affinity Publisher 2.ico

  6. Hi There, how on earth do I pick colours from an existing gradient, without just using the eyedropper as close to the edges as possible and hoping i get the 'full' end stop colour, not just one of the in-between shades?

    Lets say I open a file provided by a client and an object has a gradient of blue to grey.
    I want to use the same blue and grey to create other objects.
    I can't use the eyedropper as I might not get the full blue or the full grey if I don't click right at the edge of an object fill.

    Is there an easy way to 'name all colours' or 'add all colors to swatches' that will know the gradient is basically just comprised of 2 solid colours?

  7. I've noticed a strange bug when using guides.

    Please see the attached .afdesign file.

    I dragged from the top ruler to create a horizontal guide on the page. I then used the 'create artboard' button which replaced my page with an identically sized artboard. I then duplicated that artboard.

    I decided I no longer wanted the horizontal guide, so I dragged it back up the the ruler to remove from the page.

    When I go to View > Guides Manager it shows no guides on the page. Same thing if I select each artboard and check the Guides Manager.

    However, if I click and drag a selection square anywhere on an empty part of the page, my removed guide shows up on the screen! (see screenshot).

    Weird Guides.jpg

    list-tick.afdesign

  8. Has there been any progress on this bug?

    I am creating a 'swatch' shape with jagged edge and there are dozens of triangles along each edge that I need to combine with the inner square.

    I realise I can add an overlap, but it'll be very time consuming for every little triangle (yes, yes, I could have used symbols then only had to edit one triangle, but too late now!).

  9. 25 minutes ago, walt.farrell said:

    If you click on More... in the Export dialog you'll get additional options, including one that I think may be what you want:
    image.png.89b3ed75cedc0dc8a10661d92210fcf3.png

    Yes but that is on 8-Bit PNGs, which do not support alpha transparency, just single colour transparency.

    The method I'm referring to will allow pixels to have multiple levels of opacity, but it will still reduce the number of colours to save file size.

    It's like the best of 8-bit and 16-bit PNGs combined.

  10. Hi there, is there any plan to introduce more options for compressing PNG image exports?

    I've noticed I can add my transparent PNGs created in Affinity to an online image compressor like Optimizilla and it will compress the image considerably, whilst retaining the quality and the alpha transparency.

    It uses something called "Indexed RGB" colours to do this, reducing file sizes by between 40% and 60% for most PNGs with alpha transparency.

    In Affinity, there is just the option of 16 Bit or 8 Bit (dithered).

    When exporting logos for the web, this helps improve Pagespeed Insights scores, in addition to reducing load times.

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