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Jaffa

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Posts posted by Jaffa

  1. Hi Cacophonix

    Sorry for the delay in getting back to you, but have been busier than normal.  Since Murfee's suggestion works for you, then you might not need this.

    1. First, I make a selection, in this instance would be the peacock.
    2. Save the selection as a spare channel
    3. Next, choose   -  Layer > New Live Filter Layer > Blur > Gaussian Blur
    4. Add the gradient on this adjustment layer from white at top stop to black at bottom stop.  Adjust as necessary with the slider.
    5. With the Adjustment Layer only still selected,  I load the selection from the spare channel
    6. Make sure that the primary colour is black
    7. Paint the selection by using either the Flood Fill Tool or the Paint brush Tool (the latter seems to work best - using a big brush).
    8. Voila!  The Blur Filter has its own mask, which ensures that the peacock is not affected!

    Depending on the number and type of layers, I may not even need to save the selection as a spare channel, because I can conjure it up by either "Reselect"  or in another way.

  2. Personally I use the old stand-alone, fully paid,  Lightroom 6, which works fine for me at present, Richard.  However, I recognise that at some point in the future, I will need to change.   To get better answers, you should detail more of what you are looking for, apart from organising  --  eg,  Batch processing,   key-word tags, cost, etc.  

  3. Ah, just to expand a bit.  There are a group of 8/9 of us meet every Thursday to practice Affinity Photo, here in Auckland, three of us take turns in tutoring.  However, the few I mention are not able to attend and therefore have to take responsibility for their own learning.  Nevertheless, in saying I am trying to "help" them, this is by way of guiding them, not tutoring.  I have viewed the great majority of the 92 videos in my earlier days, but that was quite a while ago.  Having a lot of commitments,  I am not keen to view all 92 again, for this purpose, but just seeing if anyone knows how useful they are in the present, given that Affinity Photo is constantly evolving.  

    Paul's comment is that the "basic concepts don't really change that much" helps.   In addition, I am keen to know whether there are any areas where there has been appreciable change?  By areas I mean the likes of     "Selections and Masking";  "Corrections";  "Retouching";  "RAW developing";  etc.  I can't recall any, but then with the constant evolving, I find it hard to remember.  My best guess is that things have been added or corrected, rather than replaced.  Does this summary seem right to you?

  4. Greetings

    I am very experienced in Affinity Photo, but now am trying to give remote help to a few people who have recently purchased AP.   They have varying amounts of experience with Adobe products, but basically need to start at the beginning. 

    My query is mainly about - the 92 videos, which at one point were renamed the Legacy videos and are found in a few places, including Affinity PHOTO: Video Tutorials (miguelboto.com)    Are all of them still valid, eg some things will have changed and presumably some of the  originals are no longer as useful (or indeed valid?) for use in Version 1.8.5. ?   

    How much confidence can I have in getting these newbies to access and learn from these particular videos?

  5. Noticed this thread had come up.  I really don't seem to have the problem now.  Not too long ago, I upgraded my tower to an Intel i7 9th Generation chip (8 core and 8 threads), with 16 Gig of DDR4 RAM and kept my older graphics card.  The i7 chip has a lot of graphics capability, even on its own.  So, my guess is that it needs a lot of 'oomph' to get and keep the thumbnails in the Layers Panel.   Before that my older AMD 6 core chip, even though very fit for all other software uses, did struggle to keep up with my demands on it when using Affinity Photo - I registered 100% usage at times.  I use layers in virtually everything I do, etc. 

  6. 13 hours ago, IanSG said:

    I was looking at this yesterday because of your other thread.  I found a post from one of the Serif staff saying that Affinity software tries to use as many threads as possible, but I didn't see anything suggesting a limit.  Your proposed new processor doesn't seem to support hyperthreading - I was trying to work out the implications of that before replying.

    Thanks for the comment on the threads, Ian.  About hyperthreading, in my research I came across this comment "Yes, Photoshop uses hyperthreading when it would be faster. But in many cases we can only use physical cores and not logical (hyperthreaded) cores because hyperthreading would make the process slower."   Okay, we are talking about Affinity Photo, but I guess that whilst the comment is about Photoshop, a similar thing would apply to Affinity?

  7. Whilst we have a pretty high spec desktop, I demand so much of it using Affinity Photo, that sometimes CPU usage is 100%.   I use layers a lot.

    My RAM memory usage has been up to 94%, though not at the same time.  It went into the spinning ball frequently and otherwise indicated that too much was being asked of it. 

    Attached are the specs of my current desktop.  Am thinking of getting an Intel i7 (or equiv) plus 16 Gigs RAM.   Do you think that will suffice please?

    Specs of desktop 2020.JPG

  8. Yes, as you say firstdefence, there does not seem to be much difference between the two methods. This apart from two instances in the upper image, one of which the line is not present briefly and in the second case, where the line is fainter (third dip from the right hand side).

    Did you use soft edges in the former image (ie masks created individually) please?

  9. Have just watched James Ritson's very recently published official video on the Selection Brush, when used with Soft Edges.  As usual, he does an excellent                                                                 presentation, thorough and easy to follow. Nevertheless, I note that in the video at the beginning he makes a selection of the sky.  Later on, he makes a                                                                       separate selection of the foreground.  No mention is made of why he did not invert the selection.  My guess is that an inverted selection would not work as                                                                 well because of the anti-aliasing done.  Am I correct in thinking this please?  Am not certain at all.

  10. Am just trying to take on board the new improvements in Version 1.8 (and convey them to my pupils).  As you can see my title says "Reimplemented the HSL filter's HSV option".  From this I gather that Affinity Photo used to have this, but took it off because it did not work as well as expected at that time?   Nevertheless. I may well be completely wrong in assuming this.  Can anyone elucidate for me please?  Much appreciated!

  11. My understanding is a RAW file is processed in 16 bit in Affinity Photo Develop Persons by default (32 bit also available). 

    Then, that file is then processed by default in 8 bit in Photo Persona, unless you have chosen under Document  to use 16 bit instead (during that current session).

    What I have done with my imaginary document is to choose 16 bit to use to process in Photo Persona.

    Once this document is finalised , when I then choose to Export as a JPEG, my understanding is that converts it to 8 bit.

    Is my understanding correct please?

  12. Was working on an image.  Hit 'tab' so gain more workspace.  However, later decided I needed to see everything.  I pressed on tab again, got back the panels - but not the tools (to the left).

    I went to Studio and clicked on "Show Toolbar".   Nothing happened.  Am stuck??  Have closed down Affinity Photo and re-opened, but keeps happening.  Wish that I had never hit tab!  :(

  13. 2 hours ago, R C-R said:

    As has been mentioned repeatedly, newly created Affinity documents have no layers so at that point there is no "it" to be shown or rasterized.

    With that in mind, it might help if you explained why you want to start a new AD document with a white pixel layer automatically created in it.

    Hi RC-R,  well if I have open File > New it shows by default as white 'photo'.   Then I say, go File > Place and place a lizard onto it, then it does become a layer, which shows in the Layers Panel as a lizard on a transparent background.  Let us just say that I have finished, then export as a Jpeg, then it does have a white background, (unless I export as a png) -- which I suppose answers my question.  Appears that I have become too hung up about my expectations from Microsoft Word, where the white page is just that -  so if I type, say, the word Affinity then the document in whatever way used, remains the word on a white page.  I suppose having New as a transparent background is just something I will have to get used to.  RNKLN has shown, above, a keyword sequence which I will have to follow in those cases where I need it.   Thanks, anyway! - I will trouble the forum no more with this query.

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