user_0815

In der deutschen Benutzeroberfläche sind die cmyk-Vorlagen sind unter "Druckerei-fertig".

Up the tolerance to somethin like 99%. bucket.mp4

By that I mean all that are under iCloud.

Yes that’s possible. But then also all document folders get collapsed. This is when iCloud Drive for documents is enabled. They will show under iCloud but not under Mac HD. If it’s not enabled then this is indeed a way to get (visually) rid of it. Actually the only one I can think of atm.

Strange. Now that I double-checked it, I can see it as well on the save-dialog. I've never recognised it. I can't remove it, only drag it up/down to re-arrange.

What you see in the sidebar in the save dialog comes form the Finder app. Afaik Affinity cannot change that. You'll need to remove it in Finder by dragging it out of the sidebar.

Welcome! Clip the image to the shape. To do this, drag Ariel on to the shape layer (on the text). For the white outline I would add a contour. I don't know what WELD means. ariel.mp4

The quickest way I know is to actually invert the selection before masking.

Schon oft gelesen aber nie selbst davon betroffen. Um eine praktikable Lösung zu finden... muss es denn jetzt eine PSD Datei sein? Mach doch ein tiff daraus und verwende das im Publisher Dokument. Auswechseln lässt es sich schnell und einfach über den Button.

Me too. I have 2 of them and just swap them whent the battery is low. 😄 The rotating cnavas was an issue for me because I use alt+scroll for zoomingin Photo. Sometimes I press CMD by accident and that would rotate the canvas. So I disabled the option "Rotate canvas on cmd+scrollwheel" But that's not pariclular to a certain model of mouse, it's the user pressing the wrong key.

Total disagree here. It's the only good mouse out here. (Except the charging port at the bottom.)

Depending how precise you need it, I would overlap the two and click "add". This will "weld" them together. weld.mp4

Perhaps it would be easier to think the other way around. Instead of "removing" pink or yellow, how about applying the exact skin tone, which augustya wants. That would be the following steps: First, de-select the layer. Then 1. Pick the skin tone that you want with the color picker 2. Add a fill layer. This should now be the wanted skin colour. 3. Set this fill layer to blend mode "hue". 4. Mask this layer to only the areas that you need. You can adjust the skin colour any time by clicking on the fill layer (with the move-tool) and change the hue via the colours panel. skin tone.mp4

Not „better“ but a different approach. I use the HSL adjustment if it’s not too far off. I open the scopes panel and check for the skin tone axis. Then, in the HSL panel I sample the skin tone from the face and move the hue left or right to get the skin tone better on that axis. An alternative is selective Color. There Go to the red (which is the closest to Skin colour) and reduce the yellow contribution.

Well, I must admit, I don't get this working either. Settings back and forth, without using the layers panel, I can't manage to select and/or move that lobster. It seems to be an imported file or content with non-ideal arrangement of those layers and curves. For the way I personally work, this wouldn't be an issue as it works as expected. But Iztok seems to have a hard time getting around his long-established habits. Before it works the way Iztok wants it, the Layers need to be re-arranged. 1. Make Rak 2 Image a Group. 2. Move that group into the "vodna meta Image" Layer. There seems to be a confusion about Layers and Groups. Layers ≠ Groups Lobster.mp4

Yes, the Live Luminosity Range Mask ist what comes to my mind as well. You can also manually mask out more areas when painting black on it, and bring it back again with white. mask.mp4

ApolloOne Very fast and easy to use. Great app that integrates with finder metadata and can also read xmp sidecars (ratings). The good thing is, it moves all sidecar files automatically if you move the image file. Including dop files from DXO. The Apple Photos app can browse the file system? I thought it can only handle its own libraries.

I'd say it depends on how precise you need it. I'd use the pen tool. It's probably the fastest way. When I work with the pen tool in this kind, I do two passes. First I set the points (which leaves straight lines all around) and in a second pass I "bend" the curves with the node tool. pen.mp4

Just tried it and the thing is to first "deselect" the selection (marching ants) before moving. It should be on a new layer to get a pixel-precise scaling. 1. Make selection 2. Copy (or cut or duplcate cmd/ctrl J) 3. Deselect (cmd/ctrl D) Now you can scale more precisely. In some cases the edge pixels get partly transparent but I don't know how to get around that. Usually I don't work on this kind of pixel level, so there might be a better way of doing this. Pixel.mp4

Thanks, I'll try.

Afaik it doesn't search auto-generated sample text (which also can't be edited or so...). Try with written or pasted text.

If you have a lot of text to edit, then the best way would be to switch to Publisher and do the replacements there. In the "File" menu click "Edit in Affinity Publisher". After that, you can switch back to Photo in the same way (File > Edit in Affinity Photo).

How can I save these tiles as pdf on a PC? When I try "Print to file" there is only PRN as file type available.

In diesen Beispielen ist auch der Hintergrund betroffen. Bisher hatte ich dieses Problem noch nie, weder fürs Web noch für die Druckerei. Fürs Web das jpeg/png immer als sRGB exportieren. Im Export Dialog sRGB auswählen und einbetten. Was du dann bekommst wird dann genau so im Web wiedergegeben. Das ist zumindest meine Erfahrung für Drucksachen lege ich das Dokument schon in cmyk an, auch schon mit dem Farbprofil, das die Druckerei möchte. Daraus kann man auch problemlos fürs Web als sRGB exportieren.

If it clones or inpaints from an unexpected area check whether there is a mesh wrap, perspective or liquify layer below somewhere. 😁 These can cause an offset.