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Everything posted by abra100pro
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UI (Font) looks bad
abra100pro replied to abra100pro's topic in Affinity on Desktop Questions (macOS and Windows)
This is as good as it gets, when I lower the contrast, doesn't matter whether the lid is closed or internal display active. It's ok, but other apps are doing better. I switched now to dark UI. Don't know why, can't add the image (error -200) I placed it here: https://www.100pro.ch/custom/APUI.png -
Opening 17MB file lasts from long until never
abra100pro replied to abra100pro's topic in V2 Bugs found on macOS
Thank you - that worked like a charm. I'm glad that the file is still ok. Learned definitely something, Thanks. Maybe the app needs some kind of fallback/timeout/error message, though? -
Opening 17MB file lasts from long until never
abra100pro replied to abra100pro's topic in V2 Bugs found on macOS
Thanks to you both for your feedback. I created it in February and I honestly don't remember whether the media is linked or embedded. I did try to open it with Publish but same thing, there – seems to be a corrupt file. Funny: I could open it yesterday at first, although very slow, as mentioned, but now the apps do not seem to be able to open it anymore I'll send you the file rightaway. Please let me know if you need anything else. -
UI (Font) looks bad
abra100pro replied to abra100pro's topic in Affinity on Desktop Questions (macOS and Windows)
My single Monitor is a Retina HiRes – on that it is ok, I can't tell whether it is because of a second monitor or because of the normal resolution of that second monitor. -
I have a file that AD 2.4.2 does need either minutes to open or doesn't open at all (have to kill the app, it's not frozen, though). See screenshot. Can I pm the file to a staff member?
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UI (Font) looks bad
abra100pro replied to abra100pro's topic in Affinity on Desktop Questions (macOS and Windows)
Hm, I use this setup but actually in my case it's like too sharp, not blurred. It's ok, when I switch to dark UI, but in light it's unsuable. -
Please see screenshot – the font is overly rich in contrast, somewhat jittery (all over the UI) and the border symbols of the table panel can't be read properly – can I change that somehere? I tried to play with the Prefs > User Interface but with no satisfying success.
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Having received the email today from Canva I must admit, that the Canva guys do have a better feeling for communication than the Serifs. If Ash would have initially communicated that way (and if it's true!), then we would not have to have felt being left in the rain. So if Canva is serious about their pledges there may be hope. This is a marvellous example of the importance of communication.
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I came to Affinity because of two reasons: It is way more efficient and optimized as bad old Illustrator and InDesign. It is lightning fast and easy to use. It has an intuitive UI I can buy and keep it. @walt.farrell I gladly will buy a version 3 and 4 and... but in my first post I was pointing to a likely future where there will not be a version 3 to buy. Or Affinity being degraded into something Canva-Local-App to support Canva's online subscription services. The way this FAQ is being answered (see my first post above) is so greasy – if Affinity would have made sure, that the model stays the same, they would have posted it proudly and clearly. The fact that they didn't.... well... @garrettm30 This posts makes me sad. Affinity claiming they're not for sale (no matter when that was) and now being sold. While we live in a world of utter maximisation, there is alway the hope of this Robin Hood, out there, that wins because we all win.
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I just read this statement in the FAQ of the news: There are no changes to our current pricing model planned at this time, with all our apps still available as a one-off purchase. Existing Affinity users will be able to continue to use your apps in perpetuity as they were originally purchased – with plenty of free updates to V2 still to look forward to! My impression of this: Marketing language for saying something while meaning something else. It oozes with what sounds like an excuse for the future to come. I always considered Serif being a worthy, feet-on-the ground company that is not riding the horse named "Maximize". I hope I see the company still that way in the future.
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what about moving existing artboards? and what about working with a ruler set to a different measure like milimetres? Moving artboards around to make space for variations od designs is a huge thing. what is wrong/missing with single artboards having no relation to the main canvas they‘re lying on? in any way combined artboards having a total x,y-starting point of 0,0 considering export?
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But please check, what impact this has when designing in other measures, such as milimetres. Actually not sure whether this is a good idea. I imagine designers drawing up an artboard of the size they want in the measure they want. This should be the base of everything, no matter where or in which measure this happens. I still wonder in what situation I would want to use an artboard as an object 🤔. There is the ability of selecting any number of objects and exporting them by "Selection only" which would in my understanding lead to a X,Y of 0,0 on the top left of this selection which would always lead to the wanted and forseeable result, no?
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I'm not sure whether my english is good enough to follow each aspect of the conversation, so please forgive me, when I'm not getting it right. (While we're at it) The Artboards have some weird sides that IMHO do not favour the user: Their position on the canvas being relevant for their export size Their background colour behaviour (transparent, white, colour) hast some unforseeable results @export I can assign them a bleed and a background colour but when exporting, the background colour is not filling the bleed So my conclusion would be to rethink what artboards should really be. And I bet a good bottle of an old Scotch that most of us would like to use them as independent "document" within the main document (sorry, lack of better words). And back to the main topic, here: The consideration of position of them only makes sense when considering the relation of them to eachother on the canvas. I am juggling with them in my multi-artboard-files, here another icon artboard, there another banner-size-artboard. And each time I have to take helluva care of their position. This drives me nuts. And again I thing that much more people work that way than with artboards relating to eachother, no? In the export persona the problem is the same as when exporting directly in the designer persona. PS: Glad that we are talking about this seriously, attending and with real interest – I appreciate that a lot.
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I have to try it again: I'm often in the situation where I need to design many graphics, be it banners or icons or other stuff. I can't understand why the exact positioning of the artboards on my canvas are essential for the dimensions of the exported artboards. This makes no sense in a way that makes me sing "om" in order to keep calm. Please look at this: All artboards are 100x100px, When exported, no matter what format, some of them are 100x101, some 100x100, some 101x100 – arghh! There are some weird workarounds like setting the pixel decimals to .xxxxxx and setting the right set of snapping (which then is completely unhandy for any other snapping in the process). I beg you, Serif, please consider changing this. There is not one setup in which this behaviour makes sense. Am I really the only one?
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CMD+0 while trasforming something
abra100pro replied to abra100pro's topic in Feedback for the Affinity V2 Suite of Products
OMG; this is not my day of reporting! Sorry, just got a flash to try out CMD+Shift+0 and this works just the way I need it. Sorry – maybe someone else can benefit from my "insight"... -
If I import an image that is much larger than my artboard it would be great to CMD+0 to see the bounding rectangle of the image (i.e. zoom out), so that I can easily transform it to whatever I want. So I guess my feature request would be: Please consider elements that are lager than the artboard(s) when pressing CMD+0, like so:
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@loukash interesting approach – I can see the idea behind it.