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Lusco Fusco

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About Lusco Fusco

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  1. My copy has not crashed yet, but although just after the update it seemed faster, now it is slow in some operations (load images for stacking, for example), and show certain lagg when moving layers to adjust them ... Operating in Windows desktop.
  2. Lusco Fusco

    linear gradient

    Thanks Toltec, gonna try this way.
  3. Hi. The linear gradient always comes out by default with one white end and the other neutral gray. 99% of the time I use a white end and it's another black one. Does anyone know any way to save this gradient as default? Thank you very much and greetings.
  4. Lusco Fusco

    White pixels when stacking images

    Gonna check the drivers to see if I have the last update installed. I really appreciate your help!
  5. Lusco Fusco

    White pixels when stacking images

    Aha! I changed the Renderer to WARP and the problem has disappeared! By hardware do you mean the graphics card? It's a NVIDIA Geforce GTX 645 (the renderer was previously set by defect to it). Thank you very much!
  6. Lusco Fusco

    White pixels when stacking images

    Hi Sean, sure, its done. In fact the problem appears with any group of images that I try to stack. Thank you.
  7. When I do a stack of images (usually in Tif format), the final image has a lot of white dots. Although they disappear when flattening the document, they are very uncomfortable in the preview, to decide whether to use media, median, medium interval. .. I do not know if someone else has reported this problem, and if it has any cause and solution that escapes me ... Thank you!
  8. https://en.wikipedia.org/wiki/Toltec_(Castaneda)
  9. Thank you! This clarifies the matter, as one could not expect less from the wisdom of a Toltec ... Now I just have to move my assemblage point to a position that allows me to find a method to use these luminosity masks.
  10. Thank you alfred, but hardness is not the problem, attached a screenshot with hatrdness at 100%, same effect... Also, how could i see if a luminosity based selection is feathered, and if so, avoid it? Thanks again
  11. Ok, here is something that escapes me and, although I had many turns on it, I can not find the solution. It is assumed that with an active selection, the brush should only paint within the selection. Well, I load two images, add a mask, invert it to black. I select the lower image, make a selection based on luminosity, return to the mask, I paint on it with a white brush at 100% opacity (not alfa protect selected) ... and: 1.- Despite having opacity in 100%, I have to paint several times in the same place to get an absolute white that totally reveals the image. 2.- When I am on the edges of the selection, the brush also paints OUT of the selection ( altough although with lower opacity (!?) ) It must be something very obvious that I am overlooking, this process I have done a thousand times in GIMP without problem. Please, if anyone has any ideas or suggestions, I would greatly appreciate it.
  12. Lusco Fusco

    Dark RAW files

    Yes, there is something strange with the RAW developer, just take a look at the histogram, same RAW file flat opened in Aff and LR
  13. It would be very useful to apply dodge and burn as a gradient, not just as a brush. Also, Also, it is a nuisance that the box of the blend range opens always in the center of the image with which you are working. And having to move it aside, each and every time you open it, so that it does not hinder the vision of the changes you make. Thanks and regards.
  14. It is an inadmissible waste of time that when exporting a file, for example tif, always appears 8 bit, when I always export 16bit and have to display the list and change it each and every time. How can I make my default file format appear first in the list? Thank you
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