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World View

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  1. Thanks, firstdefence Worked! I tried the stroke panel myself but I just saw one has to be careful to be sure the frame is selected.
  2. I would like to create a rectangle with a light gray. But when I use the rectangle tool it creates a frame around it, a black line. How do I get rid of that? The stroke panel doesn't do it, the rectangle tool has basically no controls?
  3. Thank you, GarryP for this beautiful video - very instructive! Thank you Walk! I had for the short term done it with guides and snapped rectangles to the guides and then applied masks, but the method with picture frames is nicer and quicker.
  4. I have done it the blunt way by creating guides. I just wonder if there is a way to do: 1. Select square selection 2. put in 640x640 pixels 3. Copy selection and move it over several times and let them snap to one another This would feel more elegant.
  5. I am creating a website mockup file. For this I have to do the following - is this possible in Publisher? 1. Create 8 tiles 640 x 640 pixels 2. Fill each tile with a photo and be able to adjust the photo. I tried with Frames, but they cannot be adjusted to precise pixel dimensions. I was also not able to adjust the photograph inside once the photo was there it was frozen. Is there a way to do the two steps above? If yes, how? Thanks!
  6. I like Varela - but isn't it a bit cinemascope. It would be interesting to see a font that is a bit slimmer, higher than wide in this same minimalistic design. I'm also looking into Bauhaus design typefaces. I just try to avoid overly "styled" fonts. For reading text, e.g. essays, longer texts like stories and novels, I prefer well balanced serif fonts. By the way, what are your favorite serif fonts? I'm using Georgia a lot, and Garamont, not sure why I don't use Times New Roman at all... an emotional thing?... can't remember getting a blackmail notice set in Times New Roman...
  7. Hind Bold it is. And its lighter variants for the description. Rounded stuff in fonts gives me the Comic Sans Rash.
  8. We have two candidates: Varela rounded and Hind Bold for the "ALEX" There are so many Google fonts that are very similar to one another. So could it be that "Varela Rounded" and "Hind Bold" are the pretty much the same?
  9. Thank you Alfred. Yes, it's from the Alex Perry's site. Did you find it via the "Alex" dress google search?
  10. Thank you, Alex! Also for the font tab tip. I'll add Varela Rounded to my font book.
  11. Hello, I found this beautiful, tech looking font on a website. Do you know what font this could be - or which one is like this: very strong control over the shape, sans-serif, minimalist, not pushy (there are some tech looking fonts that really overdo it) thanks! Any font recommendation that goes into this direction is welcome.
  12. It's particularly difficult to use the color picker to match the outline of text with another color. It never works. Whenever I go to the picker, the outline does not change color wherever the picker goes. I have to guesstimate manually.
  13. The color selection tools in Publisher are nothing short of byzantine. Each tool or panel seems to have its own color tool with their own pickers. These labyrinth of color tools is unintuitive, and it's easy to be in the wrong panel. The best would be to focus all color manipulation including picker into ONE TOOL AND ONE PALETTE. Photoshop is a good example on how to do it. Never had to look around on how to change the color on something. In Publisher, I'm often in the wrong panel. Or, just now, I was trying to change the color of text, and even though it was sel
  14. Great, first defense! This is a complete guide to wrapping, thank you! Bookmarked! (better than the tutorials I saw as it plays around with the shapes)
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