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Found 4 results

  1. Very glad to see that the new tutorials have subtitles for the languages which the Affinity site supports. This will save me time when I explain to my colleagues in photo club of the Volkshochschule Rheinfelden how I develop and edit my photos in Affinity Photo. With regard to the tutorial HDR from one exposure (https://affinity.serif.com/de/tutorials/photo/desktop/video/341759551) I have found some mistake that will wreak much confusion: 00:44 Wir belassen das dabei 00:47 denn wir wir die Ausgangs-Farbkurve anwenden -> denn wenn wir die Ausgangs-Farbkurve anwenden 00:51 werden unsere Werte außerhalb der Grenzen liegen. -> werden die außerhalb der Grenzen liegenden Werte abgeschnitten. One could consider using the subjunctive here, i. e., denn wendeten wir die Ausgangs-Farbkurve an, würden die außerhalb der Grenzen liegenden Werte abgeschnitten. At any rate, as it stands, the text makes no mention of the fate of out-of-bounds values, namely, that they will be clipped. Regarding the translation of to clip as clippen, I have the feeling that one says in German, that highlight details clippen, but not that they geclippt werden (are clipped), i. e., that clippen is intransitive and has no passive voice, even though the past participle, geclippt, can be used adjectivally, e. g. when speaking of geclippte Highlight-Details. That is why I used abgeschnitten, not geclippt. 02:12 und wir können sie kolorieren. I am puzzled about the use of kolorieren. I have not encountered kolorieren as a translation of to tone map. Linguee.de seems to imply that tone mapping is usually translated with das Tone Mapping, and gives many examples where the verb to tone map is rendered as to do or to perform a tone mapping. Actually, though, developing to a 32-bit space means, more generally, that out-of-bounds values are retained and remain available for all the things that one can do to the output of the Develop persona, including but not limited to tone mapping. I suggest, und bleiben für die Verarbeitung nach der Entwicklung der Roh-Datei erhalten -> and remain available for processing after developing the RAW file. This, of course, means that tone mapping, or whatever it is being called in German in Affinity Photo, is one such "thing."
  2. Minor niggle but a bug. The Reopen Document(s) on Startup doesn't work with the latest betas on Mac OS 1.7.0.134 & 135. I tried various options such as selecting the function off and re-launching and then selecting the option on and re-launching Affinity.
  3. Hi. Recently i'm having issues saving on both Designer and Photo. Working over a NAS server on AFP, each time I try to save changes on an existing document for fisr time, I get an error: Couldn't be saved because lost connection to file, file must be closed (Sorry, message in Spanish. This is a rough translation by me) Issue is, files are there, I can re-open them from recent files, and is permanently available on finder. There is no disconnection from server. If I re-open from open recents… the file opens and tries to recover itself, and normally it works and save fine from there. So the fail occurs on first saving after opening the file. Once you get the first save, you can work for hours without issues. Issue happens with any file, randomly, in both apps. Always on first saving. This is happens since a couple of weeks ago. If I create a new document and save it, works well. Is always with existing documents. Designer 1.6.1 Photo 1.6.7 MacOS 10.13.4 Files on NAS over 1 GB ethernet through AFP protocol (Synology DSM 6.1.6-15266 Update 1) If you need further details, feel free to ask. Have a nice day.
  4. I used photo while a remote disk was mounted on my computer, using the afp protocol. Now every time I launch photo and I am not connected, it pops up a window with "There was a problem connecting to the server xxx. Contact your system administrator for more information." I cleared the "open recent" menu, checked that nothing was "left open", to no avail.
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