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A RAW file typically holds a 12- or 14-bit-per channel image. For a single RAW, the HDR algorithm will do its best to map these onto a 32-bit image, which can then be tone-mapped to a 16-bit image. The range of exposure values in your final image will not really be much different from those in the original RAW so tone-mapping may not be needed. For a well-exposed single image, there may well not be much difference from a non-HRD image. For a moderately under- or over-exposed image the HDR image might be better.

If you have several images they can encompass a wider range of exposure values, maybe up to 24 or more. These can readily be mapped to a 32-bit image but will require tone-mapping to fit into a 16-bit or 8-bit final image. This can encompass both very dark areas and very light areas that a single-image HDR would not be able to cope with.

John

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1 hour ago, Graham said:

Thank you for you reply,

I noticed that from a single Nikon RAW file, I am getting similar results as from bracketed exposures.

I will experiment more...

It will really depend on the brightness range in the original source. If there is less than 14 (12) stops range, then HDR will make little difference.

John

Windows 10, Affinity Photo 1.10.5 Designer 1.10.5 and Publisher 1.10.5 (mainly Photo), now ex-Adobe CC

CPU: AMD A6-3670. RAM: 16 GB DDR3 @ 666MHz, Graphics: 2047MB NVIDIA GeForce GT 630

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9 hours ago, John Rostron said:

It will really depend on the brightness range in the original source. If there is less than 14 (12) stops range, then HDR will make little difference.

Depends also on camera specs. When I moved to Nikon fullframe I practically stopped making HDR... as single image usually had enough dynamic range, unlike earlier crop frames.

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6 hours ago, Fixx said:

Depends also on camera specs. When I moved to Nikon fullframe I practically stopped making HDR... as single image usually had enough dynamic range, unlike earlier crop frames.

An interesting observation. I can see how a camera with an increased bit depth can avoid the need for HDR, but I cannot see how the crop factor could affect it.

John

I

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CPU: AMD A6-3670. RAM: 16 GB DDR3 @ 666MHz, Graphics: 2047MB NVIDIA GeForce GT 630

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2 hours ago, John Rostron said:

An interesting observation. I can see how a camera with an increased bit depth can avoid the need for HDR, but I cannot see how the crop factor could affect it.

I think he means that DSLR cameras with so-called full frame image sensors can capture more dynamic range than smaller ones due to lower noise levels & more light gathering capability.

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2 hours ago, R C-R said:

I think he means that DSLR cameras with so-called full frame image sensors can capture more dynamic range than smaller ones due to lower noise levels & more light gathering capability.

Is that due to sensor size or pixel size?

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8 minutes ago, IanSG said:

Is that due to sensor size or pixel size?

It is more likely to be the fancy electronics associated with each pixel. It will need to be able to distinguish between many millions of light levels. I would guess that to do this the physical size of each pixel might need to be bigger. However, if you have bigger pixels, then you cannot get so many on the full-frame sensor, so it rather defeats the object. 

I am not an expert on micro-electronics. This is just my guesses from reading around the subject.

John

Windows 10, Affinity Photo 1.10.5 Designer 1.10.5 and Publisher 1.10.5 (mainly Photo), now ex-Adobe CC

CPU: AMD A6-3670. RAM: 16 GB DDR3 @ 666MHz, Graphics: 2047MB NVIDIA GeForce GT 630

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18 hours ago, John Rostron said:

An interesting observation. I can see how a camera with an increased bit depth can avoid the need for HDR, but I cannot see how the crop factor could affect it.

Full frame sensors did have bigger dynamic range than crop size sensors. Possibly it is because they tend to be more technically advanced, or possibly there are some other technical reasons (like pixel size), I have not followed topic. And possibly current crop frame sensors do have similar dynamic range; that was not the case a few years ago.

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44 minutes ago, Fixx said:

Full frame sensors did have bigger dynamic range than crop size sensors. Possibly it is because they tend to be more technically advanced, or possibly there are some other technical reasons (like pixel size), I have not followed topic. And possibly current crop frame sensors do have similar dynamic range; that was not the case a few years ago.

I would guess that manufacturers put their efforts initially into the full-frame sensors to increase bit-depth/dynamic range. Only later would they apply this technology to the crop-size sensors.

John

Windows 10, Affinity Photo 1.10.5 Designer 1.10.5 and Publisher 1.10.5 (mainly Photo), now ex-Adobe CC

CPU: AMD A6-3670. RAM: 16 GB DDR3 @ 666MHz, Graphics: 2047MB NVIDIA GeForce GT 630

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