Uncle Mez Posted July 24, 2018 Share Posted July 24, 2018 Hello, Want to know if at some stage or age we will have something similar to the Appearance Panel. In fact, Affinity Designer makes it so simple and easy to work with Vector Shapes etc... and i really enjoy it but also i believe having a Studio or more functionality in the already present Stroke panel/studio or even in the FX studio will be of great help. it will be so fine and so nice to add :- more than 1 stroke (+stroke color) - more than 1 fill - and even much more in the same vector shape/tool thus making it easy and simple to create and work on complex vector shape without having to cut/break etc... it will help creating symbols from just one element (can be used as tattoos sign for some other designers). i mean the possibility go beyond the actual fill/stroke etc... that we already have. Also please, correct if i'm wrong and if it's already possible to apply such thing with the actual version of software. Cheers. Quote Never be the Same Again ! ---Dell Optiplex 5090 SFFIntel Core i5-10500T @2.30GHz with 12GiB 2666MHz DDR4Intel UHD Graphics 630 for 10th Generation M.2 2280, 512 GB, PCIe NVMe Gen3 x4, Class 40 SSDWindows 11 Pro x64 22H2 + LibreOffice 7.5.3 Link to comment Share on other sites More sharing options...
firstdefence Posted July 24, 2018 Share Posted July 24, 2018 Yes it would be nice to "group" all of the style attributes into a single Panel. 5 hours ago, Arnaud Mez said: - more than 1 stroke (+stroke color) You can't do this like Adobe does at the moment but you can create multiple shapes and have them layered in a group to get a similar effect. 5 hours ago, Arnaud Mez said: - more than 1 fil Again, you can layer and group the same shape and add different fills, then use blend modes to get effects. 5 hours ago, Arnaud Mez said: -and even much more in the same vector shape/tool thus making it easy and simple to create and work on complex vector shape without having to cut/break etc... Maybe show an example of what you mean here? Quote iMac 27" 2019 Somona 14.3.1, iMac 27" Affinity Designer, Photo & Publisher V1 & V2, Adobe, Inkscape, Vectorstyler, Blender, C4D, Sketchup + more... XP-Pen Artist-22E, - iPad Pro 12.9 (Please refrain from licking the screen while using this forum) Affinity Help - Affinity Desktop Tutorials - Feedback - FAQ - most asked questions Link to comment Share on other sites More sharing options...
Uncle Mez Posted July 24, 2018 Author Share Posted July 24, 2018 5 hours ago, firstdefence said: Yes it would be nice to "group" all of the style attributes into a single Panel. You can't do this like Adobe does at the moment but you can create multiple shapes and have them layered in a group to get a similar effect. Again, you can layer and group the same shape and add different fills, then use blend modes to get effects. Maybe show an example of what you mean here? Hi @firstdefence this is what i was talking about. I discovered this technic from my dear friend Tom Cargill from Satori Graphics and it's really amazed me because i often create things like that with Affinity but it requires so much manipulation of the same object again and againwhich can be time consuming. I never used this technic nor did it with Ai but just found it useful and life saving. Quote Never be the Same Again ! ---Dell Optiplex 5090 SFFIntel Core i5-10500T @2.30GHz with 12GiB 2666MHz DDR4Intel UHD Graphics 630 for 10th Generation M.2 2280, 512 GB, PCIe NVMe Gen3 x4, Class 40 SSDWindows 11 Pro x64 22H2 + LibreOffice 7.5.3 Link to comment Share on other sites More sharing options...
firstdefence Posted July 24, 2018 Share Posted July 24, 2018 @Arnaud Mez Yes I'm familiar with Illustrator and the Appearance Panel and it's flexibilities, Something else that Affinity Designer really needs is Offset Paths, you can pseudo do Offset Paths but its still a clumsy way to do it, having said that I've never understood why Illustrator doesn't have a simple way to access Offset Paths. Going back to the Appearance Panel, Affinity does make it hard work having to go back and forth between panels even if they are stacked one one on top of the other, it's still clunky. Uncle Mez 1 Quote iMac 27" 2019 Somona 14.3.1, iMac 27" Affinity Designer, Photo & Publisher V1 & V2, Adobe, Inkscape, Vectorstyler, Blender, C4D, Sketchup + more... XP-Pen Artist-22E, - iPad Pro 12.9 (Please refrain from licking the screen while using this forum) Affinity Help - Affinity Desktop Tutorials - Feedback - FAQ - most asked questions Link to comment Share on other sites More sharing options...
jamesholden Posted June 23, 2019 Share Posted June 23, 2019 Can someone please show me some examples of the 'striking creative effects' that the manual speaks of? Trying to make sense of the crdativeuse for this panel. Quote Link to comment Share on other sites More sharing options...
R C-R Posted June 24, 2019 Share Posted June 24, 2019 15 hours ago, jamesholden said: Can someone please show me some examples of the 'striking creative effects' that the manual speaks of? The new Multiple strokes and fills video tutorial should give you a few ideas about that. Quote All 3 1.10.8, & all 3 V2.4.1 Mac apps; 2020 iMac 27"; 3.8GHz i7, Radeon Pro 5700, 32GB RAM; macOS 10.15.7 Affinity Photo 1.10.8; Affinity Designer 1.108; & all 3 V2 apps for iPad; 6th Generation iPad 32 GB; Apple Pencil; iPadOS 15.7 Link to comment Share on other sites More sharing options...
jamesholden Posted June 24, 2019 Share Posted June 24, 2019 56 minutes ago, R C-R said: The new Multiple strokes and fills video tutorial should give you a few ideas about that. OK, thank you Quote Link to comment Share on other sites More sharing options...
clearlogo Posted April 12, 2021 Share Posted April 12, 2021 On 6/24/2019 at 11:56 AM, R C-R said: The new Multiple strokes and fills video tutorial should give you a few ideas about that. Do you know if it's possible to apply this to live text or a group? Doesn't seem to be working for me... Quote Link to comment Share on other sites More sharing options...
loukash Posted April 12, 2021 Share Posted April 12, 2021 1 hour ago, clearlogo said: to apply this to live text No. But the Contour tool does, so you can somewhat simulate a double stroke. But that will be without a fill then. Quote MacBookAir 15": MacOS Ventura > Affinity v1, v2, v2 beta // MacBookPro 15" mid-2012: MacOS El Capitan > Affinity v1 / MacOS Catalina > Affinity v1, v2, v2 beta // iPad 8th: iPadOS 16 > Affinity v2 Link to comment Share on other sites More sharing options...
clearlogo Posted April 12, 2021 Share Posted April 12, 2021 Thanks loukash! I tried that, but I'm after having several (7-8) outlines. I found out that you can use the appearance panel if you outline the text and bake it together, then add several layers of outlines there. The issue is that text is not editable anymore... 😓 Quote Link to comment Share on other sites More sharing options...
carl123 Posted April 12, 2021 Share Posted April 12, 2021 You can add multiple strokes (outlines) to text if you group the text and add an Outline FX to the group. Then group the group and add another Outline FX to that group etc etc etc. The text remains editable at all times Quote To save time I am currently using an automated AI to reply to some posts on this forum. If any of "my" posts are wrong or appear to be total b*ll*cks they are the ones generated by the AI. If correct they were probably mine. I apologise for any mistakes made by my AI - I'm sure it will improve with time. Link to comment Share on other sites More sharing options...
loukash Posted April 12, 2021 Share Posted April 12, 2021 1 minute ago, clearlogo said: The issue is that text is not editable anymore Yep. In theory there could be a workaround to use Photo's "Duplicate Linked" feature to sync the text content while applying different properties to each text frame while they are stacked on top of each other. But unfortunately you can't partially unlink individual text attributes via the Links panel. (On the other hand, the linked layers settings are kept intact when switching back to Designer – which again is a brilliant feature with a lot of unexpected potential on its own!) Similarly, it doesn't work – logically – when converting text to symbols: all changes are synced. Bummer. 43 minutes ago, carl123 said: The text remains editable at all times … and converts to pixels on export. Just so you know. Quote MacBookAir 15": MacOS Ventura > Affinity v1, v2, v2 beta // MacBookPro 15" mid-2012: MacOS El Capitan > Affinity v1 / MacOS Catalina > Affinity v1, v2, v2 beta // iPad 8th: iPadOS 16 > Affinity v2 Link to comment Share on other sites More sharing options...
Murfee Posted April 12, 2021 Share Posted April 12, 2021 30 minutes ago, loukash said: In theory there could be a workaround Have you tried compounds? loukash 1 Quote Link to comment Share on other sites More sharing options...
loukash Posted April 12, 2021 Share Posted April 12, 2021 Just now, Murfee said: Have you tried compounds? No yet, but that was one of the next stops on my list. Quote MacBookAir 15": MacOS Ventura > Affinity v1, v2, v2 beta // MacBookPro 15" mid-2012: MacOS El Capitan > Affinity v1 / MacOS Catalina > Affinity v1, v2, v2 beta // iPad 8th: iPadOS 16 > Affinity v2 Link to comment Share on other sites More sharing options...
loukash Posted April 12, 2021 Share Posted April 12, 2021 7 minutes ago, Murfee said: compounds Brilliant! Murfee 1 Quote MacBookAir 15": MacOS Ventura > Affinity v1, v2, v2 beta // MacBookPro 15" mid-2012: MacOS El Capitan > Affinity v1 / MacOS Catalina > Affinity v1, v2, v2 beta // iPad 8th: iPadOS 16 > Affinity v2 Link to comment Share on other sites More sharing options...
Intuos5 Posted October 30, 2021 Share Posted October 30, 2021 I would vouch for the option to have the appearance panel work on layers, just like illustrator. Meaning that, whatever objects are on a particular layer, their appearance is controlled through the appearance panel. If you for instance have a map of a city, all of the railroads need to be dashed in white, on top of a black stroke beneath. When tracing over the railroads, it quickly becomes tedious to change the appearance of the newly added lines, whereas this could easily be achieved if the appearance was affecting layers (or all the objects within a layer) as opposed to individual objects only. Quote Link to comment Share on other sites More sharing options...
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