VectorVonDoom Posted December 7, 2017 Share Posted December 7, 2017 It's nothing clever and the polygon fad might have passed but it was fun to do. Most use a very low polygon count and just something like a face but I like to make it more complicated for myself, not necessarily better though. I had already done a version but wasn't happy with it so this is my new attempt. A tip is to duplicate the layer(s) and perhaps add a tiny bit of blur to the background copy. That fills in the minute gaps between the shapes and the output's much nicer. Click on it then click "full size" and it's not so blurry. stokerg, Pixel and Poly, Ros and 25 others 28 Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
Staff MattP Posted December 7, 2017 Staff Share Posted December 7, 2017 VERY nice!!! A_B_C 1 Quote Link to comment Share on other sites More sharing options...
GarryP Posted December 8, 2017 Share Posted December 8, 2017 Absolutely wonderful work. At first I thought you had just attached the original. Amazing. peter 1 Quote Link to comment Share on other sites More sharing options...
VectorVonDoom Posted December 8, 2017 Author Share Posted December 8, 2017 Not all paintings work, you need fairly defined edges for a start. Quite a few of the old masters work well though for example Vermeer and probably the favourite one I've done is by Caravaggio. Once you do a whole painting or scene it's not a quick hour or two play though but I like it that way. Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
EZeemering Posted December 8, 2017 Share Posted December 8, 2017 NIce! Quote Link to comment Share on other sites More sharing options...
gdenby Posted December 8, 2017 Share Posted December 8, 2017 Bravo! And the Caravaggio? Quote iMac 27" Retina, c. 2015: OS X 10.11.5: 3.3 GHz I c-5: 32 Gb, AMD Radeon R9 M290 2048 Mb iPad 12.9" Retina, iOS 10, 512 Gb, Apple pencil Huion WH1409 tablet Link to comment Share on other sites More sharing options...
VectorVonDoom Posted December 8, 2017 Author Share Posted December 8, 2017 Thank you. Just for you... Crucifixion of Saint Peter by Caravaggio c.1600. GarryP, SrPx, Mensch Mesch and 11 others 14 Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
gdenby Posted December 9, 2017 Share Posted December 9, 2017 I'd say the Caravaggio is technically somewhat better. Grant Wood's work tends to be very simplified, and regular, while Caracaggio uses very dramatic coloration, and the forms are not simplified at all. Quote iMac 27" Retina, c. 2015: OS X 10.11.5: 3.3 GHz I c-5: 32 Gb, AMD Radeon R9 M290 2048 Mb iPad 12.9" Retina, iOS 10, 512 Gb, Apple pencil Huion WH1409 tablet Link to comment Share on other sites More sharing options...
VectorVonDoom Posted December 9, 2017 Author Share Posted December 9, 2017 The Grant Wood's one was quite a bit of work because of the background but the people themselves weren't too bad. Deciding how to simplify the dress and dungarees were probably the trickiest bit of those. I started by thinking I'd simplify the Caravaggio but couldn't too much. Anyway it's a fun thing that anyone can do even if it's on a smaller scale or properly low poly. But now I've done a handful that's enough for me. Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
EZeemering Posted December 12, 2017 Share Posted December 12, 2017 Excellent work. Seems like a nice way to learn AD. I got stuck using AD, but I might try this one time. Can you point out some tutorials or explain how you achieved this? Quote Link to comment Share on other sites More sharing options...
VectorVonDoom Posted December 12, 2017 Author Share Posted December 12, 2017 There are quite a few on youtube, search for low poly or low polygon tutorial. They'll be aimed at illustrator but work for AD too as long as they don't use live paint (as there's no such thing in AD). Do something simple first, like a face. Pick a decent sized photo and one that's sharp and a bit contrasty. Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
Pixel and Poly Posted December 13, 2017 Share Posted December 13, 2017 Those look awesome! Great job preserving so much detail with so little geometry. Quote Screentone Asset Pack - 80 Vector objects Link to comment Share on other sites More sharing options...
bodobe Posted December 14, 2017 Share Posted December 14, 2017 Well-known theme well reworked, great Quote Illustration & Grafik bodobe.de Link to comment Share on other sites More sharing options...
Lon in MacArkansas Posted February 19, 2018 Share Posted February 19, 2018 Marc...love 'em. Thanks for the tip about "low polygon". I'll be checking that out. Nice, nice, nice!! Lon "there's hay needs thrashing" in MacArkansas Quote Link to comment Share on other sites More sharing options...
VectorVonDoom Posted February 19, 2018 Author Share Posted February 19, 2018 Thanks Lon. They were fun to do, I did a few others too, but probably won't ever do another. I'd seen them around for ages and I was bored so thought I'd have a play. Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
Lon in MacArkansas Posted February 19, 2018 Share Posted February 19, 2018 But for "noobs" like me, trodding along in your footsteps, this was a valuable tidbit of information. I also bought the Designer workbook, and am looking forward to reaching the projects (perhaps specifically the panther) where a sketch is used to guide the finished drawing. I'm very much into steam locomotives, and already gathered a couple of (don't laugh) "simple-ish" looking drawings that I hope to eventually use as the basis for an engine rendering. Quote Link to comment Share on other sites More sharing options...
VectorVonDoom Posted February 19, 2018 Author Share Posted February 19, 2018 Not thought about doing trains but I think that sort of thing, perhaps finding old plans if they exist, redrawing and coloring them would look good. Either going realistic or as more of a poster (or a realistic poster!). I do like the look of the early American trains and some of the art deco looking ones are neat too. One thing I've been thinking about is turning a photo taken locally or combination of a few photos from 1800's in to a photorealistic drawing, like going back in time with a modern camera. You might like this one, nice big photo. The General, Union Station, Chattanooga, Tennessee, 1907. The General is a type 4-4-0 steam locomotive that was the subject of the Great Locomotive Chase of the American Civil War. Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
Ros Posted February 20, 2018 Share Posted February 20, 2018 As a Caravaggio aficionado, I'm stunned by your skills. Quote http://jjros.dribbble.com https://www.instagram.com/rosvectors/ Link to comment Share on other sites More sharing options...
VectorVonDoom Posted February 20, 2018 Author Share Posted February 20, 2018 Thanks, I did do a second Caravaggio, The slaying of Goliath 1610. Not sure I like it though, I like some bits of it but not others, I like Goliath but not David. Grafx2, Ros and ArnoldT 3 Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
Ros Posted February 21, 2018 Share Posted February 21, 2018 Cecco himself, if I'm not mistaken Quote http://jjros.dribbble.com https://www.instagram.com/rosvectors/ Link to comment Share on other sites More sharing options...
retrograde Posted February 22, 2018 Share Posted February 22, 2018 So out of curiosity, how do you do these low poly looking illustrations. I always thought they were generated by a plugin or filter from a placed image...? Quote http://www.kevincreative.com https://www.behance.net/kevincreative https://dribbble.com/kevincreative https://www.instagram.com/kevincreative/ Link to comment Share on other sites More sharing options...
Alfred Posted February 22, 2018 Share Posted February 22, 2018 5 minutes ago, retrograde said: So out of curiosity, how do you do these low poly looking illustrations. I always thought they were generated by a plugin or filter from a placed image...? I always thought they were generated by painstakingly dragging out the vertices of thousands of triangles and getting a modest amount of help from the snapping features in the program! Ros 1 Quote Alfred Affinity Designer/Photo/Publisher 2 for Windows • Windows 10 Home/Pro Affinity Designer/Photo/Publisher 2 for iPad • iPadOS 17.4.1 (iPad 7th gen) Link to comment Share on other sites More sharing options...
VectorVonDoom Posted February 22, 2018 Author Share Posted February 22, 2018 There are a few apps out there that are meant to be able to do it or at least help. But I tried one a time back and, unless I was missing something, it was rubbish. So yes, draw a lot of triangles and fill them in (some use quadrilaterals or a mixture and some gradient fill rather than flat fill) . Like I said there are plenty of tutorials out there, not all work with AD for example ones that use Illustrator's live paint feature, but many do. And remember the tip about duplicating it to remove micro-gaps. Most people do fairly simple things like a face and that can be a fun way to spend an hour or two. If you fancy a bigger project have a look through artwork and find something of a decent size with fairly well defined edges, being contrasty makes things easier too, some of the Caravaggio isn't very contrasty, partly down to age, and was a pain. These 3 took between 2-4 weeks each, not full time of course. Oh, forgot, probably obvious but when using the colour picker set it to sample 5x5, or more if need be, when you can rather than single pixel sampling. Especially if you're doing a painting. Quote Marc ArtByMarc.me Link to comment Share on other sites More sharing options...
Ros Posted February 23, 2018 Share Posted February 23, 2018 18 hours ago, VectorVonDoom said: when using the colour picker set it to sample 5x5, or more if need be, when you can rather than single pixel sampling Could you elaborate on that, please? Quote http://jjros.dribbble.com https://www.instagram.com/rosvectors/ Link to comment Share on other sites More sharing options...
Staff MEB Posted February 23, 2018 Staff Share Posted February 23, 2018 Hi Ros, Picking a 5x5 sample with the Colour Picker allows you you get an average of a larger area of colours thus representing better the overall colour/balance of that particular area which you will then use to fill the triangle that covers it rather than picking colour from a single pixel which may be way off of the average colour of the area. SrPx 1 Quote A Guide to Learning Affinity Software Link to comment Share on other sites More sharing options...
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