paolo.limoncelli Posted November 19, 2016 Share Posted November 19, 2016 So that "unmentionable software" basically keeps the vector gradient alive until you go to a deeper manipulation (such as transparency or painting on it), then bakes it. I'd love to see improvements on AP masking features too, but please forgive me if I don't see any difference here or dramatic ux improvement above any other existent workflow... Not only AP. Just use a vector mask and you're done the perfect same flexible way. Quote The white dog, making tools for artists, illustrators and doodlers Link to comment Share on other sites More sharing options...
paolo.limoncelli Posted November 19, 2016 Share Posted November 19, 2016 Accidentally I've been using the very same technique here for a project... If you look at the storm layer you can see multiple mask gradients. Curiously your posts always end giving praise to Photoline... Is it only an impression of mine? :huh: If so, please accept my apologies. MattP 1 Quote The white dog, making tools for artists, illustrators and doodlers Link to comment Share on other sites More sharing options...
Gumir Posted November 19, 2016 Author Share Posted November 19, 2016 offtop.. my new workflow with Affinity Photo Stitching and finalizing 360 panorama (approx. 5 min) https://www.youtube.com/watch?v=fkwfesSYvX4 paolo.limoncelli 1 Quote Link to comment Share on other sites More sharing options...
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