DebSki Posted November 21, 2023 Share Posted November 21, 2023 Hi Today the colour that I see in Affinity Photo 2 is very dull compared to all other programmes. I have 2 monitors (identical) & it makes no difference which monitor I have the images on. I have this morning had to update my graphics card drivers in order for Topaz PhotoAI to not crash all the time Graphics card NVIDIA GeForce GTX 1650 - now running NVIDIA Studio Driver Versiuon 546.01 release date 11/01/2023. I believe that I was on the gaming driver previously (don't do gaming, do do editing of photos) The colour difference is marked. To the extent that I'm not sure I can sensibly edit photos now. I've tried Affinity Photo 1 & have the same issues The below (left) image is Affinity, the other is Windows Photo Surely for photo editing, the best driver is Studio. Why does Affinity not render in same was as other programs on my PC? I've looked at this picture in Affinity Photo 2, Affinity Photo (both washed out colours), Topaz PhotoAI, XnView MP, PhotoScape X & Windows Photo Thanks Quote Link to comment Share on other sites More sharing options...
walt.farrell Posted November 21, 2023 Share Posted November 21, 2023 What kind of files are you seeing this with? JPG, or something else? When you Open a file in Photo, what does the Context Toolbar show for the color format and bit-depth? What monitor profile do you have set in your Windows Display settings? Quote -- Walt Designer, Photo, and Publisher V1 and V2 at latest retail and beta releases PC: Desktop: Windows 11 Pro, version 23H2, 64GB memory, AMD Ryzen 9 5900 12-Core @ 3.00 GHz, NVIDIA GeForce RTX 3090 Laptop: Windows 11 Pro, version 23H2, 32GB memory, Intel Core i7-10750H @ 2.60GHz, Intel UHD Graphics Comet Lake GT2 and NVIDIA GeForce RTX 3070 Laptop GPU. iPad: iPad Pro M1, 12.9": iPadOS 17.3, Apple Pencil 2, Magic Keyboard Mac: 2023 M2 MacBook Air 15", 16GB memory, macOS Sonoma 14.3 Link to comment Share on other sites More sharing options...
smadell Posted November 21, 2023 Share Posted November 21, 2023 Good. or ing @DebSki. To expand on @walt.farrell’s questions… If you are opening a raw file into the Develop persona, open the Assistant and specify in the Develop Persona preferences to “Apply a Tone Curve.” This will automatically get you a brighter, more contrasted render. If you are opening a file into the Photo persona, check your Settings to see if AP is automatically applying a specific color profile. For instance, if you open a JPG that was meant to be seen as sRGB but you open it as an Adobe RGB or ProPhoto RGB image, you will see darker and duller colors. Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023}; 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 17 Link to comment Share on other sites More sharing options...
DebSki Posted November 21, 2023 Author Share Posted November 21, 2023 .orf & .dng - both doing the same thing. Have just tried same image as .jpg & that seems to be fine. Can't see context toolbar in Windows Photos, so don't know Monitor colour profile is BenQ GL2760 - which is what my monitors are Colour profile in Affinity Photo2 is as below walt.farrell 1 Quote Link to comment Share on other sites More sharing options...
smadell Posted November 21, 2023 Share Posted November 21, 2023 @DebSki - could you post s screenshot of your Assistant’s Develop Persona prefs? Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023}; 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 17 Link to comment Share on other sites More sharing options...
DebSki Posted November 21, 2023 Author Share Posted November 21, 2023 Applying a tone curve has definitely improved things Quote Link to comment Share on other sites More sharing options...
smadell Posted November 21, 2023 Share Posted November 21, 2023 Good. AP, by default, does not apply a tone curve when opening a raw file. It gives you more latitude, but also makes you work harder. It’s analagous to developing a raw file using a “linear profile.” I find it great when I’m on the verge of blown out highlights. Otherwise, I tend to avoid it. Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023}; 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 17 Link to comment Share on other sites More sharing options...
DebSki Posted November 21, 2023 Author Share Posted November 21, 2023 I've never had it selected before & don't understand why changing the driver (assuming that's what's caused this) has made such a difference to AP2 - & not affected jpgs But, I guess like so many computer related things, there comes a time when you just have to accept that "that's the way it is" Thanks Quote Link to comment Share on other sites More sharing options...
smadell Posted November 21, 2023 Share Posted November 21, 2023 Two otherthings, @DebSki. First, if you have a BenQ monitor, why are you limiting your editing to sRGB? Surely, that monitor could handle at least Adobe RGB. You might get better results if you set AP to a working space that was wider )such as Adobe RGB). Second, you can reveal the Context Toolbar with a menu choice (I think it’s in the View or Window menu - not at my desktop right now). You’ll find a menu choice called “Show Context Toolbar” - choose that. Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023}; 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 17 Link to comment Share on other sites More sharing options...
DebSki Posted November 21, 2023 Author Share Posted November 21, 2023 When I enter photos into PDI competitions, they have to be entered in sRGB mode & I've just never thought about changing it! Would changing the profile on my pc/AP make a big difference to what I see & if so, when I export to .jpg what should I select? Having just gone to AP2 & selected export, I noticed that the ICC profile box was empty, which was strange. I've now selected sRGB IEC6966-2.1 which may or may not be what I had it on before! Is that the best option? The club rules for PDI state "Our projector assumes that images are in the sRGB colour space. Ideally, if you use a different colour space for working, such as AdobeRGB, your images will project closer to your expectations if you convert them to sRGB during the resampling process. Do not worry if you don’t understand colour management – most images will not be affected significantly by this, so ignore it if you’re not sure. The PhotoEntry site will confirm if you have used the correct colour space and can convert it to sRGB is required." So I've always just done sRGB, which I think AP must have just done to that format. Just opened AP1 & that had colour profile empty too, but both have embed ICC profiles ticked Windows Photos has been updated & so far as I can see there's no window or view menu. I've tried alt V, alt w etc. Nothing - but I could download "Photos Legacy", which may be what you're thinking of Quote Link to comment Share on other sites More sharing options...
DebSki Posted November 21, 2023 Author Share Posted November 21, 2023 How obvious is it that I don't really understand the whole colour profile thing?😀 Quote Link to comment Share on other sites More sharing options...
stuck Posted November 21, 2023 Share Posted November 21, 2023 18 minutes ago, smadell said: if you have a BenQ monitor, why are you limiting your editing to sRGB? A quick search for the specs of the OP's monitor suggests it is a basic model, with only a TN not and IPS panel. Given that it seems unlikely that it could handle the Adobe RGB colour space. Quote Link to comment Share on other sites More sharing options...
smadell Posted November 21, 2023 Share Posted November 21, 2023 Most folks I've read or heard tend to recommend editing in a wider color space (AdobeRGB or ProPhoto) which supports wider color gamuts, even if the ultimate goal is to export the result in sRGB. I've found this to have modest benefits, at best, but it is considered "best practice." I have set up some presets in the Export dialog for this purpose. Specifically, the preset I use often is set up to Resample - Lanczos 3 (non-separable); Quality - 95%; ICC Profile - sRGB (embedded). This lets me work in a wide color space (I use ProPhoto) and convert on export to sRGB. This has gotten me good results. Would it matter if I did my editing in sRGB start to finish? Probably not too much, but I've heard that it helps when dealing with very bright and very saturated colors, even if they get "dulled down" by the final conversion down to sRGB. By the way, "Show Context Toolbar" is toward the bottom of the View menu. Here's a link to an old (version 1) video that might help a bit: Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023}; 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 17 Link to comment Share on other sites More sharing options...
DebSki Posted November 21, 2023 Author Share Posted November 21, 2023 Thanks. Very interesting. I'll have to have a play Quote Link to comment Share on other sites More sharing options...
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