augustya Posted September 22, 2023 Posted September 22, 2023 I am trying to reduce shine on a person's face in a Photo and I am trying to paint over the shiny areas with the surrounding colour on the skin and then use blend mode to reduce the shine. I also have other layers including frequency seperation, so now when I try to reduce the shine on the pixel layer I have created for this I don't see any change. is it wrong with where I am placing the pixel layer as in the sequence or what ? Where do I need to place the pixel layer if I have a lot layers including frequency seperation Quote
dominik Posted September 22, 2023 Posted September 22, 2023 2 minutes ago, augustya said: I am trying to reduce shine on a person's face in a Photo and I am trying to paint over the shiny areas with the surrounding colour on the skin and then use blend mode to reduce the shine. I also have other layers including frequency seperation, so now when I try to reduce the shine on the pixel layer I have created for this I don't see any change. is it wrong with where I am placing the pixel layer as in the sequence or what ? Where do I need to place the pixel layer if I have a lot layers including frequency seperation Hello @augustya, from you description it is not easy to tell what is going wrong. If you are using the Stamp Tool to pick up colour from surrounding areas make sure you have selected as source 'current layer and below'. Otherwise you are picking up colour from an empty pixel layer. Otherwise you might post a screenshot of the whole app window so we can try to see your situation. d. augustya 1 Quote Affinity Suite on Windows (V2) and iPad (V2). Beta testing when available. Windows 11 64-bit - Core i7 - 16GB - Intel HD Graphics 4600 & NVIDIA GeForce GTX 960M iPad pro 9.7" + Apple Pencil
augustya Posted September 22, 2023 Author Posted September 22, 2023 1 minute ago, dominik said: Hello @augustya, from you description it is not easy to tell what is going wrong. If you are using the Stamp Tool to pick up colour from surrounding areas make sure you have selected as source 'current layer and below'. Otherwise you are picking up colour from an empty pixel layer. Otherwise you might post a screenshot of the whole app window so we can try to see your situation. d. Interesting observation and suggestion let me try and report back if it works. Quote
smadell Posted September 22, 2023 Posted September 22, 2023 Hi, @augustya. Try watching this YouTube video by Blake Rudis from f64 Academy. It sounds like it addresses exactly what you’re describing. cheeseslope and thomaso 2 Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023); 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 18
augustya Posted September 22, 2023 Author Posted September 22, 2023 3 hours ago, dominik said: Hello @augustya, from you description it is not easy to tell what is going wrong. If you are using the Stamp Tool to pick up colour from surrounding areas make sure you have selected as source 'current layer and below'. Otherwise you are picking up colour from an empty pixel layer. Otherwise you might post a screenshot of the whole app window so we can try to see your situation. d. Hey You know when I try to add a pixel and try to paint the hot spot the shiny areas in the surrounding coloutrs there is no source option available there ? And so it is still not working. Here is the screenshot of how my layer panel looks Quote
augustya Posted September 23, 2023 Author Posted September 23, 2023 I am trying to follow this same step and method mentioned in this video at 4:01 and with all the other layers that I have (Screen Posted above) I am not getting any result when I perform this step nothing happens ? Can anyone help me ? why is nothing happening for me ? Quote
dominik Posted September 23, 2023 Posted September 23, 2023 13 hours ago, augustya said: Hey You know when I try to add a pixel and try to paint the hot spot the shiny areas in the surrounding coloutrs there is no source option available there ? And so it is still not working. Here is the screenshot of how my layer panel looks What tool are you using to paint in? I would always put the pixel layer immediately above the original image. Thus all retouching gets the same processing by all layers above. That at least is my workflow. I am not sure but it might be that some of the masks above the pixel layer are masking your painting away. Can you perhaps post your workfile to look at it directly? d. Quote Affinity Suite on Windows (V2) and iPad (V2). Beta testing when available. Windows 11 64-bit - Core i7 - 16GB - Intel HD Graphics 4600 & NVIDIA GeForce GTX 960M iPad pro 9.7" + Apple Pencil
augustya Posted September 23, 2023 Author Posted September 23, 2023 36 minutes ago, dominik said: What tool are you using to paint in? Normal Paint Brush Tool. Quote
thomaso Posted September 23, 2023 Posted September 23, 2023 5 hours ago, augustya said: I am not getting any result when I perform this step nothing happens ? It could be your current brush settings in the Context Toolbar, e.g. brush size, opacity, blend mode, protect alpha … To check if any layer above and below this pixel layer (e.g. the brightness/contrast adjustment) might reduce the visibility of your brush strokes, you can view this current pixel layer in an 'isolated' mode: Therefore click its layer thumbnail with the alt-/opt- key pressed. It will display this layer only without the need to change other layer's visibility in the Layers panel options. dominik 1 Quote • MacBookPro Retina 15" | macOS 10.14.6 | Eizo 27" | Affinity V1 • iPad 10.Gen. | iOS 18.5. | Affinity V2.6
smadell Posted September 23, 2023 Posted September 23, 2023 Sorry to beat a dead horse, but the method I suggested above is so simple, and yields good results with minimal clumsy hand painting, masking, or frequency separation. Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023); 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 18
thomaso Posted September 23, 2023 Posted September 23, 2023 5 minutes ago, smadell said: so simple, and yields good results with minimal clumsy hand painting Currently, the problem seems to be that the OP does not see a 'simple' brush stroke on a 'simple' pixel layer: 9 hours ago, augustya said: Can anyone help me ? why is nothing happening for me ? Quote • MacBookPro Retina 15" | macOS 10.14.6 | Eizo 27" | Affinity V1 • iPad 10.Gen. | iOS 18.5. | Affinity V2.6
augustya Posted September 23, 2023 Author Posted September 23, 2023 1 hour ago, smadell said: Sorry to beat a dead horse, but the method I suggested above is so simple, and yields good results with minimal clumsy hand painting, masking, or frequency separation. When I tried it with the settings that the Person in your Video that you linked suggest I get a very yellow looking face. which I dont want. Quote
carl123 Posted September 24, 2023 Posted September 24, 2023 11 hours ago, augustya said: When I tried it with the settings that the Person in your Video that you linked suggest I get a very yellow looking face. which I dont want. You don't use the same settings for each image. The technique is the same for each image but the settings will vary You need to find the right settings for your image or upload it so others can advise you what settings will (may) work in your specific case Quote To save time I am currently using an automated AI to reply to some posts on this forum. If any of "my" posts are wrong or appear to be total b*ll*cks they are the ones generated by the AI. If correct they were probably mine. I apologise for any mistakes made by my AI - I'm sure it will improve with time.
cheeseslope Posted June 8 Posted June 8 On 9/23/2023 at 11:46 AM, smadell said: Sorry to beat a dead horse, but the method I suggested above is so simple, and yields good results with minimal clumsy hand painting, masking, or frequency separation. This is an elegant technique! — just what I was hoping to find. Thank you! Quote
smadell Posted June 9 Posted June 9 5 hours ago, cheeseslope said: This is an elegant technique! — just what I was hoping to find. Thank you! Well, I’m glad that someone seemed to like it! Quote Affinity Photo 2, Affinity Publisher 2, Affinity Designer 2 (latest retail versions) - desktop & iPad Culling - FastRawViewer; Raw Developer - Capture One Pro; Asset Management - Photo Supreme Mac Studio with M2 Max (2023); 64 GB RAM; macOS 13 (Ventura); Mac Studio Display - iPad Air 4th Gen; iPadOS 18
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