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Found 459 results

  1. Is there a way to convert a Pen Tool path you make into a selection. There is a selection from layer I can do, but I would like to just convert the path into a selection, without having to create extra layers.
  2. Hello, A very frustrating phenomenon keeps occurring while trying to select parts of a picture in Affinity Photo for iPad. Even though anti-alias is turned off and feather is set to 0, the edge of the selection i still blurred and I’ve found no setting to fix this. Am I missing something here? All I want is to have a nice, crisp edge on my selections but it doesn’t seem work. Anyone having the same problem?
  3. Selection is something crucial in design software and should be intuitive and easy but at the moment it is very difficult to perform certain tasks when a project becomes complex. Example: I have an object which contains multiple objects inside of it, maybe houndreds, thousands and I have no way to find where they are located in the layers panel. On the canvas I can clearly see where they are and the simplest way to select them would be via a rectangle or lazzo selection, but "Hey, they're located inside of an object, so I can't, unless clicking on them one by one, but again, they're houndreds, thousands... so my only way to go at the moment is loosing that couple hours just to select multiple objects located inside of other objects. In complex projects, often imported from some other software, it's so frequent to get multiple objects stack inside others and in such an unorganized wayt that it's impossible to manage everything by hand. A very convenient way of selecting is offered in 3D modeling software such as Rhinoceros and the same system is also adopted in AutoCAD: When you draw a selection rectangle from left to right you select every object which is completely enclosed in the rectangle, but when you draw the selection rectangle from right to left you select every object that intersects the rectangle. Having something similar in AD and the others would be highly recommended! The image attatched doesn't represent a complex situation, but illustrates a very simple case. Imagine having thousands of separate lines here and there among the layers and you only need to select some of those and maybe some of the circles inside of the box. The most intuitive way would be to draw a selection rect all around the pieces of interest, and eventually adding more of such selections by pressing shift as always, but this is not possible at the moment, so please, work on this feature. It'd be a game changer. Thank you in advance for the attention and good work!
  4. If you have some connected textboxes, allocated over some pages and you mark text by using Command+PageDown, only text on the last page is visible selected/covered (see screenshot). Same behavior if you use the mouse. Its "only a cosmetical" problem, but it makes some unconfident feeling in the workflow.
  5. I wanted to thank the Serif team for adding what I called "Select Object by Trait..." (listed as #6 in last year's post) to Affinity Designer 1.9. It definitely helps speed up the workflow. I certainly appreciate the added functionality; great job!!! Hopefully we can see a few more of these remaining 8 features. I listed them here again and would love to hear people's thoughts on them. Most of these suggestions can span all the affinity desktop products, but some are Designer specific: 1. Organize Assets, Swatches, Brushes, Style Libraries with an edit mode, using an interface like the the "Presets Manager" in Shapes, to allow for re-arranging, renaming, moving between categories. 2. Stoke Pressure Profiles can be saved on an application level. Organize and manage, with an interface like the "Presets Manager" in Shapes. It’s all about efficiency, and not having to reinvent the wheel (stroke!) every time. 3. Layers Panel – Select objects and groups and rename them with a multi-rename tool. Instantly get organized so you and even other people can understand the layer groups and objects in your Affinity document. Interface would allow the user to add a numerical counter as a prefix or suffix when renaming. Handy before using Export Persona to create some basic naming conventions. 4. Sort Layer Groups or artboards in the Layers Panel alphabetically, ascending, descending. Yes, it will change the arrangement order, but properly organized groups can make complex file layers much easier to navigate. Handy for PDF Exporting where the order of pages depends upon the artboard order. 5. Save selection sets that can select items spanning multiple artboards and also within groups. Often similar objects need to be adjusted or moved, but they are on multiple artboards or nested in other functional groups. This can quickly solve that problem. 6. Select by object trait (stroke color, stroke thickness, fill colour). A handy way to quickly select and adjust objects with similar properties. Otherwise selecting these can be a nightmare in complicated projects. YAY! THANKS FOR ADDING THIS AND MORE! 7. Select and replace non global identical colours. Does your client want all the red elements blue? What would they look like in teal or taupe? Play rapidly to your heart’s content. 8. Search Assets Panel ACROSS BOTH categories and subcategories, results displayed as filtered choices. Do you have multiple categories/libraries and need to find the right icon fast? This can save you time. Currently a search has to be made within each asset category, which can take some time if you have multiple asset categories. 9. Handy Show Grid checkbox in Isometric Studio Panel. True, you can use a keyboard shortcut, but it would be nice if this button was upfront. Handy when you are working in Isometric view you have to turn on and off the grid to see the artwork uncluttered. Chances are you have the panel open to constantly switch planes anyways… I hope this helps to add votes for the unsexy underdog features. 😊
  6. I have 2 colors black and yellow. I want to select only yellow area and delete it. Thank you.
  7. I want to copy a small square portion of a layer. I draw a marquee using the box marquee tool I copy I paste It pastes a new copy layer not the marquee selection . I can mask or fill but i cant seem to copy the selection. I'm obviously making a very basic error but i cant find it.
  8. Hello all... I am trying out the iPad version of Photo and really loving it. I have all the photoshop shortcuts down from years of use and spending some time figuring out the transitions needed. Prblem I am having is in two ares... 1 - When I make a selection in the selection persona and make my adjustments in the photo persona I can’t find the way to then deselect the marching ants! Why is there not (unless I am just missing it) a “deselect” or “hide” command? 2 - Why can’t I just paint a mask to do my adjustments with? One would think having a paintbrush to quickly paint over an area to do burn/dodge or the like would be a no brainer. THis is the only reason I use photoshop fix, it is soooooo simple to make these adjustments. Again, I may just be missing it so please help me out. Thanks! Bruce
  9. Hello, is there any shortcut to use will have a selection tool to change between add and subtract instantly? Like in PS? This will make my life waaaay easier. thank you!
  10. I just have two questions (and probably more later) 1. how do you temporarily hide selections? in Photoshop, you can do this by pressing Ctrl+H. I often use this feature when i'm painting and prefer not to constantly ticking boxes or selecting something. its much faster if I can just assign a key to it so I can use it on my drawing tablet's express key. 2. when using the color picker, a big sphere/circle will appear in order for me to get a good view of what the color i'm selecting. is there a way to disable this sphere/circle? or atleast maybe reduce it size? cause unfortunately its too distracting as it blocks a large portion of whatever drawing/image is behind it.
  11. Text frame tool buggy behaviour Affinity Designer v1.8.6, macos Catalina 10.15.7. Reproduce: Set cell stroke > 0 on a tab " " or a space " ". After doing that you can visualize the bug by moving the cursor around the text frame. The cursor will change into an editing caret even if you're far outside the text frame. Also if you click with the selection tool somewhere above and well outside the text frame; it will still be selected. Select the text frame and export "Selection without background". Expected result: a pdf showing only the text in the selected text frame. Actual result: the pdf displays white areas to the top and left of the text frame extending all the way to the top and left edge of the page as it was appearing in Designer. See below for a better explanation:
  12. I'm trying to figure out what this does. It's an option and there is an icon for it in the context toolbar (attached) when the Pen Tool is active but I can't seem to figure it out. The Help description describes what it does but isn't working for me. Can anyone enlighten me? Thanks!
  13. Hi, everytime I transform (resize) a simple selection (using the quick mask mode and then the move tool) i get soft / feathered edges of the selection afterwards. It's possible that I am not aware of some settings or I am doing something wrong but to me this seems like a bug. I attached a picture with description how to reproduce the bug. Affinity Photo Trial 1.5.1.54 Windows 7 64bit
  14. Hello! I've been trying to use Affinity Photo for a while (trying to switch from Photoshop I've been using for many years), and I noticed that there are some features missing. But I will only ask you to add this one, since not having it in the editor is terribly annoying. Please add the ability to align objects/layers to Selection Frame. Like so: In this example, the objects are aligned to the center of Selection Frame. Having this feature (aligning to Selection Frame) would help a lot! This is how "align to selection" works in Photoshop, and sadly doesn't in Affinity.
  15. Hi, ist there a similar tool in AP to select a color range like in PS. Currently im struggling to achieve similar good result like in PS. Thx.
  16. When using the refine feature with selection and applying a mask the resulting mask is grayscaled. This might be nice for most cases, bot not in mine. Is there an option so the selection is 100% just the pixels which are shown in the UI? Best case would be an option to remove the Alpha of the selection or whatever causes this. Or can I maybe apply a treshold to the mask layer? Regards
  17. Hi, To remove the background around an object in a photo I can use the pen tool and draw a shape above it then use that shape as a mask. I want to use a selection made with the selection brush, turn it into a shape to save me time. (I find adjusting shape masks much more efficient than playing with selections.) Is this conversion from selection to vector shape possible in Affinity Designer? Thanks
  18. I have a substantial issue I am hoping to resolve. I do a lot of architectural retouching, and I often copy-paste small elements all over an image, often from one side to another. I always have to distort/perspective/warp these objects to make them match up. Every time I move or distort an object on a layer, the layer increases in size by the amount of change. So if I copy/paste a region of pixels, then move it across the image to the other side, Affinity thinks the now transparent pixels somehow still have content, and increases the layer size accordingly. If I Command-Click the layer, the selection edges include the now empty pixels. Also if I try to use a distort filter, the handles encompass the entire expanded layer. This makes it nearly impossible to do accurate distortion. I have tried and tried to isolate just the actual pixel content, up to and including selecting the non-transparent pixels and creating a new document. Affinity refuses to accept that the transparent pixels are empty, and includes them in the entire operation. So if I move a 100x100 pixel selection across the image by 4000 pixels, I now have a 4000 pixel layer, that Affinity refuses to trim or crop. Even after I carefully select everything in the mask layer except the white, hit delete, and Command-click the layer again, it still shows the selection bounds including every other location where I moved the content.
  19. I've been trying to find out how I can fill in/place an image within the selection areas I picked out via selection tool. See below. I am trying to put a low opacity flag in that selected area where the sunset skies are. Make sense? Any help is appreciated. Thank you!
  20. Hi, I'm just switching from PS and I cant find couple of tools for work. 1) Perspective tool. Is there any perspetctive tool what work like perspettive in photoshop raw? Somethink what is in this video (old version of PS). I realy like how easy and well this tool work, and I can't find any tool what works that well. Clasic perspective tool is not that good for me becouse it fill the whole canvas, thats wrong... The tool on PS just aligns angles to 90° and its fine. Another tools for perspetion are realy slow and not so accurate (for example this) 2) Quick selection by one click. Is there any option to select an object (from example on white or one-color background) by one clic? Something like this . I realy miss this tool, when a have to select a lot of object (product's) and i have to do it manualy by pen or selection brush tool (even with refine) it is realy boring and time consuming. In PS i liked how easy it is - I just click and most of selection is done. Thank very much!
  21. Hello, I'm just playing around with Affinity Photo and I was wondering if there is a way to convert a selection to a path? I know that it's easy to generate a selection from a path but can you go the other way? cheers, -tomek
  22. When using the rectangular marquee tool, sometimes I know the exact pixel dimensions that I need to be selecting. I would like to have the ability to specify a selection box size and/or ratio, rather than simply dragging an area.
  23. A "Select Same" option (as in Adobe Illustrator) would be incredibly useful in Designer to select objects that share the same appearance. That way a user could select, say, all vector objects that have the same stroke weight, or colour fill, or colour stroke, etc. This would make editing and recolouring complex vector files a lot less taxing and time consuming, and a lot more streamlined.
  24. In both AP and AD, I have created a reference layer (1), placed a photo on it, and lock that layer. Another layer (2) was created and is being used to hold elements traced from the locked layer. The problem, I cannot box-select the elements on the second layer if the box begins over the photo on the locked layer. Even though layer one is locked it get selected. I can also just click on the background image on that locked layer and select it, of course, I can't do anything with it once selected...because it is locked. The question: Is there a setting I am missing that prevents the object on the locked layer (or locked object) from being selected? Seems to me that if something is truly locked I should not be able to select it. Thank -Bill
  25. The appearance panel is great! I love the trick of alternating strokes to get a multi-stroke effect. See attached for example. I have been stress testing this use case and I have some serious frustration points : I have to edit each stroke one at a time. I kinda want to select multiple, duplicate settings across many, such as 'scale with object' or round/square etc. Once I have all the strokes set up how I like, copying the style to other elements is very unpredictable. The last selected stroke in the list *Only* will have a scaling applied (I assume based on its 'scale with object' toggle). Attached is a screenshot. See how after the copy/paste, one of the strokes (the selected one, indicated by the dot in the appearance panel) has received the 'scale with object' transform while the others have not. Now, lets go to the Style panel to save the effect, the same problem will occur when reapplying the style- only one of the strokes last selected will be unpredictably scaled. In theory my solution is that All strokes scale uniformly when applying to new objects, and I can easily disable this by selecting all the strokes in the appearance panel and unchecking 'scale with object'.
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