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Found 6 results

  1. When developing a Raw image with an XMP sidecar Affinity Photo loses vital metadata (similar to darktable and raw therapee). Only Lightroom preserves the metadata. I attach a screenshot of Geosetter and an Excel table summarizing the result. While non of the programs is perfect, Lightromm is the only raw converter with a decent handling of metadata. Affinity is good, albeith not perfect, when loading from jpg and exporting to jpg. It would be nice if the raw converter would keep the metadata. Thanks metadata-not-conserved-table.pdf metadata-not-conserved-table.xlsx
  2. RAW development in Photo limits color gamut to sRGB. This is independent from the color settings. On my system color space is set to Adobe RGB. See picture. The status line during raw development shows "sRGB... (linear)" for a brief moment. See second picture. May be this is the bug in the processing cue. Color gamut was checked with softproof layer. No other colors than sRGB, i.e. no grey areas. Same raw file with different raw development tool results in wider gamit, i.e. appearing gray areas when checking against sRGB. The behaviour is in Photo 1.6.4.104 and in the beta versi
  3. In the portrait tutorial here made by Affinity, we see that the editor doesn't do much editing within the RAW develop persona. Is this a matter of personal preference or rather a good editing workflow? And as a follow-up, does applying something like shadow recovery in the Develop persona perform any better or worse than the shadow recovery layer in the Photo persona?
  4. I have just used Affinity Photo (Windows Trial version) for about a week. It is really an amazing piece of software - I'm especially impressed by the easy to use user interface and how fast the software applies adjustments to the images. Great usability design! However there are a few things that bugged me and I'd not want to move to Affinity without them - maybe I've been ignorant on some hidden tricks - if anyone could advise, I'm willing to learn and reconsider: Cannot save Raw adjustments - I have to restart from zero if I have to stop working on a raw file in the middle C
  5. I read a Swedish photo mag review on Affinity Photo. The Raw development was compared to the one in Adobe Raw. In a heavily underexposed photo the shadows are greyed out if turning the exposure and shadows compensation up. I examined in Adobe Camera Raw as well as in Canon Digital Photo Pro. I took this well under exposed photo in my kitchen to get an extreme contrast. I used the same methods in all three raw editors. Just turning up the exposure compensation and shadows compensation. Adobe Camera Raw is quick easy to handle with best result, DPP not far behind. Affinity Photo's result wa
  6. Since 1997 I’m a professional user of Adobe’s software, mainly Illustrator and Photoshop and since 1999 also of InDesign. At our company I’ve decided to stick with Adobe CS4 and some recent version of a GMG PDF Color and Proof Server because those will do what is needed for professional printing, later a Prinergy RIP will do what is necessary for CTP plates. End of workflow. Keep it simple, it’s all about some odd color separations. TBH, for private use at home Gimp, Raw Therapee, Inkscape and Scribus will do the job. And here we are, at the edge of the huge gap between Adobe an
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