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Found 10 results

  1. I am a new purchaser of Affinity Photo and have been working through your Affinity Photo Workbook. On page 126 entitled "Further Manipulating Layers", the locking of layers has no effect. I can move them, group them, rename them and change parameters without restriction while layers are locked. Affinity Photo version 1.6.5.135 Windows 10 Home, version 1809, OS build 17763.316 File name: layers_naming_locking.afphoto Thanks.
  2. Affinity Photo version 1.6.5.135. I have just noticed that the history panel is not visible in the photo persona. How do I get it back? Thanks, Jim Lawrrence
  3. Just purchased Affinity Windows version today. Why would the shape or position of the histogram be different when viewed in the Develop Persona compared to the Photo Persona. Attached are two screen dumps, 1) A RAW file just prior to developing, 2) The same image immediately after being developed. I find it difficult to adjust a RAW image due to the positioning of the graph in the Develop Persona. My camera is an Olympic EPM1, the image is an ORF. 2016-12-11_220225.pdf 2016-12-11_220309.pdf
  4. Hi, I love the software, but miss some crutches I often use in other software. I would like to request that I can show/hide highlight clipping alerts in the photo persona. If I push e.g. a levels adjustment too far, I can see where in the image I am clipping, and decide whether I want to back off. Thanks. Wouter
  5. In the portrait tutorial here made by Affinity, we see that the editor doesn't do much editing within the RAW develop persona. Is this a matter of personal preference or rather a good editing workflow? And as a follow-up, does applying something like shadow recovery in the Develop persona perform any better or worse than the shadow recovery layer in the Photo persona?
  6. I would like to be able to save an image directly from the develop/RAW persona without having to do a roundtrip through the photo persona. This would be especially great if the edits could be saved non-destructively. Some pictures don't need editing with the photo persona, this would definitely speed up my workflow for certain images.
  7. Hi, I love the software, but miss some crutches I often use in other software. Rawtherapee has a really neat feature where the gray and rgb brightness values for the pixel you are hovering over are indicated in the histogram. I find this very useful for quickly checking my work. Once I start adjusting curves, levels, etc. it's easy to lose track of the desired brightness and color (e.g. Glowing eyes, reddening skin, etc.) and this really helps remaining in the proper ball-park, by providing a quick and easy check. I would love to have this! thanks! Wouter
  8. Happ Friday all B-) Whats the blackpoint adjustment in develop persona equivalent in photo persona? Cheers Peter
  9. I just downloaded beta and found it to be somewhat familiar to Draw 8 and that's good. My problem is I drag and drop JEPG into application and it does not come up with photo persona, I always end up in draw persona. I have looked through many menus looking for photo persona and can't find it. Running windows 7 (64 bit). What going on......Thanks
  10. It would be great to have global clipping warnings inside of the regular Photo persona. Photoshop has implemented clipping warning overlays as part of a few tools, such as Levels and Curves, but it won't for instance help you when you are trying to use the dodge and burn tools to get a pure white or pure black background and other workflows. Since I assume that this is already planned as part of the Curves and Levels improvements on the roadmap, I would suggest to make it a view option, accessible either from the View menu or in the Histogram/Scopes panels that can be used at any time, with any of the tools available instead of adding it only to two or meticulously adding it to all sorts of adjustments manually. Holding Option inside Levels/Curves and on the Luminosity slider in HSL adjustments, Black&White etc. would then temporary toggle that option to the opposite of its current setting (i.e. on when it's off and off when it's on). Video cameras often implement the overlay as a zebra pattern, and you can customize the threshold at which it shows up. That's actually a useful workflow for other areas as well. For instance, you could have your clipping warnings at 95% if you wanted to see which areas are reaching a range that while they might not be clipped, would not show detail when offset printing the image. A preference to animate a zebra pattern inside the clipping warning, like the marching ants of selections do, would also make it help stand out when the image is visually very similar to the overlay pattern.
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