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  1. Below is my list of written tutorials I have done over the years. The first few were done using early versions of Affinity programs but they should still be ok. Some menus may have changed or tools look different but the basics are the same. Also most are for Affinity Photo, but some could be done in Designer. Plus the "Beginners Look at Affinity Photo" ones will pretty much be the same in Affinity Designer and Publisher as all 3 programs have same basic functions. PhotoPlus and Affinity Photo – make a fake Starry Sky background https://www.dropbox.com/s/3la5z4amc11wcgx/
  2. From looking at some of the wildlife & landscape pictures in this forum there is no doubt that there are many talented photographers here but I find myself no better off in my use of Affinity Photo just by looking at these stunning pictures. To be honest I could find the same sort of pictures just by using Google. What would be nice is if the people uploading these pictures could supply a before and after picture and detail the steps used in Affinity Photo to get to the final results. That way I am sure mine and others use of AP to create these stunning photos could be greatly i
  3. With these simple hatching styles you can hatch your vector objects in Affinity Designer or Affinity Photo. Affinity Publisher Beta seems not working yet (previews looks strange on my machine). DOWNLOAD: https://mensch-mesch.com/download/affinity-designer-schraffuren-hatchings/ With the red styles you can easily change the color of the hatching while using an adjusment layer recolor. Keep on drawin' Norbert
  4. I'm curious if anyone else out there is using Affinity products for making maps? These days , probably >95% of cartographers make their maps almost entirely within GIS software, but I was always frustrated by the limited options and lack of precision for controlling stylistic elements on maps in those software suites (both QGIS and ArcGIS), so I figured why not outsource the styling to Affinity products For those unfamiliar, mapmaking is not unlike standard graphic design. You have a document comprised of a bunch of different layers, some of which can be vector (like road lines, poi
  5. Hey Everyone! I decided to play with the Equinoxe cover reproductions. Post-production is done in Affinity Photo, but before that, everything in Affinity Designer.
  6. These are fake album covers I made with Affinity Photo for the Album Cover Challenge thing. I also included the a simple logo I made for my project 674D55F3-4B1D-45C2-9FA9-180D4776B1CC.MP4
  7. Inspired by the isometric grid 🙂 AD + AP 1920x1080, png 8bit
  8. Just a silly experiment which I was playing around with after half-remembering something I saw on a TV show. Nothing special, just thought some people might like to see it, and maybe it will motivate someone into making something better. (All the Live Filters I used on this really hammered my machine – poor little thing.) Note: In case anyone is interested, the globe was originally monochrome and the background was a full-colour photo, the rest was created in either Photo or Designer.
  9. Hello folks, My name is Dennis. I created this pixelated self-portrait a few days ago. Started it in Dottable, a pixel-art app on a mobile phone, then traced it in Affinity Designer with the grid snap feature. Then I added a few grunge textures over masked areas, imported it into Affinity Photo, and finished it off with LUT filters and monochrome noise for a subtle paper-like feel. I like how precisely the applications work together and that you can add pixel-based textures directly in Affinity Designer without having to change the application, it integrates very fluidly into the wor
  10. Hi everybody, Probably a silly question, though still worth asking: how do you ad selections when you have already created one? Example: pick the Lazo tool and select an area of your image (or the Rectangular Marquee... Any selection tool really). Now select another area while maintaining the previous one intact. Just add more selections after the first one in the same image. In Photoshop you just hold "Shift" and keep adding selections. Second question: customizing the keyboard shortcut doesn't seem to work. When I insert a new shortcut, in my case "ALT + Backspace" to fill t
  11. These are designs I created in Affinity Designer and Photo. Inspired by 70's Anarcho punk band Crass from the UK. I am using these for my attempt project called PIPE BOMB MEDIA. I'm the guy sitting in the "I'm Already Dead" image, I am also using the pseudonym "Manifest Destiny" for this project. I am a really big fan of this style and minimalism in general.
  12. I'm testing Affinity Designer for the first time and I really like the ease of making complex shapes. I've never been much into Illustrator before, so Affinity is just what I need! I'm looking at the list of export formats and I couldn't find TGA. Don't know whether to think that's strange or not, but for game engines, TGA seem to be used more than I knew before. At the game design school I graduated from, we were encouraged to use TGA for UI elements. I thought that was strange to begin with, but I stuck to it. Now I'm modding a game, and the game wants TGA. It becomes a bit of a
  13. Please get some of your developers/designers/testers 5k iMacs to test with. I'm sure the UI works well with a laptop/notebook sized screen but as far as I'm concerned it's unuseable on my iMac. I am 54 years of age and wear glasses but I work with loads of other apps on my iMac with no problem. I'm not asking you to change your UI - just to add the option to scale it up. I know you have some preferences to scale things up but none of them get anywhere near making the UI useable for me. I love your apps, I love your company, I just can't work with the miniscule icons and text. :)
  14. Hello, I would like to ask if it is foreseen to translate the Affinity Photo to other languages. I'm especially interested in Czech language. I have no trouble in using English at all but there are older generations of photographers that would love to have the Affinity translated. If there is no plan to do that, is there a simple way for me how can I do that? Thank you for your answer in advance. Jakub
  15. I've drawn an illustration of a crocodile for no reason except too much time. 🙂 I'am working with Designer and Photo on a windows pc with a wacom tablet attached. The original photo was taken by vaun0815 at unsplash.
  16. The last client illustration project I worked on in 2020, and the first one I've posted in 2021 - had an absolute blast creating this! 👾 I used Affinity Designer (for plotting the initial layout and perspective guides), and Affinity Photo, with an XP-Pen tablet, for the drawing/painting, colouring, and finishing effects. There's a bit more insight into the process on my Bēhance if anyone's interested: https://www.behance.net/gallery/111102577/Pips-Meadery-Code Hope you guys like it! Stay safe out there, Christi. 🤙 http://www.instagram.com/christidutoit
  17. Hi, I required Affinity Designer in november, so please bare with me. I saw Wonderwomen, a car and a plane made by really, really great artists. I have no intention to get that good, but to get better I need to share my work for getting suggestion and tips. I am at kindergarten level. Starting out with 2 courses at Udemy, watched dozens of youtube tutorials, and glad I got it so far. The fur on the head is kind of okay, the body does not really fit. thearms stick out too much, shadowing is pretty hard. THe eye is jpg, I was unsuccesfull in following 'art with Flo' . I can not get the
  18. Linking an image instead of embedding it, would be useful if you're working on different documents with the same file, i.e. a logo in a design phase. So if you change that logo it will be respected in every file it is linked. Besides that it doesn't increase your Designer file, that could be crucial if you're working with large files and make a lot of versions / copies of your Designer file. I think it's like the new version of the Photoshop Smartobjects (CC version). Would be great if this makes sense to you too and isn't too hard to implement. Thanks!
  19. Print Templates [ AFFINITY PUBLISHER | AFFINITY DESIGNER | AFFINITY PHOTO ] #1 Travel Agency Brochure DOWNLOAD HERE
  20. I love the aircraft from between the wars, they experimented and tried all kinds of airframes and paved the way for the aircraft we see today. One of those was the De Havilland DH 88 Comet. Three of these thoroughbreads were built for the 1934 air race from England to Australia. All done in Designer and Photo with oodles of Perlin noise in the background.
  21. Made with Designer and Photo. I went through the movie frame by frame for references and then came up with something that was a little modern but more anchored in the art deco design of the original movie. I also looked through Willis O'Brien's pre-production images of Kong since i wanted him to have a rougher look.
  22. Third magazine created with Affinity Publisher (and Photo and Designer). No Adobe products were used in the creation and proofing of this issue. There was a problem about halfway through the creation where Publisher 1.8 would seize up the file when saving and for whatever still unknown reason, the file could not be opened. All sorts of error messages. Thankfully there was a backup through Time Machine, although much work was lost. Paranoia set in and started saving copies every few minutes to several different folders. Sure enough, the same saving error occurred and file would be corrupted so
  23. I've finally entered the world of creative advertising, by submitting my entry to The Chip Shop Awards for judging next spring. Not a cheap hobby. Being allowed to create something witty, close to the knuckle and quite apt is something I've wanted to do for a very long time. This is my entry. It is an ointment manufacturer, helping out the seasonal homeless down under, buy their product and they'll donate the proceeds to a charity. Of course it is full of puns, some of you know me well enough by now! Its called How can you sleep when the Bush is burning? Pungent:
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