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Found 76 results

  1. I don't have time to search entire forums or the interwebs to see if someone else has ever suggested this feedback before. So I offer my apologies if my suggestions have already been covered. 1) Please can you provide a feedback function WITHIN the application it self. It's incredibly frustrating to have to use out dated methods of signing up to god-awful web-forums which just leads to nonconstructive replies of un-thought out opinions and arguments. It also allows you to correctly link feedback (and abuse) to the software license of the user and even categorise the feedback so you can easily see which areas are causing most concern to the user base. 2) Please can you fix the mouse icon when painting in masks in the develop mode. The standard OS mouse icon does not feel accurate to paint with. Also a nice to improve if possible: Painting often feels sluggish to see the red tint forming. If there is a way to make this feel more responsive without upgrading an existing 32GB RAM I7 processor machine, that would be lovely please. 3) Cropping in Develop mode is missing an "ok" or "finished" button. It's frustrating to be sitting back with my tablet, controlling everything then having reach over to the keyboard which I moved to one side, just to hit <enter>. I don't want to map the enter key to my tablet device as it's never used for anything else! if you simply put a button in the UI it will mean I can just move the mouse there and click! perhaps I've missed a trick that does what I want, but then that would mean it's not obvious and intuitive to the user. 4) Please update the flash function for uploading files on this forum. Who runs flash in 2017? Browsers auto block flash from running by default because it's nasty. 5) More of a question then a suggestion, but is there a way to rename the overlays in the Overlays tab in Develop mode? I have 3 gradient overlays, all with the same name! that's very confusing to simple minds like myself. 6) Although I generally hope you spend more time fine tuning what you have already developed, instead of just rushing out new features, it would be nice if there was an in-application function for browsing image files, with a nice big preview of the image and EXIF data, which you can then double click to open it in the develop mode. I don't think anyone wants all this "importing" and cataloguing rubbish which is very slow. But browsing files within Affinity with a UI that suits photographers that windows/macOS don't offer, would be a great win. Thanks for your time.
  2. Hi everybody, I just stumbled upon this and I cannot understand what this is and what this is for. I can't find it in the Designer help. It's this structure: I created an empty layer and moved an object on top of the layericon to crop it. I wasn't expect this to do anything, 'cause there isn't anything inside the layer to crop. But for some reason it DID add a crop/clip-layer to it. And it's giving strange results I don't get (look at the video in the attachment). Suddenly the icon of the layer changed into a folder icon and the childmask isn't masking the layer, but the layer(s?) under it. And to make it even more weird, when moving the layer underneith it this layer is making the first layer again.... strange It doesn't really make sense to me so far. This way it looks like we can mask layers underneath it, but is it really meant to work like this? Can we rely on this to be a feature, or did I perhaps hit some bug here? I am intrigued. Anybody knows how this feature is called, what's it for, when could we use this and is there some information about it somewhere in the help or elsewhere? And why did the icon change into a folder/group-icon? screenrec.mp4
  3. fotojindra

    AP Win - Bug - Mask to Below

    Hi, it seems to me that the feature "Mask to Below" does not work properly. When I have a layer (B&W) prepared to become a Mask and I do click "Mask to Below" it inserts some corrupted Pixel layer to the layer below :( Thanks Jindra
  4. Hello, guys! Affinity's gotten me under it's spell. I've been using Affinity Photo/Design a lot in my 10-days trial to see if I can do everything I used to on Photoshop with ease. I'm loving it. Most things have even an easier workaround. So, masking is one of the cool different approaches I've encountered, and it's pretty simple to get along with. However, I couldn't—by any means—make the following mask/compositing technique work. Am I missing something or just trying to explore beyond AP actual limits? Can anyone help me? Following are step-by-step of how I do it on PS and, then, how it didn't work on AP. Post-image: I forgot to write on the 3rd image, but, while inside the mask, I pasted it.
  5. Hi, Fabulous software (mac 1.6.7) so this isn't a moan - just an observation (and irritation if I'm honest!) The selection brush and the refine feature are much, much better that PS. However when I create a masked cut-out and then place it in another layout, unexpected edge lines are appearing ( see screenshot attached) If I go back to the original image and paint over these unexpected edges on the mask (note I can't see them on the mask) - I just paint where I assume the error to be. I then save the cutout and place it again in the AP layout. (I am looking forward to you getting linking sorted out). However the errors are still present. Baffled! The only solution I have is the crop the cut-out by 1 or 2 pixels. This solves the problem however it is not ideal. Anyone got any thoughts on this? Is it a bug or a feature?
  6. Hey Affinity Experts, I have been trying to erase a top border on two combined custom shapes. One shape is dark suit jacket while the other shape is a white shirt shape on top of black suit jacket shape. My problem is that when I layer the shapes a very thin black outline remains from black shape. See example. How can I remove this black top outline? Do I have to erase it or is there a way to layer the shapes that causes the black border line to disappear at overlap. Thanks!
  7. I'm on Affinity Designer. From the beginning the eraser tool has worked flawlessly to mask parts of layers that I wanted to hide/remove. Suddenly it doesn't. I click on the layer, go to pixel persona, and select the eraser brush tool. Now instead of masking chunks of layer with brush strokes when I draw: it simply does nothing. No marks are made. I've tried with both my tablet pen and my mouse (on surface pro 4) over and over again and the assistant adds the masking layer like it's supposed to, and the masking layer is there as a child layer to the layer I'm trying to mask--as though I have actually properly masked something--and yet nothing is done. It's like it's invisible on the screen. Nothing is erased from the original layer like it's intended to do. I haven't changed anything about the preferences or settings, I was literally working on the same drawing for hours and suddenly the eraser brush tool just did this (became obsolete) and I am not sure how to fix it. If anyone has any advice please let me know : (
  8. Absolutely loving Affinity Designer on the iPad, but there’s one thing that I just can’t figure out - working with masks. I usually start with making a pixel layer lineart drawing, set to multiply. Then I do the colouring, in either pixels or vectors in a layer underneath this. What I then need to do is to remove parts of the lineart that I don’t need anymore. I could of course use the eraser tool, but I prefer to do this in a mask, as I often change my mind about what works or not. However, when I add a masking layer to my pixel lineart layer, the quality of the line suddenly changes radically, almost as if it burns and disintegrates somehow, weakening the overall lineart a lot, without me adding any black to the mask whatsoever. Now I think this effect is kind of cool, but I don’t always want it, and I want to figure out why it happens and how to control it. What I’m looking for is adding a mask so that I can paint out the lines with my pixel persona brush tool, without Designer suddenly changing the quality of my lineart when I add that mask. I’ve watched the tutorials, but found no info to help me with this particular challenge. Should be pretty straightforward and simple, yet this trick eludes me in Designer for iPad. Anyone else encountered this, or have any experience with masking pixel layers in AD? - zei
  9. I have been playing around with some luminosity masking tools and the way they worked made me a bit curious as to why much of this could not be done easily with B&W images. That is, I assume I should be able to take a color image, create a black and white image from it using the B&W layer adjustment, refine that to include what I want and convert that directly to a mask for the original image. That process works with Photoshop but I can not get it to work with Affinity Photo. I did some searching looking for phrases like "Affinity Photo convert B&W to mask" and other similar phrases, and found several links, but none of the instructions actually seemed to do what I wanted. One, on this forum, said I should create the B&W image, rasterize it to a mask and drag the layer to the original image layer until a vertical blue line appeared, but I could never get the vertical blue line and always ended up with the B&W image grouped with the original image, and never got a mask. I am completely sure I am just doing this wrong. The tutorials talked about creating masks from selections, but I wanted to create the mask directly from a B&W image. Can anyone tell me how to do that? Thanks.
  10. Hi, I was recently experimenting with making adjustments to my Paint Brush tool under the "more" tab next to the "hardness" selector. After unsuccessfully creating a new brush, I reset the options. Now the brush tool does absolutely nothing. Doesn't work in masks, doesn't work by simply trying to paint different colors. Ive triple checked everything, opacity is 100%, flow 100%, Hardness adjustments, etc etc. I even uninstalled and re-downloaded the program to find that the brush tool is still not working. I attached a screen shot of the Brush "More" tab opened to see if that helps. Anyone have any suggestions? Thank you!
  11. So I only deal with vector art because I design t shirts and it needs to be vectorized. I don’t know what I’m doing wrong.. I’m trying to get an American flag to completely cover or ‘mask’ a figure that’s my original artwork for a Fourth of July design... I’ve tried the “mask to below method” but when I export as a pdf it still comes out rasterized which I can’t have... does anyone know what I’m doing wrong or could help me/ explain to me how add these layers together and have it come out vectorized? Thank you all so much!
  12. Hello I want to use an image (grayscale with no alpha) as a mask. How can I do it? Thanks
  13. have been a photoshop devotee for years and am trying to move my entire folio of work into Affinity. the one issue I am having is finding the equivalent of the polygonal lasso tool that is in Photoshop for trimming photos/layers? A lot of my work requires scanning in existing drawings and then trimming around them to give them a clean edge. I have been able to do this using the masking tools but cannot for the life of me figure out how to mask a clean, straight edge? I am probably being a bit thick but am really struggling to find a solution. Any tips would be appreciated. As I cannot seem to articulate what I am trying to say, I have taken some crude screenshots of what I mean and attached them,
  14. Hi there, newbie here so please go easy on me! I have selected my foreground and refined the selection nice. I convert the selection to a masking layer. I add a background and place this under my foreground. All looks good except there is the thinnest line of pixels around parts of the foreground. In ps I would select the mask layer then select using the lasso tool an area that i wanted to correct and apply a levels correction just on the mask, very effective and quick. Is there an easy way to do something similar in Affinity on the ipad? I’ve attached a crop illustrating what I mean. cheers, g
  15. I have watched and re-watched the video Clipping vs Masking by James Ritson and am unable to select the mask (child layer) without the layer. Clicking one selects the other. (ditto for a clipped layer) That is not what I see happening on the video as is done at 2:07 min on YouTube video. https://www.youtube.com/watch?v=cKrQ2BEFWMs This is similar to another question in the forum but the difference is that I don't want to separate the child layer from the layer, I Just want to manipulate each separately. Here is a quote from the other post by webb, "I have a pixel layer (say, Background) and have added a child filter. I would now like to move that child filter up on the stack, but can't seem to select it without selecting the pixel layer as well--both parent and child layers are highlighted and stubbornly insist on staying that way. This doesn't happen all the time, but when it does happen, I don't know what to do."
  16. How is it possible to cut out a shape from another in a non-destructive manner? I see that the "Subtract" shape in the toolbar does what I want it to do, but the result is not a compound or a mask, it becomes an edited shape. One work around I was thinking, is it possible to draw a shape with the pen tool, make it an active selection and perform an inverse selection and apply a mask to the shape?
  17. Hi, Quick question, I'm a newbie to the Affinity Designer Software. I want to create a text portrait (see image example below) but I am not seeing any tutorials on Youtube. Any tips? And can it be done on Designer or do I need to purchase Affinity Photo? Thanks!
  18. Hey guys, I have just begun to use this software and I am currently reading my way through the Affinity Designer Help articles. However, when I got to the sections on "Layer clipping" and "Layer masking", I got confused. It seems from the help articles that "Layer clipping" and "Vector masking" are the same thing. From the "Layer clipping" section: From the "Layer masking" section: Am I just dense or are these two things the same thing? If there is a difference, I want to know what it is and what the different use cases are. If not, I just want to know not to get hung up on this. Thanks in advance for any help that can be provided! bboysupaman
  19. Okay - I'm trying to accomplish something like this. I've got the basic shape - the colored circle in the background. I've got a black silhouette of the tree on a transparent background - here is my question: How do I burn the tree image through the circle all the way down to the dark blue background? I tried "Rasterize to Mask" but that just made everything disappear. I'm obviously not a pro graphic designer here, so please forgive my butchering of any industry terms - I'm just trying to learn how to accomplish this effect in as few steps as possible. If anyone can help I'd greatly appreciate it. Thanks.
  20. A feature I'd love to see after working with some complex masking with AP on the iPad is an easier way to jump back and forth between black and white when using a brush on a mask. Having two color swatches in the brush bar at the bottom when working with brush would be extremely helpful. Thanks for an excellent program.
  21. Hey, I regularly create non-destructive compound path. I then want to use these as masks and clip other layers to them. When I drag a layer onto a compound path, the path gets included into the calculation, rather than being clipped. How can I change this behavior and use the Compound Path as a clipping mask? Thanks!
  22. I've created a vector mask, for a vector, to make the image look degraded. How do I then combine this mask/aged look effect, so I get one complete vector layer, so I can scale and resize with no loss? Am I missing something obvious? Edit: 'Distressed Look' Chapter in Affinity Workbook p.324 should help. Any more pointers though, do let me know.
  23. Hi, I'm new to Affinity and have jut starred using it for Post production on my artwork. I was using Pixlr until Autodesk pulled the dickish move ever by cancelling everyone's subscription and so I needed an alternative. Now let me explain WHY I used Pixlr for so long. Yes it's beautique program designed for applying pre made filters for phone photo's. BUT .. it did one thing that no other program (Photoshop, Paint, GIMP etc) still doesn't do .. I'll explain what this is. So in pixlr one could chose a mask brush that allowed you to draw, or sloppily paint on the area of an image you wanted to affect. You could erase par of this mask if you accidentally masked too much .. or add to it. VERY simple. And you could feather the edge so there's none of that hard edge crap that you need to then arse around with. Photoshop could really learn from this. The point is that with this mask you could then affect just that area, adding highlights to faces, or desaturating, or adding filters .. anything ... you you could invert the mask and affect everything except what you originally masked. It was perfect. And then they cancelled the program. Sure Pixlr still works .. but without the 'pro' features that I need to do effective post work. So after talking with the guys at apple they put me on to Affinity. Now I gotta say that Affinity is seriously AWESOME! I'm loving so much of it but there's a few things I don't know if it does .. or how to do it. For instance .. In trying to recreate my old technique of masking a certain area I use an elliptical mask .. feather the edge to about 350 px .. and then apply an adjustment layer to highlight people or objects. Alternatively I can invert the mask and lessen the surroundings .. but the selection is very rigid. There doesn't seem to be a way to rotate the elliptical selection (I'm just tonne call this a mask even though i know technically it's not ... it's just easier), or to squeeze it after the fact. Sure I can redraw it but not being able to affect it's orientation after it's on the page is kinda limiting. I have tried using actual layer masks and I have NO CLUE how to make them do anything. I select layer mask .. do stuff .. and all I get is a red mask that then does nothing ... how do I mask specific places and things? That's what I need. Once I'm done with Affinity I still have to import to Pixlr as I like to apply some of the filters which darken shadows but also smooth them and it makes for a really deep looking image. I REALLY wish Affinity had stuff like this built in .. or some way to be able to make them. It's a combination of a slight Blur, darkening shadows, smoothing highlights and adding a slight glow to things. I can't see a way to do this in Affinity (just like I can't do it in Photoshop either). Yes I understand I'm a bit of a pleb with photography .. desiring the help of pre-made lens effects etc. But what can I tell you .. it works for me. So, I hope I've explained myself to the point where you can see what I'm trying to achieve. I feel confident I'll be using Affinity for a while to come. But there needs to be a way for me to select a more precise area in my mask .. and still be able to feather edges and add and subtract from the mask if necessary. Would appreciate any thoughts. Great app. Sparkie
  24. rajdarge

    Dodge and Burn Masks

    Just bought this software, cause I'm tired of the others: Mainly interested in masking, retouching, and special fx. So I create a mask (good work on hair masking ) but for the body of my subject, I normally use the the dodge and burn tool on the mask to darken or lighten as appropriate. Saves using the pen-tool, sometimes. The dodge/burn tool doesn't seem to do anything at all to the mask, and when I get mad and keep scrubbing at a place that doesn't change in any way - it enters a crazy death spiral and exits. Clearly there is a bug somewhere, but am I trying to do something that I shouldn't? So what gives?
  25. Hey guys, I am hobbyist user, so it's not a great deal if you cannot help me. I am trying to stack several photos, but to have the opposite of "object removal using stacks". I have four photos taken from the same point with my two friends sitting at the table and exchanging position between each shot. What I want to achieve is to have each of them several times in the final image. If I use Median stacking, then almost everything disappears from the photo with only table remaining and some ghosting. So I need to use masking, but that's where it gets a bit complicated. I tried Outlier stacking but that produces some artefacts and needs a bit refining, for which I also need some masking. For the stack I have live stacking checked. So I guess the question is how to most efficiently create masks from and for each stack layer? I figured I would select part of the one friend on one photo, e.g. hand, head and part of the body, and then I would apply the resulting mask to all other photos in the stack. But I would need to add all masks for all body parts to all photos... So that makes it a bit daunting. Not helping is that when I Alt-click on a layer and start selecting using Flood select tool that the selection outline is shifted several pixels to the left in comparison to photo itself. Also, I cannot get the tolerance to right amount; it always selects something from the background or not enough of what I need. Also, which blending mode would suit me the most? Do you have some other suggestion how to achieve what I want? Thanks! P.S. I've found that if I stack only two photos and then use Standard deviation as the stack operator that produces black areas where the photos are the same and some type of blending in the areas where there are differences. That seems like a good starting point for a mask. How to create a mask from such stack result?