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Found 5 results

  1. At the printer now and soon to be released digitally as well. As I've posted previously, created entirely in the Affinity universe. Still learning new bits with Publisher and that's usually a "when the need arises" kind of situation. I can't imagine going back to adobe. . . EVER! A note on the covers: these are alternates. What is being created by a 3rd party for what can only be described as misguided ego gratification, are a far cry from the high standards I hold myself to. Technically, they are an embarrassment and the flaws are blatant. In that regard, I present what WOULD have been the covers prior to design upheaval.
  2. I did all of this in Affinity design except for the character in the lower left. I drew her in Medibang, traced her in Inkscape and then added her to Designer
  3. Second full issue of Skin Art done COMPLETELY with Affinity Publisher, Affinity Photo, and Affinity Designer. This issue went smoother than the last and part of that is due to converting my library of Postscript fonts to Open Type (I posted earlier this year about problems with fonts in Photo and Designer and a bit in Publisher ( https://forum.affinity.serif.com/index.php?/topic/125130-strange-text-box-problem/&tab=comments#comment-688016 ). Happy to say that the proofing process with the printer went even quicker with a lot less technical issues. For those that are interested, it's available for order online and will be available in-stores on November 10th. Thanks again to Serif for giving me an excellent and professional alternative to adobe. Never going back.
  4. Way back in the good old 30s, 40s & 50s, before real science had begun to catch up with pulp fiction, there was a penchant among sci-fi magazines for mad scientists to experiment on scantily-clad ladies in glass vessels. I've seen quite a few on FaceBook pages lately, so I thought I'd have a go at making a realistic-looking one of my own, mostly in Affinity Photo.As far as possible I've used my own photos, but the unfortunate female is from Pixabay, the Mad Scientist is Doc Brown from Back to the Future with William Herschel's head (photo: Julia Margaret Cameron), the glass thingy is from off the internet; the tubing is some Affinity Designer image brushes I made for the purpose. The whole thing was largely inspired by Richard Hamilton's Pop Art collage Just what is it that makes today's homes so different, so appealing?. It grew organically, which means I had a half-formed plan in my head and mostly added stuff willy-nilly and moved it around till I was happy. Oh, and I had to paint everything electric-shock blue. I made this A2 size, which is a bit bigger than it needed to be really: the while thing is nearly 300MB, even after I'd flattened quite a few of the layers and groups. This is Hamilton's iconic work, which kicked off the Pop Art movement in 1956. In those days, cut and paste meant a pair of scissors and a bottle of Gloy!
  5. Yes in your local shops now... :D :lol: Just having a bit of fun with Affinity Designer, with this magazine design. Allan
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